A digital print in which the top half is a full colour image of Bow Lake with trees in front, Bow Glacier Falls, and Bow Glacier sitting atop of rocky ridge in the background. The photograph is overlaid with digital ink drawing of the glacier’s reach in 1902 from an archival photograph. The bottom …
A digital print in which the top half is a full colour image of Bow Lake with trees in front, Bow Glacier Falls, and Bow Glacier sitting atop of rocky ridge in the background. The photograph is overlaid with digital ink drawing of the glacier’s reach in 1902 from an archival photograph. The bottom half of the image is a cyanotype of the glacier in 1902.
A modern backcountry ski guide for the roadside areas found along The Icefields Parkway in Banff National Park. Includes detailed descriptions, directions, terrain photos and maps of hundreds of options from chill yoyo laps to committing, no fall, ski lines.-- from back cover
Contents
East Side ; Hector South Ridge ; Hector South Peak ; Mount Hector Roadside ; Hector Pass ; Noseeum Creek ; Mosquito Creek ; Helen Creek ; Helen Shoulder ; Crystal Ridge Roadside ; Crystal Ridge Backside ; Cirque Forepeak ; Observation Sub Peak ; Observation Peak ; The Pulpit Knobs ; Pulpit 1 Knob ; Pulpit 2 Knob ; Pulpit 3 Knob ; Pulpit 4 Knob ; Pulpit 5 Knob ; Pulpit 6 Knob ; Bow Peak Roadside ; Crowfoot Pass ; Bow Lakeside ; Ferris Glacier ; Wapta Icefield ; Mount Jimmy Jr. ; Bow Summit ; Day Traverses
Coloured image of boler interior. browns, greens and blues colour the walls with a projected image of the exterior surroundings. Two windows appear to show the exterior landscape. Landscape is a mountainous terrain with large body of water and some ever green trees. Interior furniture includes two …
Coloured image of boler interior. browns, greens and blues colour the walls with a projected image of the exterior surroundings. Two windows appear to show the exterior landscape. Landscape is a mountainous terrain with large body of water and some ever green trees. Interior furniture includes two benches, fold down table and box in bottom right corner. The table holds an unfolded map, some books and a mug. The reflected image on the walls is projected upside down because it is done using a camera obscura technique. This print belongs to the 76 Boler series. “Nearly true stories of a wandering 76 Boler”
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. …
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “45/T”.
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink …
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink in the tlhc, “45/S”.
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with ver…
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with vertical lines on the right of the piece. The artist’s signature is in the brhc in red paint. Au verso, written in black ink in the tlhc, “45/P”.
