Fonds consists of adjudication forms for Alberta Music Festival Association competitor David Zweifel, by Murray Adaskin, 1969; musical scores, articles and biographical material by and about Adaskin; portrait of unknown woman, possibly Frances James Adaskin, with two children; also, photograph of u…
4 cm of textual records. -- 2 photographs : prints
History / Biographical
Murray Adaskin, 1906-2002, was a musician, composer and professor. He was a violinist on the musical staff of Canadian Pacific, 1930-1941, and leader of a chamber group the Banff Springs Hotel Trio. He and soprano Frances James, 1903-1988, were married in Banff. From the late 1940s onward, Adaskin played, composed and taught extensively before moving to Victoria, British Columbia in 1973.
Scope & Content
Fonds consists of adjudication forms for Alberta Music Festival Association competitor David Zweifel, by Murray Adaskin, 1969; musical scores, articles and biographical material by and about Adaskin; portrait of unknown woman, possibly Frances James Adaskin, with two children; also, photograph of unidentified woman at campsite. Scores include Serenade Concertante by Murray Adaskin, dedicated to Peter and Catharine Whyte.
Fonds consists of biographical information on the Pocaterras, 1956-1972; article on the Coleman-Kananaskis Road, with annotations, 1952; and photographs by George Pocaterra of the filming of the movie "Saskatchewan".
4 textual records. -- 9 photographs : prints; copies
History / Biographical
George W. Pocaterra, 1882-1972, rancher, was a pioneer of the Kananaskis region, 1906. On a visit to his native Italy in 1933, he met Norma Piper, 1898-1983, a coloratura soprano of Calgary, and they married in 1936. The Pocaterras returned to Alberta on the eve of the Second World War.
Scope & Content
Fonds consists of biographical information on the Pocaterras, 1956-1972; article on the Coleman-Kananaskis Road, with annotations, 1952; and photographs by George Pocaterra of the filming of the movie "Saskatchewan".
Fonds includes Bill Round Sr. papers, Bill Round Sr. photographs, Bill Round Jr. photographs and Round family photographs. Textual records consists of Bill Round Sr. literary papers, ca.1925-1967; personal papers, 1922-1967; and other papers, 1887-1966. Material is mainly research materials, manus…
11 cm of textual records. -- 371 photographs (223 negatives, 130 prints, 18 transparencies). -- 1 photograph album (ca.80 prints)
History / Biographical
William E. Round (Bill Round Sr.), formally known as William John? Eley-Round, 1883-1967, was a musician and journalist at Banff, Alberta, Canada. Round came to Banff before 1918, where he established and operated the Banff Academy of Music, 1920-1958, served as a CPR press representative and was Banff correspondent for the Albertan newspaper of Calgary from 1930-1965. Bill Round Sr. was married to Elsie (Squair) Round, formally Espeth Eley-Round, 1891-1965. The Rounds raised two children, Doreen and Bill Jr., and two grandchildren, Doreen and Eileen Wickens. F. W. E. Round (Bill Round Jr.), formally Francis William Eley-Round, 1918-1978, was a photographer and film-maker at Banff, Alberta and Victoria, British Columbia, Canada.
Scope & Content
Fonds includes Bill Round Sr. papers, Bill Round Sr. photographs, Bill Round Jr. photographs and Round family photographs.
Textual records consists of Bill Round Sr. literary papers, ca.1925-1967; personal papers, 1922-1967; and other papers, 1887-1966. Material is mainly research materials, manuscripts and correspondence resulting from Round's literary career. Content concerns human and natural history of the Rockies, including: Banff tourist information, Canadian Pacific Railway construction and surveys, crime, Norman Luxton, William McCardell, A. B. Rogers, A. L. Rogers, George Simpson and Tom Wilson.
Photographs include: I. Round family photographs, including Bill, Elsie, Doreen, Bill Jr. and friends and activities, 1915-1940, 106 items. II. Bill Round Sr. and Bill Round Jr. negatives of people and events, Banff and area, ca.1925-1955, 205 items; includes some copies. III. Negatives by Bill Round Jr., portraits of ski associates, 1937-1939, 18 items. IV. Transparencies by Bill Round Jr., scenic views, wildlife and people, n.d., 18 items; includes two views of Peyto Lake by Ted MacAulay. V. Prints collected by Bill Round Sr. regarding people, places and events, Banff and area, ca.1890-1930, 25 items.
