Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian…
69 b&w lantern slides, 5 cm of textual records, ca. 309 prints : b&w ; 27.9 x 20.3 cm or smaller
Scope & Content
Fonds consists of visual and texual material pertaining to the Canadian Pacific Railway and its holdings. Visual material conists of two series. Series I: lantern slides, Series II: prints. Textual material consists of two series. Series I: organizational records, Series II: the 1942 film "Canadian Pacific" screenplay and associated documents.
Visual material includes black and white lantern slides and black and white prints depicting various scenes pertaining to travelling on the Canadian Pacific Railway and depict dining rooms, scnes involving trains and mountains, farming scenes and fields, people in train cars, various cities and towns, figures in natural landscapes, horses and horseback riding, mountains, waterfalls, skiing, ships, CP hotels, and other grand buildings [across Canada] such as Notre Dame Cathedral in Montreal.
Textual material includes paper reports [some compiled by Canadian Pacific Hotels Architectural Engineer Ed Steel] detailing various construction and/or renovation projects for hotels, lodges, tea houses, bugalow camps, huts, and backcountry lodges throughout the Canadian Rockies as well as records pertaining to CP hotels in the Canadian Rockies, and the screenplay for "Canadian Pacific."
Notes
Slides were stored in rectangular wood box with leather handle on top, and metal handle at one end. White label that says “Lyon & Turnbull 432 04 February 2009” on lid of the box. Old, peeling, and stained label on top under handle, illegible. Faded, peeling labels on front, some words legible: “from the Canadian Pacific…” 2 stained and water damaged labels detached from box appear to be English shipping labels.“10” stamped in black on both ends of box. Stamped in black on rear of box: “Canadian Pacific Rly Co. 62 to 65 Charing Cross, London, S.W. 1. “3” engraved on upper rim of box. Box is divided into 3 sections with removable wood separators, small pieces of felt line 2 sections of the box.
Prints and some textual records absorbed from old records V121 and M48.
Lantern slides donated to the Whyte Museum by Dr. William and Mrs. Wynn Bensen. The slides were purchased by the Bensens from Lyon and Turnbull in Scotland.
Fonds includes textual material in the form of a manuscript, ephemera and photographs made by and collected by Bill de Haan. The manuscript is titled "Photographs to accompany P. M. Sauders report of snow survey in the vicinity of Lake Louise . . . June 14, 1918." Also includes posters and calend…
ca.220 photographs : prints, transparencies. -- ca.1 cm of textual records
History / Biographical
Bill de Haan, b.1903, was a hotel worker, labourer and government worker at Banff, Alberta, Canada. De Haan came to Banff in 1944 after working across Canada. From ca.1950 to ca.1968, he worked for Banff National Park at Tunnel Mountain campground, the east park gate and the warden service equipment building. After 1968, de Haan was a volunteer at the government fish hatchery in Banff. An avid photographer, de Haan was a member of the Bow Valley Camera Club. He photographed wildflowers and warden cabins throughout the park.
Scope & Content
Fonds includes textual material in the form of a manuscript, ephemera and photographs made by and collected by Bill de Haan. The manuscript is titled "Photographs to accompany P. M. Sauders report of snow survey in the vicinity of Lake Louise . . . June 14, 1918." Also includes posters and calendar pertaining to Banff National Park and Banff Indian Days. Photographs pertain mainly to cabins, including warden cabins, Banff National Park, 1963-1966; also Brett family, early Banff and area, Bankhead, Canmore cemetery (1975); flooding along Bow River, 1972; and construction of archives and library building, 1967-1968, (now Whyte Museum of the Canadian Rockies).
Fonds consists of: school notebooks, 1924-1932, 4 cm.; Banff Collections and Recollections / by Mary Allan : [manuscript] pertaining to reminiscences of Mary Allan and Banff history (354p); photographic prints of school friends, 1966, 2 items; photographic transparencies of Cave and Basin buildi…
10 cm of textual records. -- 63 photographs (61 transparencies, 2 prints)
History / Biographical
Mary Thomson Allan, 1913-1989, was a poet and homemaker at Banff and Calgary, Alberta, Canada. Mary Thomson was born in Banff, where her mother, Jeannie Thomson, ran the Cave and Basin Teahouse. In the 1980s Allan was involved in the Save the Cave and Basin Committee. Allan wrote poetry starting in the 1930s. A number of her poems were published in periodicals and anthologies during the 1950s to 1970s, and a selection, titled "The Inward Trail", was published posthumously in 1992. "Banff Collections and Recollections" was in process when Allan died and editing was continued by her daughter, Jannis Hare.
