The third volume in the First Nations Language Readers series--meant for language learners and language users--this collection presents eight Blackfoot stories told by Lena Russell, a fluent speaker of Blackfoot from the Kainai (Blood) reserve in southern Alberta. In contract with other Algonquian languages, such as Cree and Saulteaux (Ojibwe), Blackfoot is not usually written in syllabics, so these stories are presented in the Blackfoot language using the Roman alphabet, together with the English translation. The spelling system is based on the conventions of the International Phonetic Alphabet, and should be transparent for native speakers of Blackfoot as well as for linguists. The Reader includes a Blackfoot-to-English glossary containing all the nouns, verbs, adjuncts, etc. , found in the texts, as well as stress or pitch accents over the vowel or vowels which bear the accent. (from University of Regina Press website)
Contents
1. Omohto´'totama'piihpi aahkssawa´ tsto'si Niitsi´'powahsini Why the Blackfoot language is important to preserve -- 2. Aatsi´moi'hkaani Prayer -- 3. Ni´nna Aka´o´hkitopiiwa #1 My Father, Rides-Many-Horses #1 -- 4. Ni´nna Aka´o´hkitopiiwa #2 My Father, Rides-Many-Horses #2 -- 5. Ami´i´ ohki´ni ki ama´a´ya na´i´i´pisstsiitapiima A finger bone and a rag doll -- 6. Ksi´ssta'pssiwa A Spirit -- 7. Isstoyi´i´si Cold Weather -- 8. O´mahksisttsi´i´ksiinaiksi Rattlesnakes -- Blackfoot -- English Glossary.
Nunatsiavut, the Inuit region of Canada that achieved self-government in 2005, produces art that is distinct within the world of Canadian and circumpolar Inuit art. The world's most southerly population of Inuit, the coastal people of Nunatsiavut have always lived both above and below the tree line, and Inuit artists and craftspeople from Nunatsiavut have had access to a diverse range of Arctic and Subarctic flora and fauna, from which they have produced a stunningly diverse range of work. (from Goose Lane Editions website)
Contents
Foreword / Vicky Chainey Gagnon -- Tending the Kudlik: four generations of tradition and innovation on the Labrador Coast / Heather Igloliorte -- InutuKait = Elders / introduction by Jenna Joyce Broomfield -- AkKusiuttet = Trailblazers / introduction by Aimee Chaulk -- Ikualattisjet = Fire keepers / introduction by Christine Lalonde -- Kingullet Kinguva^tsait = The next generation / introduction by Barry Pottle.
Artists cited in index (page 183): Chantelle Andersen -- Dinah Andersen -- James Andersen -- Peggy Andersen -- Michelle Baikie -- Sarah Baikie -- Fanny Broomfield -- Heather Campbell -- Andrea Flowers -- Chesley Flowers -- Emily Flowers -- Vanessa Flowers -- Violet Flowers -- Billy Gauthier -- Gilbert Hay -- Mark Igloliorte -- Susannah Igloliorte -- Jason Jacque -- Josephine Jacque -- Samantha Jacque -- Ephraim Jararuse -- Sarah Jensen -- Josephina Kalleo -- Michael Massie -- Maria Merkuratsuk -- Shirley Moorhouse -- Tabea Murphy -- Davidee Ningeok -- Sophie Pamak -- Jacko Pijogge -- Sem Pijogge -- Barry Pottle -- Derrick Pottle -- Druscilla Rich -- Garmel Rich -- George Rich -- Chris P. Sampson -- Doris Saunders -- Elias Semigak -- Inez Shiwak -- Jane Shiwak -- Jason Shiwak -- John Terriak -- Rhoda Voisey -- Jennie Williams -- Nellie Winters -- Ryan Winters.
A descriptive Stoney Nakoda story of the people and animals who live in the foothills and mountains of southern Alberta, and call it home (back cover)
Notes
The mentors and publishers of this series have supported the First Nations authors to share their stories under the guidance of traditional language speakers and Elders
ISBN
9780969448990
Accession Number
P2020.09
Call Number
05 W51n
Collection
Archives Library
URL Notes
Treaty 7 Language Books via Calgary Public Library
Pertains to the history and significance of the Rafter Six Ranch. In addition to historical significance, the book includes the architectural and design elements that are unique to the Rafter Six Ranch buildings. Above all, the book mentions the Rocky Mountains and the ways in which the Rafter Six Ranch contributed to settlement and expansion in the area.
Contents
Statement of significance
Description of historic place
Heritage value of historical place
Character-defining elements
statements of integrity
Additional images
Bibliography
Accession Number
2019.58
Call Number
08.1 L96r
Collection
Archives Library
URL Notes
URL is linked to the official website of Donald Luxton and Associates INC.
Standing mirror with acorn finials and a platform base with claw feet. The mirror frame has two pivot points, located midway in the height of the mirror, attached to two side supports so that the mirror angle can be changed.
Standing mirror with acorn finials and a platform base with claw feet. The mirror frame has two pivot points, located midway in the height of the mirror, attached to two side supports so that the mirror angle can be changed.
Inlaid mahogany oval tea table with squared tapering legs. Half of the table top folds over to store as semi-circle. The table has a red, hard to read, label “Once owned by Eliza Schaeffer 18__ - belongs to L. D. Schaeffer”
Inlaid mahogany oval tea table with squared tapering legs. Half of the table top folds over to store as semi-circle. The table has a red, hard to read, label “Once owned by Eliza Schaeffer 18__ - belongs to L. D. Schaeffer”
Four-poster, three quarter size bed, possibly maple, with turned (spool) posts. The bed has a shaped headboard, and canvas slung support for a mattress.
