File consists of 59 photographs collected by Eleanor Luxton as research material for the book Banff: Canada's First National Park. Images pertain to skiing and ski jumping, canoeing, Banff Indian Days, the King Edward Hotel, swimming at the Cave and Basin, the Banff Winter Carnival, wildlife, and v…
59 photographs : b&w prints ; 20 x 25 cm or smaller
Scope & Content
File consists of 59 photographs collected by Eleanor Luxton as research material for the book Banff: Canada's First National Park. Images pertain to skiing and ski jumping, canoeing, Banff Indian Days, the King Edward Hotel, swimming at the Cave and Basin, the Banff Winter Carnival, wildlife, and various views in and around the town of Banff.
File consists of 9 photographs collected by Maryalice Harvey Stewart (creators of images unknown). Photographs pertain to three men posing at the Banff Curling Rink; and historic views of Canmore and area, including Three Sisters, Spray Road, Railway Bridge, Main Street, and United Church.
9 photographs : b&w prints ; 20 x 15 cm and 17.5 x 13 cm
Scope & Content
File consists of 9 photographs collected by Maryalice Harvey Stewart (creators of images unknown). Photographs pertain to three men posing at the Banff Curling Rink; and historic views of Canmore and area, including Three Sisters, Spray Road, Railway Bridge, Main Street, and United Church.
File consists of 48 colour transparencies which are individually numbered and labelled. Images pertain to the interior of the Buffalo Nations Luxton Museum and several displays featuring historic Indigenous figures and scenes. Images were used in commercial postcards promoting the Luxton Museum.
File consists of 48 colour transparencies which are individually numbered and labelled. Images pertain to the interior of the Buffalo Nations Luxton Museum and several displays featuring historic Indigenous figures and scenes. Images were used in commercial postcards promoting the Luxton Museum.
Notes
File contains 11 individual images and duplicates of each
Items each have number between 301 and 311, excluding the number 302. Items are not in numerical order in file
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including cor…
154 cm of textual records. -- 1304 photographs (1190 prints, 95 negatives, 19 transparencies). -- 6 photograph albums.
History / Biographical
The Wardle family was comprised of husband and wife, James Morey Wardle (June 26,1888 - May 18,1971) and Maud Leette (Roney) Wardle (May 24,1889 - December 1,1969), and their one child, Dorothy Hope Wardle (May 23,1919 - July 20,2003).
James Wardle, born in Chiliwack, British Columbia, was a civil engineer and public servant. He was the Superintendent of Banff National Park from 1918-1921, Chief Engineer for Parks Canada from 1921-1935, and Deputy Minister of the Interior from 1935-1936. He is primarily known as a highway design engineer, particularly for building the Banff-Windermere, Banff-Lake Louise, and Banff-Jasper highways. He was a councillor for the Municipality of Rockcliffe Park in Ontario and he was the President of the Trail Riders of the Canadian Rockies in Banff from 1925-1929. Mount Wardle in Vermillion was named after him in 1921. James married Leette on November 4, 1913, with whom he had one child, Dorothy.
Born in Calgary, Alberta, Dorothy (also known as Dot and Dorie) grew up in Banff, Alberta and Ottawa, Ontario, due to her father's position with the federal government. She was educated at the Mountain School in Banff and at the Elmwood School in Ottawa. All three family members were graduates of Queen's University in Kingston, Ontario. James graduated in 1912 with a Bachelor of Science in Engineering, Leette graduated with a Bachelor's degree, and in 1942, Dorothy also earned a Bachelor's degree. Dorothy was prominent in student life and active in athletics. In 1941, Dorothy became the first woman elected as President of the Alma Mater Society and during her academic career, Dorothy was a member of the Levana Intercollegiate Debative, University Centenary Committee, and Queen’s War Aid Commission.
Dorothy spent her career as a freelance writer however, upon graduation she served as the first Secretary-In-Charge of Records at Carleton College (now Carleton University) from 1942-1944 in Ottawa and in the mid-1950s worked as a secretary for the Glenbow Foundation in Calgary. Dorothy pursued a lifelong interest in traveling, art, and antiques. Although she was fiercely proud and protective of Banff and the Park, and remained a volunteer and patron of the Whyte Museum of the Canadian Rockies, Dorothy eventually settled in Sidney, British Columbia and shared an apartment with Sheila Iris Ritchie, with whom Dorothy travelled extensively. After her death in 2003, Dorothy, "Dorie," was laid to rest alongside her parents in the Old Banff Cemetery.
Scope & Content
Fonds consists of two sous-fonds: M521 and V75.
M521 consists of four series, 154 cm, ca.1870-2002. Series I: Dorothy Wardle Personal Papers, 69.5 cm, ca.1870-2002 (includes Dorothy's written work and research and notes related to Banff). Series II: Wardle Family, 32.5 cm, 1872-1998 (including correspondence with Carl Rungius and Mrs. Helen Brett, and Christmas and other greeting cards from Peter and Catharine Whyte). Series III: Queen's University, 7.5 cm, 1911-1980 (including graduation certificates for each family member and records pertaining to Dorothy's participation on the Alma Mater Society). Series IV: Travel, 44.5 cm, ca.1950-1988 (includes hand-written notebooks meticulously detailing their travels).
