Two figures in loincloths and two saddles horses (one brown, one black) in grassy meadow on the shore of a blue lake., Figure at left is standing next to black horse while brown horse is grazing on grass in centre next to seated figure at right. Rocky mountains and grassy slopes rise from far shore…
Two figures in loincloths and two saddles horses (one brown, one black) in grassy meadow on the shore of a blue lake., Figure at left is standing next to black horse while brown horse is grazing on grass in centre next to seated figure at right. Rocky mountains and grassy slopes rise from far shore of lake. Thin clouds in blue sky above. “SITTING WIND” lower right corner. On back: “THE HUNTER Frank Kaquitts Aug 1966” Stamped on back of canvas supports is “ARTISTS MATERIALS GRUMBACHER NEW YORK”
A boxed-off sketch for the 1962 Christmas card. A helicopter is airlifting a group of animals out of the mountains. The animals are on a stretcher of sorts with their scarves blowing in the wind.
A boxed-off sketch for the 1962 Christmas card. A helicopter is airlifting a group of animals out of the mountains. The animals are on a stretcher of sorts with their scarves blowing in the wind.
A quick Christmas card sketch of a helicopter airlifting a group of animals out on a stretcher. There is a mountain range and clouds below them. In the BRC of the drawing there appears to be markings that could be Peter’s signature.
A quick Christmas card sketch of a helicopter airlifting a group of animals out on a stretcher. There is a mountain range and clouds below them. In the BRC of the drawing there appears to be markings that could be Peter’s signature.
A pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down disdainfully at the small central figure. One of them has a musta…
A pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down disdainfully at the small central figure. One of them has a mustache. All figures are wearing pillbox hats and belted coats with large buttons.On Howard Smith victory bond paper.
A roughly rendered pencil drawing of a hospital train. Various patients, some on crutches, nurses, soldiers, and porters are shown. A porter pushes a wheeled cart with box labelled DIAPERS. Soldier scratches his head as he looks at the box.
A roughly rendered pencil drawing of a hospital train. Various patients, some on crutches, nurses, soldiers, and porters are shown. A porter pushes a wheeled cart with box labelled DIAPERS. Soldier scratches his head as he looks at the box.
A paper with pencil drawings on both sides of various scenes. Side 1: A man in military uniform, with his hand on his head looks at a sign labelled DIAPERS. One rough sketch of similar figure is to the main image’s right.[brc, sideways, circled] 4; [right edge, sideways] LANDING IN ENGLAND [overlap…
A paper with pencil drawings on both sides of various scenes. Side 1: A man in military uniform, with his hand on his head looks at a sign labelled DIAPERS. One rough sketch of similar figure is to the main image’s right.[brc, sideways, circled] 4; [right edge, sideways] LANDING IN ENGLAND [overlapping with sketch] TRAININGverso: pencil drawings of various war scenes[right side, circled, written sideways] 5-; SHERMAN TANK
Pencil drawing of two separate scenes. The upper scene shows an alternate view of plane shooting at a train, enclosed in a hand-drawn rectangle. The lower image is a close-up of a German plane. [below top image, within rectangle] THEY GOT OUR ENGINE!!![trc in circle] 4; ?; 5[underlined][blc in a ci…
Pencil drawing of two separate scenes. The upper scene shows an alternate view of plane shooting at a train, enclosed in a hand-drawn rectangle. The lower image is a close-up of a German plane. [below top image, within rectangle] THEY GOT OUR ENGINE!!![trc in circle] 4; ?; 5[underlined][blc in a circle] 5
A ink and pencil drawing of a train moving towards the viewer while a plane shoots at it from the air. An urban skyline with spire is in the background.[brc, outside of internal frame] THEY GOT OUR ENGINE!!![WM] HOWARD SMITH VICTORY BOND
A ink and pencil drawing of a train moving towards the viewer while a plane shoots at it from the air. An urban skyline with spire is in the background.[brc, outside of internal frame] THEY GOT OUR ENGINE!!![WM] HOWARD SMITH VICTORY BOND
An ink and pencil drawing of two men facing away from the viewer, leaning on the gunwale of a ship, watching the a town recede into the distance. Men appear to be in uniform. A horizontal line divides the drawing into two unequal sections, where the upper half contains the majority of the illustrat…
An ink and pencil drawing of two men facing away from the viewer, leaning on the gunwale of a ship, watching the a town recede into the distance. Men appear to be in uniform. A horizontal line divides the drawing into two unequal sections, where the upper half contains the majority of the illustration while text below read: CHAPTER 3 [illegible scribbles]
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
Impressionistic female face with clouds behind. Signature in the bottom rhc: SinclairPeopled Road is one of his early works to feature the road, in an evolutionary move to his Road Series.
