A digital print in which the top half is a full colour image of Bow Lake with trees in front, Bow Glacier Falls, and Bow Glacier sitting atop of rocky ridge in the background. The photograph is overlaid with digital ink drawing of the glacier’s reach in 1902 from an archival photograph. The bottom …
A digital print in which the top half is a full colour image of Bow Lake with trees in front, Bow Glacier Falls, and Bow Glacier sitting atop of rocky ridge in the background. The photograph is overlaid with digital ink drawing of the glacier’s reach in 1902 from an archival photograph. The bottom half of the image is a cyanotype of the glacier in 1902.
Coloured image of boler interior. browns, greens and blues colour the walls with a projected image of the exterior surroundings. Two windows appear to show the exterior landscape. Landscape is a mountainous terrain with large body of water and some ever green trees. Interior furniture includes two …
Coloured image of boler interior. browns, greens and blues colour the walls with a projected image of the exterior surroundings. Two windows appear to show the exterior landscape. Landscape is a mountainous terrain with large body of water and some ever green trees. Interior furniture includes two benches, fold down table and box in bottom right corner. The table holds an unfolded map, some books and a mug. The reflected image on the walls is projected upside down because it is done using a camera obscura technique. This print belongs to the 76 Boler series. “Nearly true stories of a wandering 76 Boler”
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. …
An oil sketch of a mountain landscape. The primary colours are white, blue, purple and green. The top of the image is blue, with grey clouds. The mountains are represented in the centre of the image in tones of purple, white and blue. The bottom third of the image is a mixture of purple and green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “45/T”.
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink …
An oil sketch of a mountain landscape. The primary colours are blue, green, purple, orange and brown. The piece is dominated by one mountain, painted in a variety of colours. The bottom third of the image is blue. The artist’s signature is in the brhc in green paint. Au verso, written in black ink in the tlhc, “45/S”.
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with ver…
An oil sketch of a mountain landscape. The primary colours used are green, blue, yellow and purple. The top section of the image represents the mountains, rendered with intersecting horizontal and vertical lines. The bottom third of the image represents the water, which is also intersected with vertical lines on the right of the piece. The artist’s signature is in the brhc in red paint. Au verso, written in black ink in the tlhc, “45/P”.
Forested background; chandelier on blue milk crates wrapped in plastic - center. A documentary photography exhibition entitled Structured Paradise, was organized by the Walter Phillips Gallery, in response to Parks Canada centennial celebration, 1985, and then donated to the Whyte Museum of the Can…
Forested background; chandelier on blue milk crates wrapped in plastic - center. A documentary photography exhibition entitled Structured Paradise, was organized by the Walter Phillips Gallery, in response to Parks Canada centennial celebration, 1985, and then donated to the Whyte Museum of the Canadian Rockies.
At the bottom of the print is the brown and tan shore of Bow Lake. Four brownish trees are at the centre of this shore area. Bow lake is turquoise green and takes up the centre portion of the print. It appears as if the shore is at a slightly higher elevation than the lake. At the centre right …
At the bottom of the print is the brown and tan shore of Bow Lake. Four brownish trees are at the centre of this shore area. Bow lake is turquoise green and takes up the centre portion of the print. It appears as if the shore is at a slightly higher elevation than the lake. At the centre right of the print, Bow Glacier is visible. Brown and white mountains extend upwards from the lake across the centre of the print. The sky is pale blue and clear with two narrow streaky clouds, one above the other, extending across the print.
Bow Lake is seen in foreground of image, mountains can be seen in the distance in the upper left corner and are reflected in the lake. Trees form a line along the lake’s shore from the centre of the image out to the far right centre. They are also reflected in the lake. The sky is quite yellow o…
Bow Lake is seen in foreground of image, mountains can be seen in the distance in the upper left corner and are reflected in the lake. Trees form a line along the lake’s shore from the centre of the image out to the far right centre. They are also reflected in the lake. The sky is quite yellow on the right but changes to blue on the left of the sky.