Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circle…
Across the Southern States to the Blue Pacific and Vancouver
Date
1925 – 1966
Medium
graphite on paper
Dimensions
14.5 x 21.0 cm
Description
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circled.Side 2: Pencil drawing of a car driving through a landscape of rolling hills. Mountains are barely visible in the background. This illustration is in a rectangular box. Below this box is a rectangle that is divided into four.
A handmade portfolio with “ART” written in black ink across the cover underneath a rectangular watercolour painting of a sailboat with pink and green rocks on the right-hand edge, black hills in the background, and “Lila” signed in the bottom left corner. The painting is bordered in black ink. The …
A handmade portfolio with “ART” written in black ink across the cover underneath a rectangular watercolour painting of a sailboat with pink and green rocks on the right-hand edge, black hills in the background, and “Lila” signed in the bottom left corner. The painting is bordered in black ink. The pieces of the portfolio are made of green-grey paper wrapped around a piece of cardstock, sealed on the inside with a decorative page consisting of hand-drawn black and yellow hexagons with simple floral designs inside them. The covers are held together with a length of red cord wound through three holes punched along one edge. There is an additional hole punched in the middle of the open edge.
An ink and pencil drawing of a title page where the title is arranged as such: BLIND DATE In the foreground a male figure in shorts, knee-high socks and a cap, stands contemplating the scene with his back to the viewer. He carries luggage. Troops carrying weapons march in lockstep away fro…
An ink and pencil drawing of a title page where the title is arranged as such: BLIND DATE In the foreground a male figure in shorts, knee-high socks and a cap, stands contemplating the scene with his back to the viewer. He carries luggage. Troops carrying weapons march in lockstep away from the viewer, and in the direction of the title text. Above the title, a tank drives to the viewer’s right, with mountains and clouds in the background.At the bottom and foreground, text reads: BY JOHN WINDSOR. The initials P.W. appear In the bottom right corner of the drawing.This part is rendered in ink and enclosed within hand drawn frame. Handwritten below the frame in pencil is the comment:Excellent- think title “BLIND DATE” should be bigger, bolder, dressier. Add “BY” John Windsor.At the topmost part of the paper, there is a pencil sketch of a tank, and a comment: “NO” with an arrow pointing to the ink-drawn tank within the frame.
Colour: primaries and secondaries on blue grey background. A circle of people fill the center of the canvas. In the foreground there are dogs and three crosses at lower left. Two thirds up in the distance is a mountain range and lake. Above is sky.
Colour: primaries and secondaries on blue grey background. A circle of people fill the center of the canvas. In the foreground there are dogs and three crosses at lower left. Two thirds up in the distance is a mountain range and lake. Above is sky.
A sketch or unfinished painting of a ring of nine teepees. The teepee in the foreground, viewer’s right, is the largest, has inside firelight and shadows visible. The teepee, in the foreground, viewer’s left, is partially visible, with shadows and light from within visible. There are two figures in…
A sketch or unfinished painting of a ring of nine teepees. The teepee in the foreground, viewer’s right, is the largest, has inside firelight and shadows visible. The teepee, in the foreground, viewer’s left, is partially visible, with shadows and light from within visible. There are two figures in the foreground, one in red, and one in blue and yellow and suggestions of others in the background. There is a low blue sky dusk descending overhead.
Nine Christmas cards. (a) A convoy of vehicles, last car is a convertible filled with various Rocky Mountain animals, a signpost to left (b) various Rocky Mountain animals sit on snowmobiles racing across the horizon (c) various Rocky Mountain animals on skis, a red-sweatered rabbit on snowshoes, …
Nine Christmas cards. (a) A convoy of vehicles, last car is a convertible filled with various Rocky Mountain animals, a signpost to left (b) various Rocky Mountain animals sit on snowmobiles racing across the horizon (c) various Rocky Mountain animals on skis, a red-sweatered rabbit on snowshoes, appears to be teaching them (d) various Rocky Mountain animals in a long canoe, the moose at the back is rowing (e) various Rocky Mountain animals working at easels with a man and woman on the left watching (f) various Rocky Mountain animals sit on a bench looking at a piece of abstract art on the wall (g) various Rocky Mountain animals on a sling being lifted by a yellow helicopter (h) various Rocky Mountain animals look at a sign Do not feed tourists danger big fine (i) various Rocky Mountain animals at easels painting, the backs of the easels are seen
A pencil drawing of the front of a car with two masked figures seated inside. They drive towards the viewer. Verso: Pencil drawing of a car’s profile, facing left. There is one figure inside
A pencil drawing of the front of a car with two masked figures seated inside. They drive towards the viewer. Verso: Pencil drawing of a car’s profile, facing left. There is one figure inside
Colour: orange, green and blue on yellow and blue. Yellow slope covered with figures all carrying shovels. There are two paths coming down from the upper ridge at left. Both skiers at the end of the path are buried in snow. Two figures at the lower end of the right path are measuring the width of t…
Colour: orange, green and blue on yellow and blue. Yellow slope covered with figures all carrying shovels. There are two paths coming down from the upper ridge at left. Both skiers at the end of the path are buried in snow. Two figures at the lower end of the right path are measuring the width of the path. The sky is clear blue above where seven skiers stand waiting their turn.
A realistic rendering of a man doing a jump turn, skis pointed off to the right, arms at sides with poles back into snow, snow trails from skis onto base which a is a wedge-shaped form, inscribed at front of base: “Peter Whyte '38”. Modelled by Peter Whyte and cast by Charlie Beil.
A realistic rendering of a man doing a jump turn, skis pointed off to the right, arms at sides with poles back into snow, snow trails from skis onto base which a is a wedge-shaped form, inscribed at front of base: “Peter Whyte '38”. Modelled by Peter Whyte and cast by Charlie Beil.
Colour: green, blue. Central image is a building with an addition on the back and two chimneys. There is grass in front. Trees behind to the left and one to the right in the distance. Pale blue sky is above.
Colour: green, blue. Central image is a building with an addition on the back and two chimneys. There is grass in front. Trees behind to the left and one to the right in the distance. Pale blue sky is above.