Publication associated with the Russian Antique Salon , pertains to Nicholas de Grandmaison and includes images from the Whyte Museum of the Canadian Rockies archive and art collections.
Notes
Publication is in Russian using Cyrillic script with partial, separate, typed translation to English
"A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."-- Provided by publisher.
Contents
Foreword / Stephan Jost, Marc Mayer, and Isabella Sera`gnaoli -- Far and near : new views of the anthropocene / Sophie Hackett -- The anthropocene and its "golden spike" / Colin Waters & Jan Zalasiewicz -- "How anthropo-scenic!" : concerns and debates about the age of the human / Karla McManus -- Works -- Life in the anthropocene / Edward Burtynsky -- Our embedded signal / Jennifer Baichwal -- Evidence / Nicholas de Pencier -- Adams, Adams, Baltz, Burtynsky : the role of landscape in North America photography / Urs Stahel -- The art museum and the anthropocene / Andrea Kunard.
ISBN
978-1-988788-04-3
Accession Number
2019.36
Call Number
06.4 H11a
Collection
Art Library
URL Notes
Website for the Anthropocene multidisciplinary work by Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier
"Cabin Fever traces the tradition of the cabin in Canada and the United States--from the settlement of the frontier to the contemporary depictions feverishly circulated across the Internet--showing how this humble architectural form has been appropriated for its symbolic value and helped shape a larger cultural identity. The exhibition title is borrowed from the idiomatic expression for an anxious state of mind resulting from a prolonged stay in a remote or confined place. But it also plays upon the more consumer-driven definition of "fever:" a contagious, usually transient, fascination with an object of desire. Cabin Fever will offer a historical and cultural survey of the cabin in North America, an acknowledgement of the pervasive influence of this typology. Not only has the cabin survived in various forms and iterations, but it also has resonated deeply in our cultural psyche."-- Provided by publisher.
Contents
Essay on architecture / Marc-Antoine Laugier -- My saga - Part 1 / Karl Ove Knausgaard -- Ways of life in cold climates the north American subarctic / Jean-Luc Pilon -- The log cabin in America : From pioneer days to the present / C. A. Weslager -- Homesteading / Jennifer M. Volland -- A new home, who'll follow? Or, glimpses of western life / Caroline M. Kirkland -- Unsettling the frontier / Dawn E. Keetley -- Demogracy in America / Alexis de Tocqueville -- Roughing it / Mark Twain -- The problem of housing the negro : The home of the slave / W. E. B. Du Bois -- Railway cabins / Stephanie Rebick -- The industrial archaelogy of the organization of work / Dianne Newell -- Housing reconstruction after the catastrophe / Marie Bolton and Nancy C. Unger -- Fire lookouts / Jennifer M. Volland -- Mid-August at sourdough mountain lookout / Gary Snyder -- Alone on a mountain top / Jack Kerouac -- The journey home : Fire lookout : Numa Ridge / Edward Abbey -- Alpine huts / Jennifer M. Volland -- The disaster point hut / Helen A. Burns -- Ice huts / Photographs by Richard Johnson -- Walden; or, life in the woods / Henry David Thoreau -- Pond scum : Henry David Thoreau's moral myopia / Jathryn Schulz -- Structures in state parks-An apologia / Herbert Maier and A. H. Good -- Conrad Meinecke's your cabin in the woods / Stephanie Rebick -- Everything cold is new again / Michael Prokopow -- Ideas of north; Glenn Gould and the aesthetic of the sublime / Anyssa Neumann -- The modern cabin / Photographs by Julius Shulman -- Mail-order modern / David Hill -- A-Frame / Chad Randl -- Drop city / Peter Rabbit -- Drop city revisitied / Simon Sadler -- Understanding whole systems : Countercultural publications / Stephanie Rebick -- Urban renewal : Ghost traps, college, condos, and squats / Scott Watson -- The writer's cabin / Jennifer M. Volland -- The small cabin / Margaret Atwood -- Pilgrim at Tinker Creek / Annie Dillard -- To Louis Ginsberg [Paterson, NJ] July 10, 1974 / Allen Ginsberg -- Woodswoman / Anne LaBastille -- The terror and tedium of living like Thoreau / Diana Saverin -- Cabin fever / Mark Wigley -- The cabin on the screen : Defining the "Cabin Horror" film / Matthew Grant -- Why look at cabin porn? / Finn Arne Jørgensen -- The log cabin campaign : Image deception in 1840 / Steven Seidman -- Lincoln logs-Toying with the frontier myth / Erin Cho -- Living history sites / Jennifer M. Volland -- How to build a community / Zach Klein -- Airbnb and cabin mania / Stephanie Rebick -- The sinister truth behind cabin porn / Akiva Blander -- Eye candy : Recent publications on cabins / Jennifer M. Volland -- A place of my own : The architecture of daydreams / Michael Pollan -- Getting off the grid : A re-examination of the writer's cabin / Allison Geller -- The aesthetics of ruggedness / Stephanie Rebick -- Proposal for Kimball art center / Jennifer M. Volland -- High-tech companies, low-tech offices / Monica Kim -- Partisans, grotto sauna / Jennifer M. Volland -- Sustainable practices / Stephanie Rebick -- Mattie Gunterman -- Dorothea Lange -- Walker Evans -- Vikky Alexander -- Liz Magor -- James Benning.
