A charcoal drawing of a black horse with head down is drawn in 3/4 view emerging from the left side of the paper. It’s hooves are left unfinished and dissolve into loose wisps. It’s mane is loose and flowing.
A charcoal drawing of a black horse with head down is drawn in 3/4 view emerging from the left side of the paper. It’s hooves are left unfinished and dissolve into loose wisps. It’s mane is loose and flowing.
Watercolour still-life painting of an orange and an apple in front of a tan and blue bowl sitting on its side. Objects are placed against a dark green backdrop.
Watercolour still-life painting of an orange and an apple in front of a tan and blue bowl sitting on its side. Objects are placed against a dark green backdrop.
Watercolour portrait of a Royal Canadian Mounted Police member, or “mountie”. He is standing, wearing a tan hat, a red jacket, blue pants, brown shoes, and is holding a circular length of rope.
Watercolour portrait of a Royal Canadian Mounted Police member, or “mountie”. He is standing, wearing a tan hat, a red jacket, blue pants, brown shoes, and is holding a circular length of rope.
A watercolour painting showing two pyramids and pam trees with a reflection in a body of water. The painting is entirely in shades of orange. In the lower left corner is “1937” and in the lower right corner are the initials “W.V.G.”
A watercolour painting showing two pyramids and pam trees with a reflection in a body of water. The painting is entirely in shades of orange. In the lower left corner is “1937” and in the lower right corner are the initials “W.V.G.”
Wood frame with white matting. 6 windows in the matting, 5 watercolour paintings and 1 photograph. Four of the watercolour paintings are in the four corners, a larger watercolour is places just about centre and the photograph is shown below. under each window is an inscription refrencing the image …
Wood frame with white matting. 6 windows in the matting, 5 watercolour paintings and 1 photograph. Four of the watercolour paintings are in the four corners, a larger watercolour is places just about centre and the photograph is shown below. under each window is an inscription refrencing the image it is associated with. At the top is a large inscription reading “WHMcMahon Joins The Mounties. 1885.” All the writing is done in an ornate calligraphy.A: Image (top left): “The Raw Recruit” Viewer looks on into a blue room, facing a doorway and hallway. At the end of the hall a faded figure in blue pants and a red coat stand at attention. In the foreground, a soldier in a red coat, blue pants and white helmet stands in full profile view with rifle at his side. He faces the right side of the image. On the Right side a gentlemen (in a fine suit and hat) stands in full profile facing the left side of the image. He carries a suit case and walking stick. B: Image (bottom left): “First Uniform ill fitting” A man in a red coat, blue pants, and orange hat faces the viewer directly. The coat and pants are bumpy with lots of folds. in the back ground there are plain buildings and a dirt ground.C: Image (center top): “Who told you to dismount, Sir?” Blue skies look over a large area of dirt ground where a man sits in a brown shirt and blue pants. His right arm reaches down to his butt. His hat lays beside him on the right edge of the picture. In the center of the image a dark brown horse is painted mid-buck with the reins flying over his head and his ears pinned back. There is no rider on the saddle. Another man, in a red coat, stands in the distance on the left edge with his hand outstretched. In the background there is a large white building with a large British flag flying above. A faded fourth figure stands in the background. F: Image (Center bottom): “N.W.M.P. Barracks, Banff) It is a photograph (Can be found in archives V265/NA-66-37) Nine figures in brown uniforms stand in front of a yellow building with a brown roof. The man furthest to the left holds the reins of a dapple gray horse. A white dog sits between two of the center figures who are laying on the ground. Based off information at the Archives of Alberta the man laying down to the right of the dog is the artist, William Hastings McMahon. Two more horses pull a cart on the right edge. with a tenth figure in the cart. E: Image (top right): “Drill” A man in a red coat faces a line of marching soldiers in brown coats. He is slightly leaning forward and holds a long stick in his hands. Another figure in a red coat stands in the background. The surrounding environment is a mixtures of browns. Three faded buildings. D: Image (bottom right): “McMahon, N.W.M.P” A proud man faces the viewer directly. He is in a red coat, blue pants and black boots. The background is faded. One building is visible in the background and a woman figure in the far left. G: Frame and Calligraphy script on mat board
Watercolour painting with pen and ink detailing. It is a landscape painting with 4 Mountains, blue skies, an evergreen forested area, leafy trees, bushes, a building with a red roof, yellow walls and a wood fence. The sky accounts for half the image surface, some mountain peaks and trees cross the …
Watercolour painting with pen and ink detailing. It is a landscape painting with 4 Mountains, blue skies, an evergreen forested area, leafy trees, bushes, a building with a red roof, yellow walls and a wood fence. The sky accounts for half the image surface, some mountain peaks and trees cross the center line and stretch into the sky. There are four birds, off centered, flying in the back ground. The forested area stretches over the mountain ranges, coming up just behind the building which is placed in the distance to the viewer. The left side of the image is surrounded by bushes and three large trees. There are four figures in the painting, two closer to the viewer with red coats, blue pants. They are placed in the middle at an opening in the gate. Another figure is on the right edge, riding a dark brown horse. the fourth figure is standing next to the building, too far to paint details. There is a white structure to the right of the building, Unidentified.
