More than half the painting is a lake with the reflection of fall trees, yellow and green, and a mountain range behind. The top half is yellow aspens and evergreens on lakeshore and blue, purple, grey and white mountains with a light blue sky.
More than half the painting is a lake with the reflection of fall trees, yellow and green, and a mountain range behind. The top half is yellow aspens and evergreens on lakeshore and blue, purple, grey and white mountains with a light blue sky.
Bottom third of painting is a wide expanse of water with reflections of the mountains and riverbank. The water narrows mid-centre and has green reflections of treelined riverbank. The top half is grey, blue and white mountains with cloudy sky.
Bottom third of painting is a wide expanse of water with reflections of the mountains and riverbank. The water narrows mid-centre and has green reflections of treelined riverbank. The top half is grey, blue and white mountains with cloudy sky.
Blue, white and brown and green mountains dominate the painting. Snow capped peaks meet a blue and grey sky. Foreground is white, green and grey, late fall or early winter, strokes of of gree to the left for trees, a road centre and turning left. Right middle is blue, green and brown strokes and al…
Blue, white and brown and green mountains dominate the painting. Snow capped peaks meet a blue and grey sky. Foreground is white, green and grey, late fall or early winter, strokes of of gree to the left for trees, a road centre and turning left. Right middle is blue, green and brown strokes and also to the right trees climbing up a small ridge.
General colour: yellow tan, brown, with some black, white, red and orange. Mid-centre and viewer’s right is a charging bison. Above and behind it is a spotted horse and a rider who is spearing the bison. On the left side are three small red buffalo with orange centres decreasing in size, smallest b…
General colour: yellow tan, brown, with some black, white, red and orange. Mid-centre and viewer’s right is a charging bison. Above and behind it is a spotted horse and a rider who is spearing the bison. On the left side are three small red buffalo with orange centres decreasing in size, smallest being at the top. There is another small red bison with an orange centre in the upper right area.Au verso: CHARGE OF A BUFFALO COW - SARAIN STUMP - 1971
General colour: grey green. A man, wearing only a blue loin cloth and two feathers in his braided hair grips the neck of another man who kneels to the right of him. A ghost image of a bear grasping a bison is slightly superimposed on top of them. There is a horizon line of white figures - four to e…
General colour: grey green. A man, wearing only a blue loin cloth and two feathers in his braided hair grips the neck of another man who kneels to the right of him. A ghost image of a bear grasping a bison is slightly superimposed on top of them. There is a horizon line of white figures - four to each side of the central image.Au verso: “THE CONTEST” tlhc “436” encircled, rhtc “K.6” (remaining number hidden by archival tape)brhc “12” encircled, below “30” encircled
The head of an Inuit man, facing slightly to the right, is dressed in a yellow parka with light brown fur trim around his face, two red ties hang from the centre hood.
The head of an Inuit man, facing slightly to the right, is dressed in a yellow parka with light brown fur trim around his face, two red ties hang from the centre hood.
Bottom half is the blue lake with relflection of mountains above. Lakeshore with trees extends to the left. Mountain glacier white and grey meets water in the centre of the painting. Evergreens to the lakeshore edge on the right.
Bottom half is the blue lake with relflection of mountains above. Lakeshore with trees extends to the left. Mountain glacier white and grey meets water in the centre of the painting. Evergreens to the lakeshore edge on the right.
Colour: brown and white on yellow. Two small brown deer leap from viewer’s right two-thirds the way up. One antlered deer halts at the left side half way up. A running man wearing a loin cloth fills the centre space. His black hair with a feather in it flies out to the right.Au verso rhtc “111” en…
Colour: brown and white on yellow. Two small brown deer leap from viewer’s right two-thirds the way up. One antlered deer halts at the left side half way up. A running man wearing a loin cloth fills the centre space. His black hair with a feather in it flies out to the right.Au verso rhtc “111” encircled
Colour: brown, red, blue, black on yellow. A bare-breasted woman with a baby in a cradleboard on her back strides towards the viewer’s left side of the painting. A black dog, with his red tongue hanging out, follows the high top moccasins in her left hand. She carries a white shawl in her right han…
Colour: brown, red, blue, black on yellow. A bare-breasted woman with a baby in a cradleboard on her back strides towards the viewer’s left side of the painting. A black dog, with his red tongue hanging out, follows the high top moccasins in her left hand. She carries a white shawl in her right hand and wears a blue, red, green and white skirt. A smaller image of the woman and the dog are seen in the red oval which sits right of center on the red horizon line.Au verso: “TO THE MORNING”
brc is grey rocks, more than half the painting is the lake, blue with grey and white reflections. Top third is shoreline with mountain base in background. Evergreens dot the rocky shore on the left, evergreens up the the slope mid to right centre.