V75 consists of two series, 79.5 cm, ca. 1912-2001. Series I: Wardle Family, ca. 1912-1971, 6 albums, 31 cm of photograph prints and negatives (including family trips, trail rides in the Canadian Rocky Mountains, and family gatherings). Series II: Dorothy Wardle, 1972-2001, 34 cm of photograph prints, negatives, and transparencies (including Dorothy's travels in Alberta and British Columbia, overseas, and various outings with friends).
File consists of 66 photographs pertaining to Indigenous events in Calgary; a Calgary Stampede parade in Cardston; Norman Luxton’s pet dogs outside of the Indian Trading Post in Banff; an event marking the 50th anniversary of the signing of Treaty 7 held at Crowfoot Crossing in 1927; the constructi…
66 photographs : b&w prints ; 9 x 14.5 cm or smaller
Scope & Content
File consists of 66 photographs pertaining to Indigenous events in Calgary; a Calgary Stampede parade in Cardston; Norman Luxton’s pet dogs outside of the Indian Trading Post in Banff; an event marking the 50th anniversary of the signing of Treaty 7 held at Crowfoot Crossing in 1927; the construction of teepees in Morley; and 7 scanned copies of photographs, depicting unnamed Indigenous people on horseback and groups gathered near a log building [possibly McDougall Church in Morley?].
Notes
Most items in file are not dated or otherwise annotated; date ranges provided are estimates by Processing Archivist based on context and format of images.
File consists of 6 photograph prints [one on matboard] pertaining to the Luxton Museum. Includes images of Red Cathcart wearing a wig and posing with Indigenous mannequins in the Luxton Museum workshop; Norman Luxton and friends at the museum’s entrance; and images of a “Red River Cart” previously …
6 photographs : b&w and col. prints ; 25 x 20.5 cm or smaller
Scope & Content
File consists of 6 photograph prints [one on matboard] pertaining to the Luxton Museum. Includes images of Red Cathcart wearing a wig and posing with Indigenous mannequins in the Luxton Museum workshop; Norman Luxton and friends at the museum’s entrance; and images of a “Red River Cart” previously owned by David McDougall which was put on display in the museum.
Notes
Item LUX/I/D3e/PA-84 believed by Processing Archivist to be a more recent copy [early 1950s?] of an older photograph; annotations on back are similar handwriting style and format as other items in file from this time period.
Album contains 20 photographs pertaining to the Luxton Museum. Includes exterior views, interior views and various displays, and one image of Norman Luxton standing near the museum entrance.
Photographs attributed to "WDM" [William David McDougall?]
Date Range
1959
Physical Description
1 album (20 photographs : b&w ; 25.5 x 20 cm and 17 x 22 cm)
Scope & Content
Album contains 20 photographs pertaining to the Luxton Museum. Includes exterior views, interior views and various displays, and one image of Norman Luxton standing near the museum entrance.
Material Details
Label on front of album reads:
"Luxton Museum
Banff, Alberta. May 30/59.
File #230 Photographer WDM"
File consists of one individual postcard and a set of 6 postcard-style double-sided prints which fold into a souvenir booklet. Content pertains to historic Indigenous mannequin displays used in the Luxton Museum in Banff. Souvenir card collection includes a textual description of history and contex…
7 prints : col. postcards ; 15 x 10 cm and 14 x 9 cm
Scope & Content
File consists of one individual postcard and a set of 6 postcard-style double-sided prints which fold into a souvenir booklet. Content pertains to historic Indigenous mannequin displays used in the Luxton Museum in Banff. Souvenir card collection includes a textual description of history and context pertaining to images [see "Notes"].
Notes
Textual content in this file includes outdated and potentially offensive terminology when referring to Indigenous peoples, history and customs, which is reflective of the time period in which the materials were first produced.
File consists of 78 photographs pertaining to the Luxton Museum and its displays, including the museum’s construction and the interior views of the museum and its displays. Some photographs depict Indigenous individuals [including John Hunter and unidentified Cree and Stoney Nakoda men] posing as m…
Photographs LUX/I/D3e/PA-74 and 76 produced by Bruno Engler; LUX/I/D3e/PA -77 and 78 produced by Ernest Kehr
Date Range
1951-1957
Physical Description
78 photographs : b&w prints ; 17.5 x 12.5 cm or smaller
Scope & Content
File consists of 78 photographs pertaining to the Luxton Museum and its displays, including the museum’s construction and the interior views of the museum and its displays. Some photographs depict Indigenous individuals [including John Hunter and unidentified Cree and Stoney Nakoda men] posing as models for display mannequins used in the Luxton Museum.
Notes
First three items in file signed on reverse side by “Roy”[?] [Ray?]; individual not further identified
File contains some duplicates
Material Details
Items LUX/I/D3e/PA-4 to 16 labelled as “Polaroid” photographs on back. Same items have folded paper attached to left side partly covering images
File consists of 43 photographs pertaining to displays and views inside the Luxton Museum in Banff. Photographs depict artwork, taxidermy displays, wax figures, and visitors inside the museum.
43 photographs : b&w and col. prints ; 25 x 20 cm or smaller
Scope & Content
File consists of 43 photographs pertaining to displays and views inside the Luxton Museum in Banff. Photographs depict artwork, taxidermy displays, wax figures, and visitors inside the museum.