Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to…
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to be an original sketchbook drawing by Lawren S. Harris, (1885-1970. Lawren P. Harris, May 22, 1979. Ottawa, Ontario.
Two images of what appears to be sketches for propaganda posters for World War II. The top image is a Canadian Highlander standing on a hill in a poised stance holding a lee enfield. In the background there is a mountain range, and below his feet is says “CANADIAN HIGHLANDERS ARE WITH YOU.” In the …
Two images of what appears to be sketches for propaganda posters for World War II. The top image is a Canadian Highlander standing on a hill in a poised stance holding a lee enfield. In the background there is a mountain range, and below his feet is says “CANADIAN HIGHLANDERS ARE WITH YOU.” In the second image it is the Highlander again looking out to the mountain range with his back to the viewer.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
A simple log cabin that is shaped in a simple square is in the foreground. Just in front of the structure there is some logs on on the ground, off to the side is a wooden fence, and behind the building there is a tree without leaves (suggesting that the drawing is later in the year). In the backgro…
A simple log cabin that is shaped in a simple square is in the foreground. Just in front of the structure there is some logs on on the ground, off to the side is a wooden fence, and behind the building there is a tree without leaves (suggesting that the drawing is later in the year). In the background there is pine trees, and the Rocky Mountains. In the sky their is a couple clouds. On the door of the building says “HOTEL”, and on the bottom edge is says “FIRST SHACK AT CAVE + BASIN”. Peter signed the drawing in the BRC “PETE WHiTE”
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.