Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
Three mountain peaks rise from the bottom of the piece, with a white semi circle ringed in yellow rising from the bottom left. The sky is presented in shades of pink and blue.
The scene is dominated by the rock faces, and mountains, notably the Yukness Ledges. Very little sky is visible, mostly white and blue clouds. Mauve, pink and brown mountains with a few vestiges of snow; pink and brown rock faces with dark and light green trees leading down to the shore. Seven Sist…
The scene is dominated by the rock faces, and mountains, notably the Yukness Ledges. Very little sky is visible, mostly white and blue clouds. Mauve, pink and brown mountains with a few vestiges of snow; pink and brown rock faces with dark and light green trees leading down to the shore. Seven Sisters Falls is visible mid-to viewer’s right. The bottom portion is turquoise blue water bisected by a line of brown/orange/pink rocks with seven shadowy trees and tree trunks, viewer’s right.Au verso printed in black marker, viewer’s left, Lake O’Hara 30x40; viewer’s right Lake O’Hara
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the …
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by large rough forms which appear to be clouds, and the bottom third is composed of a mountain range. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/Z-6”.
From the centre rises a green stem with three wide leaves at the bottom, and two at the top. There are two patches of yellow around the respective leaves.
From the centre rises a green stem with three wide leaves at the bottom, and two at the top. There are two patches of yellow around the respective leaves.
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom o…
Three small images on one piece of white rice paper. Each image is side by side and contains an image of a mountain . the first image is an embossed mountain, the second image is a dry point printing and the third image is debossed . both end images are simple white of the paper. along the bottom of the piece are the title/signature/ artist proof.
An oil sketch of a mountain landscape. The primary colours used are orange, blue, red and green. The piece represents a mountain range in the centre of the image, rendered in yellow, red, blue and white. The bottom third of the image is represented in segments of a variety of colours, including yel…
An oil sketch of a mountain landscape. The primary colours used are orange, blue, red and green. The piece represents a mountain range in the centre of the image, rendered in yellow, red, blue and white. The bottom third of the image is represented in segments of a variety of colours, including yellow, red and orange. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “45/B-2”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.