Dominant colours are blue, green, yellow, brown, mauve, purple and grey. The painting is dominated by the lake shore foreground: on viewer’s right the tip of a grey, gnarled dead tree with branches; the tree appears to have gouache painted on to give it texture; a yellow and orange-coloured rock mi…
Dominant colours are blue, green, yellow, brown, mauve, purple and grey. The painting is dominated by the lake shore foreground: on viewer’s right the tip of a grey, gnarled dead tree with branches; the tree appears to have gouache painted on to give it texture; a yellow and orange-coloured rock mid-centre to the right; on viewer’s left wildflowers, the dead tree trunk and the bush above. Grey and brown pebbles and sand and the top of the tree in the water make up the foreground on the extreme right. The dead tree appears to be resting on the yellow and orange-coloured rock. There are yellow flowers with brown centres (Black Eyed Susans) and green leaves below the tree trunk, viewer’s left, and a bush with big brown and green leaves above that. The blue-green calm lake lies beyond the tree trunk and on the opposite shore are blue, grey and purple hills and a snow-peaked mountain; to the viewer’s extreme right is a green and purple hill. The sky above is barely discernable and is a mixture of blue and mauve.
In the bottom third of painting is thirteen single trees and a river with islands in it. The purple shadowed mountain rises up from there. A glacier on the left, the main peak left of center and two distant peaks to the right. Skin tone and yellow tinted clouds fill the top third. The signature in …
In the bottom third of painting is thirteen single trees and a river with islands in it. The purple shadowed mountain rises up from there. A glacier on the left, the main peak left of center and two distant peaks to the right. Skin tone and yellow tinted clouds fill the top third. The signature in the lower left is signed in orange red.
General colour: yellow. A surface gridded in varying densities of the same colour. In every square of sixteen small squares there is a white triangle in the lower left corner.
General colour: yellow. A surface gridded in varying densities of the same colour. In every square of sixteen small squares there is a white triangle in the lower left corner.
General colour: blue. The Valley sweeps across the bottom of the canvas from the right and then half way up left side goes diagonally up into the canvas to upper left side. Two climbers are seen in the foreground, third of the way in from right side. The mountains diminish in size and colour toward…
General colour: blue. The Valley sweeps across the bottom of the canvas from the right and then half way up left side goes diagonally up into the canvas to upper left side. Two climbers are seen in the foreground, third of the way in from right side. The mountains diminish in size and colour towards the top.
General colours: blue, white. A huge mountain fills the major part of the canvas. The lower sides are treed snowy slopes. At the center near the bottom, the black engine of an old style train is steaming towards the viewer. The track and telephone poles veer to the left.
General colours: blue, white. A huge mountain fills the major part of the canvas. The lower sides are treed snowy slopes. At the center near the bottom, the black engine of an old style train is steaming towards the viewer. The track and telephone poles veer to the left.
General colour: blue, orange. The drawing is contained by two horizontal lines. A blue one at the top and an orange at the bottom. Nine birds form a horizontal line across the middle. Two taller creatures stand left of centre. A dotted line runs from the right side down to the orange line and a? up…
General colour: blue, orange. The drawing is contained by two horizontal lines. A blue one at the top and an orange at the bottom. Nine birds form a horizontal line across the middle. Two taller creatures stand left of centre. A dotted line runs from the right side down to the orange line and a? up to end by the last bird on the left.