A rough pencil sketch of a ship moving through water from the viewer’s left to right. In the immediate foreground there is a tiny lighthouse. On the opposite shore, a cross sits atop a tiny church. The ship and water are between these buildings in the middle ground. On the viewer’s left, and opposi…
A rough pencil sketch of a ship moving through water from the viewer’s left to right. In the immediate foreground there is a tiny lighthouse. On the opposite shore, a cross sits atop a tiny church. The ship and water are between these buildings in the middle ground. On the viewer’s left, and opposite the ship are shapes that are difficult to discern, but might be a group of buildings.
Three different scenes are arranged vertically and drawn in pencil. The top two scenes are numbered 13 and 14 (numbers in circles) respectively. The top scene is of a car driving away from the viewer, over rural hills. The sky has light rays that radiate from the far horizon. The middle scene shows…
Three different scenes are arranged vertically and drawn in pencil. The top two scenes are numbered 13 and 14 (numbers in circles) respectively. The top scene is of a car driving away from the viewer, over rural hills. The sky has light rays that radiate from the far horizon. The middle scene shows the back of a man sitting at a typewriter. The typewriter sits amid many books on a desk. The bottom scene is difficult to discern because it is sketched rather roughly. In the top half of the scene are crudely drawn circular and triangular shapes. Diagonal lines occupy the bottom half.
A pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down disdainfully at the small central figure. One of them has a musta…
A pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down disdainfully at the small central figure. One of them has a mustache. All figures are wearing pillbox hats and belted coats with large buttons.On Howard Smith victory bond paper.
A lighlty sketched pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down at the small central figure. The figures are re…
A lighlty sketched pencil drawing on paper of three male figures dressed in military garb. The central figure has his back to the viewer and is flanked by two much larger military figures. The two larger figures are positioned frontally and look down at the small central figure. The figures are rendered with few details.
Pencil sketches relating to the Blind Date (John Windsor) book illustrations on a piece of torn paper. In top centre is a rectangle that contains a rough illustration of troops marching off into the distance, a military tank, and illegible scribbles likely to represent text. Beside this rectangle, …
Pencil sketches relating to the Blind Date (John Windsor) book illustrations on a piece of torn paper. In top centre is a rectangle that contains a rough illustration of troops marching off into the distance, a military tank, and illegible scribbles likely to represent text. Beside this rectangle, a military figure strides away from the viewer, carrying a bayonet on his right shoulder. Below these are two indistinguishable sketches and a line of four marching soldiers with bayonets. Below this group is another sketch contained in a rectangle and two text lines that read: SO SORRY PLEASE/ SO SOLLY PREASE
Various pencil drawings of different aspects of two figures with their backs to the viewer. The main, central drawing is of the two, with their upper bodies more heavil drawn and the lower part lighter. The figure to the right is taller. Both wear coats with collars pulled up and lean towards each …
Various pencil drawings of different aspects of two figures with their backs to the viewer. The main, central drawing is of the two, with their upper bodies more heavil drawn and the lower part lighter. The figure to the right is taller. Both wear coats with collars pulled up and lean towards each other. To the right, there is a drawing of a woman’s lower body in a skirt, stepping away from the viewer. Below this is a sketch of two hands holding each other.
Ink drawing of three men in military uniform. Two of the men are normally scaled, but the third, central figure is scaled so that his head only reaches the knee of the other two men. All are wearing dark trousers, and what appears to be a belted military coats with large buttons. Their pillbox caps…
Ink drawing of three men in military uniform. Two of the men are normally scaled, but the third, central figure is scaled so that his head only reaches the knee of the other two men. All are wearing dark trousers, and what appears to be a belted military coats with large buttons. Their pillbox caps sit on the sides of their heads. All stand with perfect posture, but the third miniature figure’s back is to the viewer. The initials P.W. appear to the bottom right of the drawing, near the rightmost figure’s feet. In the top right corner there are pencil sketches of the back view of these soldier’s heads and upper bodies. The words CHAPTER 2 (circled) appear above these pencil sketches.
Pencil drawing of scene enclosed in a rectangular frame. A small male figure in the foreground looks, with his back to the viewer. into the background, where a military tank drives in a winding road towards the viewer. The figure wears a cap and carries a suitcase with his left hand and a package u…
Pencil drawing of scene enclosed in a rectangular frame. A small male figure in the foreground looks, with his back to the viewer. into the background, where a military tank drives in a winding road towards the viewer. The figure wears a cap and carries a suitcase with his left hand and a package under his right arm. There are mountains and clouds in the far distance. On Victory Bond paper.
Two pencil drawings, enclosed in rectangles and arranged horizontally. Both are plans for chapter title pages. The left scene has a central title of CHAPTER ONE with three horizontal bands underlining it. Non-distinguishable marks appear below the chapter heading, as a means of representing where t…
Two pencil drawings, enclosed in rectangles and arranged horizontally. Both are plans for chapter title pages. The left scene has a central title of CHAPTER ONE with three horizontal bands underlining it. Non-distinguishable marks appear below the chapter heading, as a means of representing where the text would appear. Above the title is a scene frames by teepees and seated figures on the left and a crowd in cowboy hats on the right. The space between these features has a central figure that faces away from the viewer.The right scene has a central title of CHAPTER TWO with one horizontal band underlining it. Non-distinguishable marks appear below the chapter heading, as a means of representing where the text would appear. Above the title is a scene of three men in uniform. Two of the men are normally scaled, but the third, central figure is scaled so that his head only reaches the hips of the other two men. All are wearing dark trousers, and what appears to be a belted military coats with large buttons. Their pillbox caps sit on the sides of their heads. All stand with perfect posture, but the third miniature figure’s back is to the viewer. Two heads appear at the right and left top corners. both wearing pillbox caps. At the bottom-most edge of the scene is: TWO BURLY SENIOR CLASSMEN - RECRUITOn Victory Bond paper.