A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso s…
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso several stickers. At top white with black printing “THIS PAINTING HAS BEEN DONATED TO THE PERMANENT COLLECTION OF THE WHYTE MUSEUM OF THE CANADIAN ROCKIES AT BANFF. IT IS A GIFT FROM THE ARTIST, ROBERT GUEST OF GRANDE CACHE. 2012.” Sticker middle right is yellow with black print, “ CAUTION! HELP AVOID FADING: Display original artwork out of direct sunlight or other strong light, and away from heat or moist conditions!” Bottom left label, white with black printing, “#4. Wildfires./2011” NEW OILPAINT SERIES - 8X10 “ PANELS AT GRANDE CACHE, BY R. GUEST.” Bottom left sticker, blue with black print, see artist bio.
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burg…
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burgundy. On the back “Above the West Road Banff 24 H. G. Glyde.”
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
To the right of centre, the lower trunk of a large larch tree is visible. The trunk is outlined in black, and coloured brown and blue-grey (with touches of ochre and red-brown). In the upper half of the sketch, a few small branches, with brushstrokes indicating groups of yellow needles, are growing…
To the right of centre, the lower trunk of a large larch tree is visible. The trunk is outlined in black, and coloured brown and blue-grey (with touches of ochre and red-brown). In the upper half of the sketch, a few small branches, with brushstrokes indicating groups of yellow needles, are growing from the tree's trunk. In the middleground are groups of younger (smaller) yellow trees, with tall dark green evergreens behind them. Beyond the trees is a flat area coloured tan-green.
The third volume in the First Nations Language Readers series--meant for language learners and language users--this collection presents eight Blackfoot stories told by Lena Russell, a fluent speaker of Blackfoot from the Kainai (Blood) reserve in southern Alberta. In contract with other Algonquian languages, such as Cree and Saulteaux (Ojibwe), Blackfoot is not usually written in syllabics, so these stories are presented in the Blackfoot language using the Roman alphabet, together with the English translation. The spelling system is based on the conventions of the International Phonetic Alphabet, and should be transparent for native speakers of Blackfoot as well as for linguists. The Reader includes a Blackfoot-to-English glossary containing all the nouns, verbs, adjuncts, etc. , found in the texts, as well as stress or pitch accents over the vowel or vowels which bear the accent. (from University of Regina Press website)
Contents
1. Omohto´'totama'piihpi aahkssawa´ tsto'si Niitsi´'powahsini Why the Blackfoot language is important to preserve -- 2. Aatsi´moi'hkaani Prayer -- 3. Ni´nna Aka´o´hkitopiiwa #1 My Father, Rides-Many-Horses #1 -- 4. Ni´nna Aka´o´hkitopiiwa #2 My Father, Rides-Many-Horses #2 -- 5. Ami´i´ ohki´ni ki ama´a´ya na´i´i´pisstsiitapiima A finger bone and a rag doll -- 6. Ksi´ssta'pssiwa A Spirit -- 7. Isstoyi´i´si Cold Weather -- 8. O´mahksisttsi´i´ksiinaiksi Rattlesnakes -- Blackfoot -- English Glossary.