General colour: pencil on white. Two men in suits sitting at a table. The one in front faces right and is writing. The one behind faces more out and is reading. He wears glasses. Behind them in the upper left corner are book shelves. In the upper right corner is a lamp.
General colour: pencil on white. Two men in suits sitting at a table. The one in front faces right and is writing. The one behind faces more out and is reading. He wears glasses. Behind them in the upper left corner are book shelves. In the upper right corner is a lamp.
Blue/green lake in foreground; shoreline with rocks and evergreen trees centre right; indigo coloured mountain dominates the centre and top right of picture; snow capped mountains behind and right of picture; pale blue sky. Credit both The Banff Centre and Mrs. J. I. Brewster in any exhibition or p…
Blue/green lake in foreground; shoreline with rocks and evergreen trees centre right; indigo coloured mountain dominates the centre and top right of picture; snow capped mountains behind and right of picture; pale blue sky. Credit both The Banff Centre and Mrs. J. I. Brewster in any exhibition or publication of the collection, either in whole or in part. Banff Centre catalogue numbers: 81 0315 A; 20668.
A head and shoulders portrait of a young girl, she fills most of the picture. She is wearing a yellow scarf with purple ties and an orange jacket. She has bright brown eyes and is looking directly at the viewer. The background is light blue.
A head and shoulders portrait of a young girl, she fills most of the picture. She is wearing a yellow scarf with purple ties and an orange jacket. She has bright brown eyes and is looking directly at the viewer. The background is light blue.
In the foreground on the right side of the painting there are four green trees and a shore made out of mostly rocks. To the left and along the bottom edge a lake of bluegreen water sits in front of a brown mountain range. The mountains have snow on parts of the peaks and the sky is blue with white …
In the foreground on the right side of the painting there are four green trees and a shore made out of mostly rocks. To the left and along the bottom edge a lake of bluegreen water sits in front of a brown mountain range. The mountains have snow on parts of the peaks and the sky is blue with white clouds.
A realistic painting of a bay horse. He is facing to the left, has on a bridle, saddle and yellow rain slicker tied behind the saddle. The background is green.
A realistic painting of a bay horse. He is facing to the left, has on a bridle, saddle and yellow rain slicker tied behind the saddle. The background is green.
General colour: blue, brown. Rocks in lower left corner sit on a beach which goes along the bottom edge to the right. The water is calm and blue. The far shore slopes up to tall rocky cliffs on the right side. On the left these same cliffs are seen in the distance. The sky is clouded with a bit of …
General colour: blue, brown. Rocks in lower left corner sit on a beach which goes along the bottom edge to the right. The water is calm and blue. The far shore slopes up to tall rocky cliffs on the right side. On the left these same cliffs are seen in the distance. The sky is clouded with a bit of blue at the upper left of center edge.
This drawing is a stylistically loose portrayal of a mountain scene. This scene is comprised only of mountains and rock - no trees or such other landscape. There is a peak in TLC and the mountain slopes downward to another smaller peak in the TRC. The foreground of the piece is comprised of many…
This drawing is a stylistically loose portrayal of a mountain scene. This scene is comprised only of mountains and rock - no trees or such other landscape. There is a peak in TLC and the mountain slopes downward to another smaller peak in the TRC. The foreground of the piece is comprised of many loose rocks that are piled on top of one another and recede into the background. The line quality of the drawing in the foreground is much heavier and more detailed than the background. Shading in the piece is done mostly with cross-hatching.
The shore of Lake Oesa is visible in the foreground at the bottom of the painting. It is quite rocky. A small shrub or plant is sprouting out of the rock on the right side of the shore. The turquoise Lake Oesa stretches across the canvas. The lake meets up with the headwall of the glacier which …
The shore of Lake Oesa is visible in the foreground at the bottom of the painting. It is quite rocky. A small shrub or plant is sprouting out of the rock on the right side of the shore. The turquoise Lake Oesa stretches across the canvas. The lake meets up with the headwall of the glacier which forms the upper half of the painting. It is painted in shades of dark blue and purple. At the top of the painting, blue and white areas of the glacier are visible.
A male figure throwing discuss. Figure is bend forward with left arm in front. Both knees are bent. Right arm swings discus backwards, poised to throw it.Faint lines likely used to guide anatomical proportions.Faint lines or drawings around figure possibly from transfer or smudging. Faint watermark…
A male figure throwing discuss. Figure is bend forward with left arm in front. Both knees are bent. Right arm swings discus backwards, poised to throw it.Faint lines likely used to guide anatomical proportions.Faint lines or drawings around figure possibly from transfer or smudging. Faint watermark along top edge: USA Strathmore CharcoalBottom left corner is stamped with circular STRATHMORE PAPERE and thistle design.Top Right: Peter White - 6-4-26/ Museum of Fine Arts
A portrait study of a head drawn from a classical sculpture. The young boy has lots of hair and is smiling slightly, and head is turned slightly to viewers right.In the brc: marks, almost scribbles, charcoal marks, faint traces of shapes
A portrait study of a head drawn from a classical sculpture. The young boy has lots of hair and is smiling slightly, and head is turned slightly to viewers right.In the brc: marks, almost scribbles, charcoal marks, faint traces of shapes
Three mountain sheep in center left of picture, two facing front, one turned away - painted by Carl Rungius. Background painted by Jimmy Simpson shows brownish rocks in foreground on which sheep are standing, a mountain side runs from top left to bottom right, is blue with yellow tint towards top l…
Three mountain sheep in center left of picture, two facing front, one turned away - painted by Carl Rungius. Background painted by Jimmy Simpson shows brownish rocks in foreground on which sheep are standing, a mountain side runs from top left to bottom right, is blue with yellow tint towards top left. A snowy mountain side is in right background, some sky with yellowish clouds show through.
A stylistically loose drawing of a mountain scene. The view is looking in between two mountains who are cropped at either side of the page. In between them is one mountain who's peak is in the left third of the page. Trees are scattered across the mountains in the foreground.
A stylistically loose drawing of a mountain scene. The view is looking in between two mountains who are cropped at either side of the page. In between them is one mountain who's peak is in the left third of the page. Trees are scattered across the mountains in the foreground.