File consists of architectural and grounds plans and drawings for St. Mary's Parish in Banff, comprising 9 sheets, H58 x W89 cm to H43 x W58 cm. Plans are possibly diazotype (diazo) prints. Designed by Father Robert McGuinness. Donated by Stevenson Raines Barrett Christie Hutton Seton & Partners (l…
9 architectural drawings : annotations ; 89 x 58 cm or smaller
Scope & Content
File consists of architectural and grounds plans and drawings for St. Mary's Parish in Banff, comprising 9 sheets, H58 x W89 cm to H43 x W58 cm.
Plans are possibly diazotype (diazo) prints.
Designed by Father Robert McGuinness.
Donated by Stevenson Raines Barrett Christie Hutton Seton & Partners (later Raines Finlayson Barrett) to the Canadian Architectural Archives at the University of Calgary.
Notes
Father Robert McGuinness was an engineer with the Canadian federal government and the Canadian Pacific Railway before entering the priesthood. After becoming ordained in Rome, Father McGuinness traveled around Europe and his designs for St. Mary's Parish were influenced by the ancient stone churches he visited during his travels.
The church was known by different names, including: St. Mary of the Assumption and St. Mary's Catholic Church. It is currently called St. Mary's Parish.
general editor, Charles C. Hill ; with essays by Christine Boyanoski, Andrea Kunard, Laurier Lacroix, Rosalind Pepall, Bruce Russell, Geoffrey SimminsCanadian art 1890-1918
Issued also in French under title: Artistes, architectes & artisans, l'art canadien 1890-1918
"Published in conjunction with the exhibition Artists, Architects and Artisans: Canadian Art 1890-1918, organized by the National Gallery of Canada and presented in Ottawa from 8 November 2013 to 2 February 2014"--Title page verso
Includes bibliographical references and an index
Introduction / Charles C. Hill -- The pursuit of art and the flourishing of aestheticism amidst the everyday affairs of mankind / Laurier Lacroix -- Arts and crafts traditions in the Canadian domestic interior / Rosalind Pepall -- Artists, architects and artisans at home / Christine Boyanoski -- Art's 'renewed nearness to life': reflections on the unity of the arts in Canada / Geoffrey Simmins -- Ecclesiastical patronage in Canada: from the Gothic Revival to the arts and crafts movement / Bruce Russell -- For an integration of the arts / Charles C. Hill -- A harmony of the arts: the diverse expressions of pictorialism / Andrea Kunard -- Competing visions for redesigning the Canadian city: architecture, urban planning, and landscape architecture, 1893-1918 / Geoffrey Simmins
Rob Wood grew up in a village on the edge of the Yorkshire Moors, where he eventually developed a preoccupation with rock climbing. After studying architecture for five years at the Architectural Association School in London, England, he made his way to Montreal and ended up in Calgary. During his time in Calgary, Rob became a pioneer of ice climbing and posted numerous first ascents in the Rockies during the early 1970’s. Eventually, life in corporate Alberta proved unfulfilling and Rob realized that he needed to find a place where he could reconnect with nature, which brought him to the remote reaches of Canada’s West Coast. Settling on Maurelle Island, he and his wife built an off-the-grid homestead and focussed on alternative communities and developing a small house-design practice specializing in organic and wholesome building techniques. At Home in Nature is a gentle and philosophical memoir that focuses on living a life deeply rooted in the natural world, where citizens are connected to the planet and individuals work together to help, enhance and make the world a better — and sustainable — place. (from Rocky Mountain Books website)
A brown picnic shelter and a pitched white tent are side by side on a green slope, the slope runs down to the right. Some large evergreen trees are behind them and a blue sky with fluffy white clouds covers the top half of the picture.
A brown picnic shelter and a pitched white tent are side by side on a green slope, the slope runs down to the right. Some large evergreen trees are behind them and a blue sky with fluffy white clouds covers the top half of the picture.
The great rock formation juts out of the lime coloured grass in the middle centre. Some large blue green evergreens create a natural barrier between the foreground and background. A smeared array of greens implies a deep forest beyond the rise in the foreground. The blue mountains stretch across th…
The great rock formation juts out of the lime coloured grass in the middle centre. Some large blue green evergreens create a natural barrier between the foreground and background. A smeared array of greens implies a deep forest beyond the rise in the foreground. The blue mountains stretch across the horizon line. Pale blue sky with low lying cloud cover dominates the top 1/3 of the sketch.
A few small cabins can be seen huddled in amongst the trees to the left of the snowline in front Bow Lake is overpowered by the mountain peaks illuminating above it. Snow is visible among the cracks and crevices in foreboding slopes. A dark grey sky forecasts the arrival of a tremendous storm.
A few small cabins can be seen huddled in amongst the trees to the left of the snowline in front Bow Lake is overpowered by the mountain peaks illuminating above it. Snow is visible among the cracks and crevices in foreboding slopes. A dark grey sky forecasts the arrival of a tremendous storm.