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse …
Date Range
1856-1980
Reference Code
M36 / S37 / V683
Description Level
1 / Fonds
GMD
Drawing
Motion picture
Film
Photograph
Album
Ambrotype
Cased photograph
Daguerreotype
Negative
Photograph print
Postcard
Tintype
Transparency
Sound recording
Cassette
Reel to reel
Textual record
Plan
Poster
Private record
Published record
of
Fine Arts, Boston, Mass. – (M36/41-53)
c. Other papers – 1929 – 1980
i. Awards – 1975 – 1978
aa
25 m of textual records. -- ca.46,000 photographs : prints, albums, postcards, cased photographs, transparencies, negatives. -- 178 sound recordings : audio tape reels, audio tape cassettes. -- 6 motion pictures (and film strips)
History / Biographical
Peter and Catharine Whyte were artists, photographers, outdoor enthusiasts, travelers, philanthropists and cultural workers at Banff, Alberta, Canada. Peter Whyte, 1905-1966, was born at Banff in 1905 to pioneer merchant Dave White and Annie (Curren) White. He was an accomplished skier and ski jumper and one of the region's first native-born painters with an intimate knowledge of the mountains and was an active photographer from ca.1920 until the 1950s. Peter Whyte studied art at the Otis Art Institute, Los Angeles, 1923-1924, and at the School of the Museum of Fine Arts at Boston, 1925, where he met Catharine Robb. Catharine Robb Whyte, 1906-1979, was born in 1906 at Concord, Massachusetts and grew up amongst the wealth and creativity of the Robb and Morse families. She studied at the School of the Museum of Fine Arts at Boston, 1925-1929.
Following their marriage in 1930, the Whytes pursued a life of painting, photography, hiking, skiing and travelling. Their log home and studio in Banff became a focal point for their artist friends, Stoney Indians and local pioneers. Catharine shared Pete's involvement in skiing and hiking organizations and together they managed Skoki Lodge from 1932-1934. In following years, the Whytes travelled extensively. During the Second World War, Peter served in the reserve army, with the Royal Canadian Air Force as a photographer and, briefly, as an official war artist. Catharine continued to paint and maintain their home and, when possible, accompanied Pete to his military postings. In civilian life, Pete resumed his art career, explored new photographic techniques and sculpted.
Throughout the 1950s and 1960s, the Whytes formulated plans for a foundation to preserve the art and history of the Canadian Rockies. Plans for a building to house an archives, public library and gallery were in preparation when Pete died in 1966. The Peter Whyte Foundation was named in his honour. Catharine immersed herself in the development of what is now the Whyte Museum of the Canadian Rockies, in the cultural community, painting, outdoor activity, travel and work with the Stoney First Nations. She became a more active photographer, recording her travels and outdoor pursuits. She served in an official capacity with numerous cultural and charitable organizations, was a patron to individuals studying art and music, and supported numerous causes relating to the Stoney First Nations. Catharine also supported causes related to multiculturalism, regional culture and recreation, and cancer research. Despite her modesty and often anonymous patronage of causes, Catharine was recognized with numerous awards and honours, including the Order of Canada in 1978. She died in Banff in 1979.
Scope & Content
Fonds consists of papers, photographs and sound recordings of Peter and Catharine Whyte and the papers and photographs of their respective families. Consists of three sous-fonds: V683, S37 and M36. M36 and S37 consists of three series. Series I: Peter and Catharine Whyte, Series II: Robb and Morse families, Series III: White and Curren families. Within Series I, there are four Sub-series: Series: A. Catharine Robb Whyte papers; B. Peter Whyte papers; C. Peter and Catharine Whyte papers accessioned after 2017; D. Peter and Catharine Whyte sound recordings.
Fonds consists of poems in manuscript and published form, n.d., 1969; other textual material, n.d., 1926; photographs pertaining to the Bagley family, undated; and a sound recording of Bagley reading poems, ca.1970. Included are components for book "Those Other Days"; calendar from Ike and Alma Mil…
2 cm of textual records. -- 12 photographs : prints. -- 1 sound recording : audio tape cassette
History / Biographical
Raphel (Ray) Bagley, 1880-1973, was a rancher and guide in the Red Deer, Onion Lake and Coleman districts of Alberta, Canada. Bagley came to the Lacombe district of Alberta in 1892. He homesteaded and ranched while guiding with the Trail Riders of the Canadian Rockies and conducting private trail rides throughout the southern Rockies from Waterton Lakes National Park to Banff National Park. Bagley wrote poems on western and trail riding themes, self-publishing a volume titled "Those Other Days" in 1969.
Scope & Content
Fonds consists of poems in manuscript and published form, n.d., 1969; other textual material, n.d., 1926; photographs pertaining to the Bagley family, undated; and a sound recording of Bagley reading poems, ca.1970. Included are components for book "Those Other Days"; calendar from Ike and Alma Mills, 1926; letterhead from Crowsnest Ranch, Coleman, Alberta, n.d.; and scrapbook, 1918-1925, pertaining to the winter sports career of Bagley's niece Syd Brewster (Graves), including Banff Winter Carnival, competitive skating and employment at the Chateau Frontenac as winter sports instructor. Recorded poems are "The Bulgy Squaw", "Sweet Annabelle" and "Muskeg Joe."
