Dominant colours are purple, green, blue, brown, grey, yellow, and white. The painting is dominated by Mount Rundle and a cloud-filled blue sky. The foreground is grey rocks, a dead tree with the brown tree trunk and branches reaching right, above that coniferous trees viewer’s right; the middle fo…
Dominant colours are purple, green, blue, brown, grey, yellow, and white. The painting is dominated by Mount Rundle and a cloud-filled blue sky. The foreground is grey rocks, a dead tree with the brown tree trunk and branches reaching right, above that coniferous trees viewer’s right; the middle foreground is made up of grey pebbles and small rocks with coniferous trees behind, the sun is shining on the mid- foreground and the viewer’s right highlighting the ground and trees. To the viewer’s right there is a pile of grey, brown, and beige rocks with two coniferous trees above and some yellow and brown bushes to the right of that; to the very far right the Bow River is visible and also above the bushes it is snaking its way through the valley toward Canmore. A purple-hued with some blue Tunnel (Buffalo) Mountain is in front of Mount Rundle. Mount Rundle is purple, grey, blue, pink and white with green patches to the right. The ranges on the viewer’s left are purple, grey and white and to the right of Mount Rundle they are blue, grey and white. The sky above which comprises one-third of the painting has more clouds than blue sky. The clouds are white, grey, brown growing into purple, grey and yellowish hues to the viewer’s right.
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thi…
A summer scene dominated by Mt. Rundle and the trees that flank Vermilion’s first lake. The dominant colours are light and dark green, black, blue, brown and grey. The foreground is green and brown low vegetation, out of which a line of lodgepole pines, some dead and still standing, rise to two-thirds of the painting. Starting at the viewer’s far left, at mid-point, the branches of an aspen with green leaves fills the top far left of the painting. Vermilion’s first lake is visible though the lodgepoles and directly behind that, are the dark trees that line its opposite bank. Above the lake the lower slope of Tunnel Mountain is visible to the viewer’s left. The painting is dominated by majestic Mount Rundle, its lower slopes covered with muted green coniferous trees and its sheer rock face in varying shades of grey, blue, and brown. The deep blue sky has a few wisps of white showing through and some light grey clouds to the viewer’s right, above the peaks of the Rundle Range.