A portrait study of a head drawn from a classical sculpture. The young boy has lots of hair and is smiling slightly, and head is turned slightly to viewers right.In the brc: marks, almost scribbles, charcoal marks, faint traces of shapes
A portrait study of a head drawn from a classical sculpture. The young boy has lots of hair and is smiling slightly, and head is turned slightly to viewers right.In the brc: marks, almost scribbles, charcoal marks, faint traces of shapes
Interior view of museum; cabinets and various art works on walls; two windows along left side. Appears to be a study in linear perspective.“MUSEUM OF FINE ARTS, BOSTON” in BLC“Peter White, FEB 11th” written in BRC
Interior view of museum; cabinets and various art works on walls; two windows along left side. Appears to be a study in linear perspective.“MUSEUM OF FINE ARTS, BOSTON” in BLC“Peter White, FEB 11th” written in BRC
Interior view of gallery at Museum of Fine Arts in Boston. Two chairs, a door, display case and window on right side. Walls converge at centre of drawing. The door is located on the left wall, nearly in the corner. A chair sits against each wall.“Museum of Fine Arts, Boston” in BLC“Peter White 7(?)…
Interior view of gallery at Museum of Fine Arts in Boston. Two chairs, a door, display case and window on right side. Walls converge at centre of drawing. The door is located on the left wall, nearly in the corner. A chair sits against each wall.“Museum of Fine Arts, Boston” in BLC“Peter White 7(?) FEB 4th” in BRC
A male figure throwing discuss. Figure is bend forward with left arm in front. Both knees are bent. Right arm swings discus backwards, poised to throw it.Faint lines likely used to guide anatomical proportions.Faint lines or drawings around figure possibly from transfer or smudging. Faint watermark…
A male figure throwing discuss. Figure is bend forward with left arm in front. Both knees are bent. Right arm swings discus backwards, poised to throw it.Faint lines likely used to guide anatomical proportions.Faint lines or drawings around figure possibly from transfer or smudging. Faint watermark along top edge: USA Strathmore CharcoalBottom left corner is stamped with circular STRATHMORE PAPERE and thistle design.Top Right: Peter White - 6-4-26/ Museum of Fine Arts