Scope & Content
Fonds consists of: school notebooks, 1924-1932, 4 cm.; Banff Collections and Recollections / by Mary Allan : [manuscript] pertaining to reminiscences of Mary Allan and Banff history (354p); photographic prints of school friends, 1966, 2 items; photographic transparencies of Cave and Basin buildings and area before and during renovation, 1971-1983.
Fonds consists of notes, correspondence and articles pertaining to the Astley family and early history of Lake Louise and Lake Minnewanka areas. Fonds includes correspondence between Willoughby Astley and J. A. Jaffary of the Provincial Library, Alberta, 1928-1929, re place names in the Lake Louise…
Willoughby John Astley, 1859-1948, came to Banff in 1888 and built the Beach House Hotel at Lake Minnewanka. He moved to Lake Louise in 1889. Brother, Charles D'Oyley Astley, 1849-1937, and Lucy Ann Astley continued to operate the hotel until 1907 when they retired to Banff. The hotel was destroyed as part of power development at Lake Minnewanka, ca.1912.
Scope & Content
Fonds consists of notes, correspondence and articles pertaining to the Astley family and early history of Lake Louise and Lake Minnewanka areas. Fonds includes correspondence between Willoughby Astley and J. A. Jaffary of the Provincial Library, Alberta, 1928-1929, re place names in the Lake Louise area; scrapbook of clippings re World War I, including a list of Banff men who enlisted; Beach House Hotel guest register, 1890-1906, recording name and residence of guest, and occasionally record of fish caught; Astley family photographs, ca.1886-1930s. Photographs pertain to fishing and boating on Lake Minnewanka; Beach House Hotel and Lady of the Lake steam launch; Devil's Canyon, Bankhead and Banff; views of avalanche clearing in Roger's Pass by Byron Harmon. Includes one panorama view of group at Lake Minnewanka.
Fonds is a commercial negative collection from more than 4000 professional jobs. Includes family, personal and school portraits, weddings, conventions and passport photographs; Banff School of Fine Arts classes, activities, productions, business and convention programs; photographs of government a…
Fonds includes primarily the private business records of Ron Duke, including the work of some predecessors. Images attributed to Bill Jamieson, working in the employ of George Noble, are V180 / II.A.i. through V180 / II.A.vi., and V180 / III.A.- 1 to 51.
Date Range
[ca.1900, ca.1930-ca.1975]
Physical Description
ca.40,000 photographs (ca.38,400 negatives, ca.800 prints, ca.800 transparencies). -- 1 photograph album. -- 3 cm of textual records
History / Biographical
Ronald Leslie Duke, 1912-1978, was a professional photographer at Banff, Alberta, Canada. Born in Calgary, Alberta, Duke was educated at Calgary, Banff and the University of Washington in Seattle, USA. After wartime service with the National Film Board of Canada, Ron Duke returned to Banff, where he worked in the photography business for the next thirty years. Here he formed a link in a business lineage of photographers, including George Noble, and was for a time an employee of Noble's corporate successors. After 1958, Duke worked closely with the Banff School of Fine Arts, photographing productions and providing documentary services. After sustaining considerable damage in a fire which destroyed Banff's Mount Royal Hotel in 1967, Ron Duke's business resumed and, in partnership with George Baracos, continued until retirement in 1975.
Scope & Content
Fonds is a commercial negative collection from more than 4000 professional jobs. Includes family, personal and school portraits, weddings, conventions and passport photographs; Banff School of Fine Arts classes, activities, productions, business and convention programs; photographs of government and private construction, commercial and industrial projects, Banff National Park; Banff community life, including Banff Winter Carnival, sports and recreation, Banff High School, Banff activities, places and events; personal and occupational photographs arising from Duke's interest in aeronautics, work with the Canadian Army, World War II, and involvement in the oil industry, 1930s; scenic and landscape photographs. Most pertain to Banff National Park; also Vancouver, British Columbia; Seattle, United States; Turner Valley, Alberta and Prince Albert, Saskatchewan.
Textual records include job registers, 2 v.; samples of works orders, price lists, letters, equipment lists, invoices, receipts and technical information, mainly pertaining to business, some personal items; brochures, publications and postcards containing credited or attributed Ron Duke photographs.
Fonds consist mainly of photographs by Edward Cavell, 1973-1975. Consists of 6 x 6 cm. negatives with corresponding contact sheets and some identification lists for four projects: I. Copy and on-site shots for Banff Springs: The Story of a Hotel, 1973, ca.209 negatives plus contact sheets and enlar…
Edward Cavell, b.1947, writer, researcher, photographer and museum curator at Banff, Alberta, Canada, is currently a business owner at Banff and Calgary, Alberta.
