A smoothly polished flat onyx stone (a) in a red velour carrying case (b) lined with satin. The stone has a finger depression carved into one side. Inside of the box the satin is marked with “Calmulet” in gold writing. The stone is also accompanied by a small pamphlet, which fits inside the box,…
0.8 (a); 3.0 (b) x 3.5 (a); 7.0 (b) x 5.8 (a); 8.5 (b) cm
Description
A smoothly polished flat onyx stone (a) in a red velour carrying case (b) lined with satin. The stone has a finger depression carved into one side. Inside of the box the satin is marked with “Calmulet” in gold writing. The stone is also accompanied by a small pamphlet, which fits inside the box, and explains how the stone is used. The pamphlet reads:“As the ancient Chinese pondered the weighty problems of their time, or contemplated deep philosphies, it was their practice to stroke the smooth polished surface of valuable jade, a habit they found soothing to tired minds and tense nerves.The Egyptians and Greeks of long ago wore amulets, usually suspended from the neck, as a protection from the evil eye. It was a recognized good luck charm. Even the very religious Moslums believed in the power of the amulet.Now the amulet is once more being sought as a potential calmer of jangled nerves. The CALMULET is designed for this purpose. Hold it in the palm of your hand . . . it is especially shaped to nestle there, inviting nervous fingers to gently rub it’s smooth satiny surface.CALMULET a finely cut lustrous onyx will become your personal talisman.”
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four …
A large painting of an Indigenous dressed as a bear. The man’s face is visible through the mouth of the bear fur that covers him. The man’s eyes are hidden by shadows. Yellow and black paint is on the rest of his face. In the claws, the man holds a wand-like stick, at the tip of which are four feathers. These are in the blc of the image. On either side of the bear’s head are patches of aquamarine.
Colour: primaries and secondaries on blue grey background. A circle of people fill the center of the canvas. In the foreground there are dogs and three crosses at lower left. Two thirds up in the distance is a mountain range and lake. Above is sky.
Colour: primaries and secondaries on blue grey background. A circle of people fill the center of the canvas. In the foreground there are dogs and three crosses at lower left. Two thirds up in the distance is a mountain range and lake. Above is sky.
Wooden pipe stem decorated with pyrography and wrapped with a section of bead-wrapped hide (yellow, black, red and white) with fringe at each end. The simple grey stone bowl is attached to the stem. Tag attached: “$20.00”.
Wooden pipe stem decorated with pyrography and wrapped with a section of bead-wrapped hide (yellow, black, red and white) with fringe at each end. The simple grey stone bowl is attached to the stem. Tag attached: “$20.00”.
Red-brown calumet bowl in the shape of a horse with the hole through the top of the horse’s head. Obvious repair across horse’s hind-quarters and the front legs are broken. The end where this section attaches to the stem is jagged and has putty or glue attached.See narrative
Red-brown calumet bowl in the shape of a horse with the hole through the top of the horse’s head. Obvious repair across horse’s hind-quarters and the front legs are broken. The end where this section attaches to the stem is jagged and has putty or glue attached.See narrative
Walking the Mountain feeds hungry ghosts of those who came before. Specifically honoured in this work are the spirits of the Chinese pioneers, the railway workers of the late 1800's, the miners at the turn-of-the-century, the sojourner Hoy Ming Wong, 1896 - 1978 and the suicides of Kenneth Fletcher…
Walking the Mountain feeds hungry ghosts of those who came before. Specifically honoured in this work are the spirits of the Chinese pioneers, the railway workers of the late 1800's, the miners at the turn-of-the-century, the sojourner Hoy Ming Wong, 1896 - 1978 and the suicides of Kenneth Fletcher, 1954 - 1978 and Paul Speed, 1967 - 1991. These people are brought together through death and the communal act of remembering. Paul Wong, Chinaman's Peak: Walking the Mountain
Colour: multi colours on white. In the lower left corner is the backside of a sled pulled by two horses. There are figures sitting in the sled and walking beside it, also two dogs. Many figures are making their way from the right to the left of centre where there is a huge circle of figures. Ac…
Colour: multi colours on white. In the lower left corner is the backside of a sled pulled by two horses. There are figures sitting in the sled and walking beside it, also two dogs. Many figures are making their way from the right to the left of centre where there is a huge circle of figures. Across the right side in front of a fence is a row of eleven sleds. The hills beyond meet the lake up centre and the far shore of blue mountains two thirds up. The sky is streaked grey.
Replica of a hairbag (could be displayed Re: Corleigh Belton July 2013). Small bag, stiched shut along the top edge, with both sides fully beaded. One side has a pattern of green and white squares with a blue and black triangle border, the other side has a multicoloured stepped diamond on a blue b…
Replica of a hairbag (could be displayed Re: Corleigh Belton July 2013). Small bag, stiched shut along the top edge, with both sides fully beaded. One side has a pattern of green and white squares with a blue and black triangle border, the other side has a multicoloured stepped diamond on a blue background with a black edge on three sides and three black squares along the top edge. The bag has a braided hide handle (39.0 x 2.0 cm) with fur attached. The bottom edge of the bag has beaded hanging thong with fur tufts at the end.
A replica of a hair bag, (could be displayed Re: Corleigh Belton July 2013) sewn closed, completely beaded on both sides with the same pattern - yellow background with green, white, red and blue geometric design. Irregularly cut buckskin strand handle (36.0 x 2.0 cm) attached to top corners.
A replica of a hair bag, (could be displayed Re: Corleigh Belton July 2013) sewn closed, completely beaded on both sides with the same pattern - yellow background with green, white, red and blue geometric design. Irregularly cut buckskin strand handle (36.0 x 2.0 cm) attached to top corners.