Four-poster, three quarter size bed, possibly maple, with turned (spool) posts. The bed has a shaped headboard, and canvas slung support for a mattress.
One very delicate guipure lace mat. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground, as in filet lace. The doily has a quadrifoliate shape of four large scallops with four smaller scallops between each of the large scallop…
One very delicate guipure lace mat. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground, as in filet lace. The doily has a quadrifoliate shape of four large scallops with four smaller scallops between each of the large scallops. The center of the doily has four star shaped flowers. The outside edge of the doily is also scalloped.
One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held together by connecting threads rather than attached to mesh or net ground, as in filet lace. A delicate starburst centre is ringed by nine triangles and twelve petal shapes around the border.
One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held together by connecting threads rather than attached to mesh or net ground, as in filet lace. A delicate starburst centre is ringed by nine triangles and twelve petal shapes around the border.
Three extremely delicate guipure lace doilies. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground. 102.04.0028a is slightly different in design from the other two doilies. Each has a petal shape border with a starburst centre.
Three extremely delicate guipure lace doilies. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground. 102.04.0028a is slightly different in design from the other two doilies. Each has a petal shape border with a starburst centre.
One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held in place by connecting threads, rather than attached to mesh or net ground, as in filet lace. This doily is elliptical in shape with a petal shapes as a border. The interior design features a central circ…
One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held in place by connecting threads, rather than attached to mesh or net ground, as in filet lace. This doily is elliptical in shape with a petal shapes as a border. The interior design features a central circle with four circles spaced around the edge of the piece.
A handblown glass vase with a plain base flaring to a wide rim. The punty mark is visible on the bottom. The vase is etched on the outside with a floral design around the monogram “WEC 1821”.
A handblown glass vase with a plain base flaring to a wide rim. The punty mark is visible on the bottom. The vase is etched on the outside with a floral design around the monogram “WEC 1821”.
A footed basket with lid. The base is a retroflexive, inverted dome, providing at its perimeter the foot, the walls bulge slightly to a mid-point, the greatest diameter of the basket, then withdraw to a firmly wound coil which is the neck, and the flange for the lid which fits flushly into the nec…
A footed basket with lid. The base is a retroflexive, inverted dome, providing at its perimeter the foot, the walls bulge slightly to a mid-point, the greatest diameter of the basket, then withdraw to a firmly wound coil which is the neck, and the flange for the lid which fits flushly into the neck. The lid is similarly edged by a firmly wound coil then is surrounded by a dome. The basket is made of simple crossed laths forming the warp, for the most part the base is a simple lattice weave, though it has three twilled bands of black (one-sided) cane for decorative effect. The bottom and top of the walls are simple lattice weave natural, brown, and rust, the middle is a fine-textured twill-woven pattern that looks like elongated herringbone. The top of the lid is similarly made up of simple lattice with twill bands. Both the rim of the basket and lid are decorated with overshot dark brown designs. Broken-off loop on lid rim and loop stem visible on basket.
A panelled, hemmed piece of cloth. Faded dusty rose ground with gold, ivory, and pale green-blue embroidered adornment on it in the form of four pointed starbursts. A strip of herringbone embroidery at one seam edge. Was originally in three panels before being seamed together. Where a lamp or vase…
A panelled, hemmed piece of cloth. Faded dusty rose ground with gold, ivory, and pale green-blue embroidered adornment on it in the form of four pointed starbursts. A strip of herringbone embroidery at one seam edge. Was originally in three panels before being seamed together. Where a lamp or vase has sat on it, fading has been inhibited, revealing the original darker rose colour.
Gourd-shaped vase with concave base and 1.2 cm. diameter neck, transparent glaze with cobalt landscape, bird, flower and insect decoration. Red bordered label on bottom in Morse's handwriting says "Yeiraku", calligraphy on base.
Gourd-shaped vase with concave base and 1.2 cm. diameter neck, transparent glaze with cobalt landscape, bird, flower and insect decoration. Red bordered label on bottom in Morse's handwriting says "Yeiraku", calligraphy on base.
Doily with pattern of three red roses with green leaves needlepointed into center. Background is a cream colour with green velvet around exterior. Edges are lined with a red, yellow, and green decorative weaving of threads. Underside of doily has two tags: the first says “Ogilvy’s” and the second s…
Doily with pattern of three red roses with green leaves needlepointed into center. Background is a cream colour with green velvet around exterior. Edges are lined with a red, yellow, and green decorative weaving of threads. Underside of doily has two tags: the first says “Ogilvy’s” and the second says “RICARDO ART 1260” “MADE IN BELGIUM”.
Copper candlestick is erected in centre of oval dish. Candlestick has curved handle at top rim and is unique because of notched slot which runs height of candlestick, in which candleholder proper can be raised to one of four positions as wax melts and candle is shortened. Candleholder proper attach…
Copper candlestick is erected in centre of oval dish. Candlestick has curved handle at top rim and is unique because of notched slot which runs height of candlestick, in which candleholder proper can be raised to one of four positions as wax melts and candle is shortened. Candleholder proper attached with small, flat handle which serves as hook for fitting into notches. Stick soldered to dish with brass.