Scope & Content
Fonds consist mainly of photographs by Edward Cavell, 1973-1975. Consists of 6 x 6 cm. negatives with corresponding contact sheets and some identification lists for four projects: I. Copy and on-site shots for Banff Springs: The Story of a Hotel, 1973, ca.209 negatives plus contact sheets and enlargements; II. Landscape photographs for Rocky Mountains highway guide book, Waterton to Jasper, with Jon Whyte (incomplete), 1974, ca.700 negatives with contact sheets and identifications; III. Stage shots of Phil Nimmons Quartet at the Banff Centre, 1974, 84 negatives and contact sheets; IV. Ground and aerial survey of Cascade Fire Road for Banff Warden Service, 1975, ca.257 negatives and contact sheet. ; Also includes photographs collected by Cavell for personal and research purposes, including Tepee at Bow Lake, hand-coloured print by Byron Harmon; "Dedicatory services at Mount Eisenhower 1958" by Bruno Engler, Alpine Films, Banff; Rocky Mountain scenic postcards by several publishers, including Byron Harmon and Bill Gibbons; slide copies of photographs by Charles Horetzky, Walter D. Wilcox, William Notman, Byron Harmon and [Ernest Brown].
Fonds consists of guest registers for 1911 to 1932; also, lists and photographs. The lists include arrivals, guests and addresses for 1947 to 1952. The photographs are thought to be from the Homestead Hotel and include scenic views of the Rocky Mountains; also, Homestead Hotel, Banff facilities a…
12 v. and 1 textual record. -- 34 photographs : prints
History / Biographical
The Homestead Hotel at Banff, Alberta, Canada opened in 1910 as a temperance house. A cafe, the Ye Olde Homestead Tavern, was added in 1930. In 1945, D. M. Soole sold the hotel to Earl E. Gammon and James I. McLeod. Gammon assumed sole ownership in 1948
Scope & Content
Fonds consists of guest registers for 1911 to 1932; also, lists and photographs. The lists include arrivals, guests and addresses for 1947 to 1952. The photographs are thought to be from the Homestead Hotel and include scenic views of the Rocky Mountains; also, Homestead Hotel, Banff facilities and activities; n.d. Some are framed; others may have been removed from an album. Also includes a notice to guests for Gammon's Hotel, n.d.
Fonds includes: guest registers for 1926-1934, 1946-1956 and 1958-1964; piece of letterhead, ca.1958; file of copies of correspondence, plans, legal documents and reports, 1921-1973, pertaining to Lake O'Hara, development of the area by the Canadian Pacific Railway and as part of a national park, a…
1.5 cm and 3 v. of textual records -- ca.80 photographs : prints
History / Biographical
Lake O'Hara Lodge was erected by the Canadian Pacific Railway on the shore of Lake O'Hara, Yoho National Park, during the winter of 1925-1926. The following winter, cabins from the CPR camp in a nearby alpine meadow were moved to the lodge site. The lodge catered to hikers and climbers and was managed for over thirty years by Sylvia "Syd" Graves. In 1954, the CPR sold the lodge to Claude Brewster and Austin H. Ford of Brewster-Ford Mountain Lodges. Ford assumed sole ownership in 1958 and sold the lodge in 1975. Since 1976, Lake O'Hara Lodge has been operated by the Laub family of Banff. Currently, other partners include Tim and Leslee Wake.
Scope & Content
Fonds includes: guest registers for 1926-1934, 1946-1956 and 1958-1964; piece of letterhead, ca.1958; file of copies of correspondence, plans, legal documents and reports, 1921-1973, pertaining to Lake O'Hara, development of the area by the Canadian Pacific Railway and as part of a national park, and Lake O'Hara Trails Club; photographs pertaining to Lake O'Hara Lodge, construction, owners, staff, guests and patron, 1919-1972.
Fonds consists of two series: I. St. Mary's Parish, ca.1945-1983, 0.16 cm, and contains two sub-series: A. Architecture, ca.1945-1983 (architectural plans, general information); B. Correspondence and Newspaper Clippings (pertaining to Father McGuinness and St. Mary's Parish), 1950-1978. II. McGuinn…
1.11 cm of textual records (34 pages : 29 x 42 cm or smaller) -- 9 architectural drawings : annotations ; 89 x 58 cm or smaller
History / Biographical
Originally from ancient Iveagh, which is now County Down, Ireland, the McGuinness family eventually migrated to Liverpool at an unknown time. The McGuinness family were provision merchants in Liverpool, but found supplies limited so they emigrated to Canada. Born on June 20, 1886 in Liverpool, Father Robert James McGuinness moved to Belleville, Ontario, Canada with his family in 1890. He had 7 brothers and sisters, including Oswald A. McGuinness, who settled in Invermere, British Columbia.
