Research Collections

[untitled]

https://archives.whyte.org/en/permalink/descriptions25522
Part Of
Gordon Burles fonds
Scope & Content
File contains the following poems: 1801. Narrative for Lathom Sandeman, 1997—subject: Helen Jellicoe, pterosaurs 1802. Portrait for Hildegaard Blackaway, 1997—subject: Lydia, Reverend Jellicoe 1803. Portrait of summer for Ethelrydd Laughton, 1997—subject: Cemetery Tea House poem; original and revis…
Date Range
1997 - 1998
Reference Code
M196 / I / 37
Description Level
5 / File
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Part Of
Gordon Burles fonds
Description Level
5 / File
Series
I : Poetry Manuscripts
Reference Code
M196 / I / 37
Date Range
1997 - 1998
Physical Description
1 cm of textual records
Scope & Content
File contains the following poems: 1801. Narrative for Lathom Sandeman, 1997—subject: Helen Jellicoe, pterosaurs 1802. Portrait for Hildegaard Blackaway, 1997—subject: Lydia, Reverend Jellicoe 1803. Portrait of summer for Ethelrydd Laughton, 1997—subject: Cemetery Tea House poem; original and revision present 1804. Narrative for Annabelle Hoogenboom, 1997—subject: Kezia 1805. October sermon, 1997—subject: Lydia’s orchard 1806. Narrative for Pelagia Sunderland, 1997—subject: theodolite 1807. Portrait for Vanessa Simenon, 1997—subject: Reverend Jellicoe 1808. Portrait for Corinna, 1997—subject: theodolites, Mumsy Pushcart 1809. Afternoon incident for Eva, 1997—subject: Cemetery Tea House poem 1810. Memoir for Nathan, 1997—subject: based on incident in Banff about 1967; lady lived at about 114 Muskrat Street in Banff 1811. Narrative for Balthasar Severnsen, 1997—subject: Lydia, Myrmidon (the peak near the Cemetery Tea House) 1812. Portrait for Nehemiah Gundersen, 1997—subject: Tawdry the pterosaur 1813. Sermon for Lilia, 1997—subject: Kezia 1814. Memoir written in November, 1997—subject: Perpetual Tea Room 1815. Song for Lilia, 1997—subject: rhyming poem; 1816. Portrait for Andalucia Billingsgate, 1997—subject: Cemetery Tea House poem 1817. Words of the mason, 1997—subject: Cemetery Tea House poem 1818. Incident for Adrian Saddington, 1997—subject: Cemetery Tea House poem 1819. Portrait of September, 1997—subject: Cemetery Tea House poem 1820. Portrait for Nehemiah, 1997—subject: Lydia; Cemetery Tea House poem 1821. Not Quinquagesima, Darling!, 1997—subject: barograph 1822. Narrative for Lilia, 1997—subject: pterosaur 1823. September experience, 1998—subject: night city 1824. Narrative for Micah Havelock, 1998—subject: mason 1825. November night out, 1998—subject: surrealist poem; Natalie 1826. October experience, 1998—subject: semi-surrealist poem 1827. Narrative for Salerno Westlock, 1998—subject: surrealist poem; Lydia; original and revision present 1828. Portrait for Nathan Clerkenwell, 1998—subject: night musings 1829. Nathaniel, 1998—subject: based on meeting a young man who could not find his grandparents’ graves because of deep snow 1830. Anything for you, 1998—subject: semi-surrealist poem 1831. Letter to Kezia Von Ostmark, 1998—subject: city at night 1832. Narrative for Leander Hazelmere, 1998—subject: Cemetery Tea House poem 1833. Incident in autumn, 1998—subject: based on author’s encounter with two masons repairing the pony wall in front of the Information Centre 1834. Portrait for Jennifer Dawe-Westermere, 1998—subject: Cemetery Tea House poem 1835. Epiphany in late March, 1998—subject: Kezia; unrequited love 1836. Spring, 1998—subject: Cemetery Tea House poem 1837. Afternoon in late March, 1998—subject: Kezia 1838. Tractatus for Nigel, 1998—subject: surrealist poem 1839. Experience in early September, 1998—subject: Lydia and the mason 1840. Letter to Pelagia, 1998—subject: Kezia 1841. Portrait for Willem Van Galen, 1998—subject: Lydia 1842. Portrait for Nigel Saddington, 1998—subject: barograph 1843. Autumn portrait, 1998—subject: Natalie and pterosaurs 1844. Narrative for Adeline Frere, 1998—subject: Cemetery Tea House poem 1845. Spring’s portrait, 1998—subject: Kezia 1846. Incident for Adrian Lewthwaite, 1998—subject: Cemetery Tea House; Natalie 1847. Portrait of midsummer, 1998—subject: Natalie 1848. Narrative for Lilia Anguelova, 1998—subject: Cemetery Tea House poem; original and revision present 1849. Vernal portrait, 1998—subject: Cemetery Tea House poem 1850. Portrait for Allan Castleridge, 1998—subject: Cemetery Tea House poem
Subject Access
Poetry
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