Notes
This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
Fonds consists of ephemera and video recordings. Ephemera includes programme notes, 1974, 1975, re Boris Roubakine and Roubakine Hall; list of painting instructors for 1936 to 1974; letters, agendas, minutes and reports for the Annual Banff Festival of Mountain Films, 1981-1984. Video recordings …
The Banff Centre for the Arts of an institution of advanced education at Banff, Alberta, Canada. It was founded as the Banff School of Fine Arts in 1933.
Scope & Content
Fonds consists of ephemera and video recordings. Ephemera includes programme notes, 1974, 1975, re Boris Roubakine and Roubakine Hall; list of painting instructors for 1936 to 1974; letters, agendas, minutes and reports for the Annual Banff Festival of Mountain Films, 1981-1984. Video recordings are: interview with Paul Stutz by Margot La Rocque, 1982; "Man and Mountain," Bruno Engler's reminiscences of early days at Sunshine, by Sandra Dolan, 1985; interview with Jon Whyte for "Travelogue Four" project, 1991; "Travelogue Four: Coming from the Wrong Side," 1992.
Elliott Chappel Barnes, 1866-1938, was a rancher, outfitter and trail guide and professional photographer at Kootenay Plains, Banff and Jumping Pound, Alberta. Barnes was born in Rochester, New York in 1866. In the early 1890s he travelled throughout the American Rockies supporting himself as an itinerant photographer. In 1905, Barnes and his family immigrated to Canada and homesteaded on the Kootenay Plains. For a short time, Barnes ran a small outfitting operation out of Banff, mostly dealing with the newly-created Alpine Club of Canada and its members. Also, while wintering in Banff during 1907-1908, he worked briefly with Byron Harmon in the photographic business. Following this association, Barnes upgraded from a small "pocket" Kodak camera to a 5x7 Graflex with a stereo adaptor. Utilizing this camera, he published a set of stereo view-cards and custom postcards. In 1908, Barnes moved to a homestead at Little Jumping Pound Creek in the foothills west of Calgary and abandoned photography as a profession. After several farming ventures near Calgary, the family moved into the city, where Elliott Barnes died in 1938.
Scope & Content
Fonds pertains to: Elliott Barnes and Barnes family; pack trips; wildlife; Alaska trip; Eau Claire logging operations in Spray Valley; Jumping Pound homestead, Morley and S-L Ranch; Sawback Lake trip; bear hunting trip; Banff area views; Paradise Valley ACC camp; hockey at Banff; Stoney Indians at Kootenay Plains; Bankhead mine site and operations; winter trip; Mount Rainer, Washington; other (mainly people, places and activities)
Notes
A detailed biography of Elliott Barnes can be found in: "A Delicate Wilderness: The Photography of Elliott Barnes, 1905- 1914" by Edward Cavell (Banff: Altitude Publishing and the Whyte Foundation, 1983).
Fonds consists of letters, 1929-1972, including letters to Leslie Peters, 1929-1972 and Julius Peters, 1931-1938; Christmas cards from Beil to members of the Peters family; miscellaneous brochures, pamphlets, etc. illustrated with Beil's works; photographs. Papers discuss Banff Winter Carnival ice…
3 cm of textual records. -- 80 photographs : prints, postcards
History / Biographical
Charlie Beil, 1894-1976, was an artist at Banff, Alberta, Canada. Beil pursued his interest in art after meeting artist Charlie Russell in Glacier Park, Montana, USA. Prior to that, he worked as a cowboy and served in the U.S. Cavalry. Beil came to Banff in 1930 and settled there permanently in 1934. He established a studio and began to produce murals, dioramas and bronze sculptures. Beil was well-known for the latter and was active as an artist until his death. Charles Beil married Olive Luxton (1915-1983), ca.1940.
Scope & Content
Fonds consists of letters, 1929-1972, including letters to Leslie Peters, 1929-1972 and Julius Peters, 1931-1938; Christmas cards from Beil to members of the Peters family; miscellaneous brochures, pamphlets, etc. illustrated with Beil's works; photographs. Papers discuss Banff Winter Carnival ice sculptures, Olive Beil, Grey Owl, and Beil's life and work as an artist, particularly in the 1930s and 1940s as he was becoming established in Banff. Photographs pertain to paintings, models and sculptures by Charlie Beil; also Calgary Stampede, Banff and Sunshine area views.