Image of a row of First Nations men in various stages of firing bow and arrows - written on the back in pencil by Catharine Whyte is "Seebe Store, North side up west 1932 George McLean, George Kaquitts, John Salter, Peter Ear, Lazarus Red White Claw, William Wesley, Tom Simeon, Guy Soldier leaning …
Image of a row of First Nations men in various stages of firing bow and arrows - written on the back in pencil by Catharine Whyte is "Seebe Store, North side up west 1932 George McLean, George Kaquitts, John Salter, Peter Ear, Lazarus Red White Claw, William Wesley, Tom Simeon, Guy Soldier leaning over"
File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a trip…
Date Range
1902
1913
1923
1926
1927
1932
1934
1939
1941
1944
1948
1950
[ca. 1950s]
Reference Code
LUX / I / D3a / 15 / NA - 01 to NA - 02
LUX / I / D3a / 15 / PA - 001 to PA - 108
Photographs are produced by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, International Photographic Services Banff Springs Hotel, Western Ways Tucson, Associated Screen Limited and potentionally Byron Harmon.
Date Range
1902
1913
1923
1926
1927
1932
1934
1939
1941
1944
1948
1950
[ca. 1950s]
Physical Description
110 photographs : 2 b&w negatives ; 12 x 16 cm or smaller : 108 b&w prints ; 25.5 x 20.5 cm or smaller
Scope & Content
File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a triptych of Ludwig "Big Chief" Banjo purchased by Clifford White from the Western Music Supply Co. Subjects include Enos Hunter, Nat Hunter, George Kaquitts, Tom Kaquitts Jacob Twoyoungmen, Hector Crawler, Ernest Kehr and others. Photographs are taken by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, and potentionally Byron Harmon.
Notes
Some of the photographs have typed or handwritten annotations, photographer copyright stamps, and copyright embossing and debossing of early 20th century prints. PA-83,84,85 and 90 and may show government officials from Tasmania including John Francis Gaha.
PA-88 includes a copy negative. NA-01 has a copy print. Some prints or negatives have processing slip or enlargement requests.
PA-26 may have been used as a reference for Banff Indian Days poster drawn by Palenske, LUX / I / D3 / 8
File consists of portrait photographs of various members of the Stoney Nakoda tribe, standing and on horseback. Includes photographs of Stoney Nakoda individuals in regalia during an event [possibly Banff Indian Days, ca.1930-1940?].
Items LUX/I/E6/PA-381 to 400 produced by Byron Harmon
Date Range
[ca.1920-1940]
Physical Description
35 photographs : b&w prints ; 14 x 8.5 cm and 12.5 x 10 cm
Scope & Content
File consists of portrait photographs of various members of the Stoney Nakoda tribe, standing and on horseback. Includes photographs of Stoney Nakoda individuals in regalia during an event [possibly Banff Indian Days, ca.1930-1940?].
Notes
Most individuals in photographs are not named
Date range provided is estimate by Processing Archivist
PA-401 to PA-415 are digitized, PA-381 to PA-400 attributed to Byron Harmon may be digitized elsewhere
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Peter Ear, unknown, winter carnival queen, possibly Tom Kaquitts (Sûga Wakâ) (Dog God) and John Hunter (Îrhe Wapta), Stoney Nakoda at Banff Winter Carnival
Stoney Nakoda Elders provided naming and other culturally relevant information during interviews held for Recognizing Relations, an archives initiative active from 2014-2023.
The goal of this initiative was to name local Indigenous peoples in photographs held in the WMCR archives as well as encouraging access for Indigenous communities to these images.