Pertains to the Dorothy Knowles exhibition catalogue, organized by Terry Fenton from the Edmonton Art Gallery. While the catalogue was never meant to capture the entirety of Knowles’ artist career, Terry Fenton organizes a thorough exhibition covering the last two decades of her work. It was in part due to Knowles enrollment at the Banff School that she was able to achieve a greater level of confidence in her artist skill. Through both essay and art work, Terry Fenton has been able to share the legacy of Dorothy Knowles.
Contents
Dedication (iii)
Preface (vii)
Beginnings (pg. 1)
Since 1964 (pg. 9)
Exhibitions with art dealers (pg. 32)
Critical and Curatorial support (pg. 33)
Catalogue of the exhibition (pg. 34)
Works on Canvas
Works on Paper
Exhibition Itinerary (pg. 35)
Notes
Annotated - inside of the front page has been signed by Dorothy Knowles
Book is written in both French and English
Exhibition has been organized by Terry Fenton
ISBN
0889500355
Accession Number
2019.71
Call Number
06.1 F35d
Collection
Archives Library
URL Notes
Terry Fenton is himself an accomplished artist. Some of his work can be found using the URL above.
Catalogue of an exhibition held at the Art Gallery of Ontario from July 12 to October 21, 2018.
Contents
Directors Forward
Facing the Monumental
Works:
artist (No.2)
1181
The Named and Unnamed
Fringe
March 5, 1819
Black Cloud
blood on the snow
X mark
Mixed Blessing
Thin Red Line
Quote, Misquote, Fact
A Pelican Falls
sister
State of Grace
To Rest and to Dream
Biinjiya'iing Onji (From Inside)
Wave Sound
Fountain
Rising to the Occasion
Performace:
Creaton or Death: We Will Win
Bury My Heart
Indian Factory
A Simple Truth
Tent City
Victorious
Making Always War
X
Clay on Stone
Work in Progress:
Tower and tarpaulin
Nibi
Notes
One of the cast aluminum sculptures that was a part of the LandMarks 2017 Wave Sound installation is located on the shore of Lake Minnewanka in Banff National Park - refer to pages 84 - 94 - https://www.rebeccabelmore.com/wave-sound/
Pertains to Dr. Edward Sylvester Morse who travelled to Japan in 1877 and again in 1882, amassing a large collection of Japanese ceramics and other cultural objects. Part of his collection is at the Peabody Museum and the other part was a bequest to his grand-daughter Catharine Robb Whyte which now resides at the Whyte Museum of the Canadian Rockies.
Contents
Forward by Anne Ewen, Curator of Art and Heritage - 34 colour photographs of objects presented as part of this Exhibition
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.
Janet Mitchell : a retrospective exhibition organized by Glenbow-Alberta Institute as a Festival Calgary event : Glenbow-Alberta Institute, March 2-April 3, 1977.
Pertains to the work of Janet Mitchell, a Canadian landscape artist born in Medicine Hat, Alberta. Despite being primarily a self-taught artist, Mitchell was able to attend the Banff School of Fine Arts for a short while on a scholarship. The publication pertains to a retrospective exhibition in which Mitchell’s inward life and outward life are both at odds, and in harmony with one another. Organized by the Glenbow-Alberta Institute, Mitchell shares the work that established her as a unique and important Canadian artist.