A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/Z-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlh…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The majority of the image represents a mountain range, which, from the centre to the bottom of the image moves into a rolling hill. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/L-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/A-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is dominated by a mountain range which is deeply shaded in the centre. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/A-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The centre of the image from the left is a shaded area, below which is a series of tree forms. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “47/D-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The centre of the image from the left is a shaded area, below which is a series of tree forms. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “47/D-5”.