Robert attended St. Lawrence College in Ampleforth, Yorkshire, and completed his studies at St. Servan in Rhiems, France, qualifying as an engineer. He held a position with the federal government upon his return to Canada, however when World War I broke out Robert served in the 29th Battalion of CRTS building pontoons behind European battle lines. After returning to Canada, Robert worked for the Canadian Pacific Railway as an architectural engineer, which brought him west to Banff, Alberta. Robert was the resident architectural engineer overlooking the construction of the Banff Springs Hotel expansion in the 1920's.
In the late 1920's, Robert traveled to Rome to enter the seminary and four years later he was ordained as a priest. After serving as priest in Calgary, Robert was appointed Catholic priest in Banff in 1936, where he lived and worked until his death in 1961. To fulfill a personal dream, Robert designed and supervised the construction of the new church building and grounds for St. Mary's Parish (St. Mary's of the Assumption) which was completed in 1951. During his years in Europe, Robert visited ancient churches and cathedrals which influenced the design of the church, primarily the Norman Chateau architectural style.
Robert was also a talented artist. Some of his work can be seen in galleries in New York and in Banff. His work has been reproduced for Canadian Pacific Railway tourism material, including the Spiral Tunnels postcard included in this fonds.
Robert died in Calgary on June 17, 1961, just shy of his 75th birthday, after being ill for a few months.
Scope & Content
Fonds consists of two series:
I. St. Mary's Parish, ca.1945-1983, 0.16 cm, and contains two sub-series: A. Architecture, ca.1945-1983 (architectural plans, general information); B. Correspondence and Newspaper Clippings (pertaining to Father McGuinness and St. Mary's Parish), 1950-1978.
II. McGuinness Family, 1953-1977, 1 cm (private records, including handwritten notes, a memoir, and a postcard).
Notes
. IYounger brother Oswald was a surveyor who built the road from Invermere to Calgary
There is some indication that Robert had a role in the construction of the Bow River Bridge or the collection of the stones used for the bridge, but this is unconfirmed
Fonds consists of a broad-ranging commercial negative collection. Includes four series. I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival a…
George Noble, 1879-1965, was a professional photographer at Banff, Alberta, Canada. Noble was born in Woolwich, England where he apprenticed as a photographer. He came to Banff in 1909 to operate a photographic business for his uncles, George and Bill Fear, who owned a curio business. In 1919, Noble bought the photographic business and, in 1932, acquired the remainder of the Fear Brothers business. He built a new studio and shop, which offered portraiture, photo- finishing and framing services and sold photographic supplies, camera equipment and English china. In addition to portraiture, George Noble and employees, such as photographer Bill Jamieson, produced a wide range of documentary, scenic and commercial views. Noble's shop offered black and white and hand-coloured prints of local events and Rocky Mountain views. George Noble was an active member of the community, serving on both the Banff School Board and the Banff Board of Trade for many years. Upon his retirement in 1957, his business was acquired by a group of investors which included Bill Jamieson, lab-technician and photographer for the Noble business from 1936 to 1957
Scope & Content
Fonds consists of a broad-ranging commercial negative collection. Includes four series.
I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival and Banff Indian Days; Indigenous; scenic views of Banff and area and other Rocky Mountains locations.
II. Commercial views, 765 items; includes buildings, businesses, facilities, sports events, organizations, conventions, group portraits, displays and presentations.
III. Mixed views, 242 items; includes scenic, documentary and commercial views similar to material in previous series. Also includes some views know to have been produced by Fred Armbrister, a professional photographer who operated out of Lake Louise, Alberta, ca.1930.
IV. Portraits, ca.4600. This series contains four groups: A. 1920s-1950s, most unidentified; B. 1930s and 1940s, arranged alphabetically, many unidentified; C. 1950s, arranged alphabetically, most identified, many with proofs (prints); D. 1950s, arranged chronologically by job number.
V. Other, ca.50 items. Includes 36 colour stereo transparencies, ca.1955, re Administration Building and gardens, Banff-Jasper Highway scenics, mountain sheep, autumn colour, Banff Avenue, George Noble and staff. Also includes small number of commercial prints produced by Noble, including several large hand-painted views.
Fonds is accompanied by business record books, 1950-1958, 2 v. (M533)
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
file description and index
electronic finding aid
selected modern reference prints
Related Material
Related commercial photographs made by Bill Jamieson in the employ of George Noble are located in the Ron Duke fonds (V180 / II.A.i. - V180 / II.A.vi.; V180 / III.A.)
Portrait camera and electric 3D viewer reside in Heritage collections, Whyte Museum