brc is grey rocks, more than half the painting is the lake, blue with grey and white reflections. Top third is shoreline with mountain base in background. Evergreens dot the rocky shore on the left, evergreens up the the slope mid to right centre.
Blue, white and brown mountains dominate the painting. Snow capped peaks meet a blue sky. Foreground is light green, hints of light brown to the left for trees, a road centre and turning left. Right middle is blue, green and brown strokes and also to the right trees climbing up a small ridge.
Blue, white and brown mountains dominate the painting. Snow capped peaks meet a blue sky. Foreground is light green, hints of light brown to the left for trees, a road centre and turning left. Right middle is blue, green and brown strokes and also to the right trees climbing up a small ridge.
The top half of the painting is mountain range of green, brown, blue and white. The sky is cloudy; blue, grey and white. A treelined escarpment meets the foot of the mountain range, sloping down toward the right half. The sandy cliffs are mostly white, with strokes of blue and green. The bottom qua…
The top half of the painting is mountain range of green, brown, blue and white. The sky is cloudy; blue, grey and white. A treelined escarpment meets the foot of the mountain range, sloping down toward the right half. The sandy cliffs are mostly white, with strokes of blue and green. The bottom quarter of the painting is strokes of dark green for evergreens and swirls of green and blue for other trees and bushes.
The foreground is a light yellow field with a grove of yellow fall aspen in the background. A grey ridge of rock behind these, topped by dark evergreens to the left, mid-centre there is a green embankment with a few evergreens dotting it and a line of yellow aspens to the right. The top half is gre…
The foreground is a light yellow field with a grove of yellow fall aspen in the background. A grey ridge of rock behind these, topped by dark evergreens to the left, mid-centre there is a green embankment with a few evergreens dotting it and a line of yellow aspens to the right. The top half is green, blue, grey and white mountains topped by a cloudy sky.
In the foreground is a brown and yellow field. Yellow aspen line the bottom of a dark brown and grey ridge. Evergreen and yellow aspen stand out on the top of ridge mid-centre. The top half of the painting is dark green, blue and brown with white tipped mountains topped by a dark blue and white sk…
In the foreground is a brown and yellow field. Yellow aspen line the bottom of a dark brown and grey ridge. Evergreen and yellow aspen stand out on the top of ridge mid-centre. The top half of the painting is dark green, blue and brown with white tipped mountains topped by a dark blue and white sky. It is a dark painting suggesting a stormy fall day in the mountains.
The central figure is a reclining deer on the bank of a small mountain lake in the forest. On either side of the deer are trees, some without leaves, a few evergreens and a small larch to the right. The lake is dark green and blue with light vegetation on the opposite side and a dark forest of ever…
The central figure is a reclining deer on the bank of a small mountain lake in the forest. On either side of the deer are trees, some without leaves, a few evergreens and a small larch to the right. The lake is dark green and blue with light vegetation on the opposite side and a dark forest of evergreens behind.
Half of the painting is a brilliant blue lake with sunlit reflection slanting through. On the bottom of the painting mid-centre left there are three rocks with five small evergreens. The top half of the painting is forest, glacial silt and the rugged grey, blue and white mountain above.
Half of the painting is a brilliant blue lake with sunlit reflection slanting through. On the bottom of the painting mid-centre left there are three rocks with five small evergreens. The top half of the painting is forest, glacial silt and the rugged grey, blue and white mountain above.
Unfinished sketch. Bottom half of lake and bushes are outline only. Trees are outlined in green and white, hills green and white mountains outlined in brown. Strokes of blue for the sky.
Unfinished sketch. Bottom half of lake and bushes are outline only. Trees are outlined in green and white, hills green and white mountains outlined in brown. Strokes of blue for the sky.