A detailed sketch of the 1951 Christmas card. Catharine is cooking up some food at the rear of the vehicle, while Peter is facing the mountains reading a newspaper. In the foreground there are multiple animals surrounding the couple, and mountains in the background. On the top edge “SEASONS GREETIN…
A detailed sketch of the 1951 Christmas card. Catharine is cooking up some food at the rear of the vehicle, while Peter is facing the mountains reading a newspaper. In the foreground there are multiple animals surrounding the couple, and mountains in the background. On the top edge “SEASONS GREETINGS,” and “CATHARINE AND PETER” and “Peter Whyte 1951” is written on the bottom edge.
A rough sketch of the 1951 Christmas card. Catharine is cooking at the back of the vehicle while Peter appears to be reading at the front. They are surrounding by animals with birds flying in the sky.
A rough sketch of the 1951 Christmas card. Catharine is cooking at the back of the vehicle while Peter appears to be reading at the front. They are surrounding by animals with birds flying in the sky.
A rough sketch of the 1947 Christmas card. A figure stands in the opening of the Dutch door while the animals surround the cabin. Written on the top edge “SEASONS GREETINGS,” along the bottom edge “CATHARINE AND PETER,” “Peter Whyte BANFF.” Near the BRC “6 1/2” and close to the TRC “3 1/2,” besides…
A rough sketch of the 1947 Christmas card. A figure stands in the opening of the Dutch door while the animals surround the cabin. Written on the top edge “SEASONS GREETINGS,” along the bottom edge “CATHARINE AND PETER,” “Peter Whyte BANFF.” Near the BRC “6 1/2” and close to the TRC “3 1/2,” besides both numbers it appears to say “inches.”verso: landscape with an artist sitting at the top of the hill painting, there is a plane and a mountain in the background. In the BLC there are ink scribbles and “Peter Whyte” as a practice signature and the initials “P.W.”
A detailed sketch of the 1947 Christmas card. Animals join Catharine at the Dutch door of her home where she is serving them some food. On the top edge of drawing is reads “SEASONS GREETINGS” and along the bottom of the page “CATHARINE AND PETER” and “Peter Whyte 47 BANFF.” In the BLC “Catharine” i…
A detailed sketch of the 1947 Christmas card. Animals join Catharine at the Dutch door of her home where she is serving them some food. On the top edge of drawing is reads “SEASONS GREETINGS” and along the bottom of the page “CATHARINE AND PETER” and “Peter Whyte 47 BANFF.” In the BLC “Catharine” is written.Inside the fold of the paper you can see a simple sketch of the floor plan of their cabin (main level), and inside one room it reads “kitchen.” On the bottom half of the page there is multiple squirrels drawn out. verso: there is a rough sketch of what looks like a landscape, with multiple birds drawn around it.
Loose sketch of 1948 Christmas card with two larger versions of the moose being practiced. In TR section there are two ink scribbles, while in BLC there is a blue watercolour marks.Verso: loose sketch of a moose head and a jeep, more black ink scribbles, BRC there is a small box, and two practice s…
Loose sketch of 1948 Christmas card with two larger versions of the moose being practiced. In TR section there are two ink scribbles, while in BLC there is a blue watercolour marks.Verso: loose sketch of a moose head and a jeep, more black ink scribbles, BRC there is a small box, and two practice signatures near TRC
Sketch of the Whyte’s home during winter with a loosely drawn version of Cascade mountain behind it. Various animals walking up to and from the house. Under BLC of the border it says “A MERRY CHRISTMAS TO MOTHER ROBB FROM PETER”, and in BRC the the suggested dimensions of “6 1/2 x 8”
Sketch of the Whyte’s home during winter with a loosely drawn version of Cascade mountain behind it. Various animals walking up to and from the house. Under BLC of the border it says “A MERRY CHRISTMAS TO MOTHER ROBB FROM PETER”, and in BRC the the suggested dimensions of “6 1/2 x 8”