A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
A mountain landscape sketch. Two peaks rise on the left, a rounded peak with tree coverage sits in the bottom right. Bottom left “5 Mile Banff July ‘72”, bottom right “Glyde.”
A mountain is sketched in the central background with the word “Sand” inscribed on it. Below the mountain is a small boat house which is surrounded by row boats in the foreground. All of the objects in the work are annotated with colour notes. Inscribed at the bottom left “Boat House July 16th 1930…
A mountain is sketched in the central background with the word “Sand” inscribed on it. Below the mountain is a small boat house which is surrounded by row boats in the foreground. All of the objects in the work are annotated with colour notes. Inscribed at the bottom left “Boat House July 16th 1930 B.”
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper section of the mountain range extends from the trhc to the bottom centre and is empty within the outline. The bottom section of the image is darkly shaded. The artist’s signature is in the brhc. Au v…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The upper section of the mountain range extends from the trhc to the bottom centre and is empty within the outline. The bottom section of the image is darkly shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/K-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top centre, below which the lower peak on the left is shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/H-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain peak is in the top centre, below which the lower peak on the left is shaded. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/H-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky is lightly shaded in the tlhc, and the upper section of the image is composed of the mountain range, below which in the right centre extending to the left bottom is heavy shading. The artist’s signatur…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky is lightly shaded in the tlhc, and the upper section of the image is composed of the mountain range, below which in the right centre extending to the left bottom is heavy shading. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/J-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom of the image is deeply shaded and the top mountains are outlined. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/L-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The bottom of the image is deeply shaded and the top mountains are outlined. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/L-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is deeply shaded in the upper third of the work, through the sky and the mountain range. The lower left corner is blank, while the centre is a mixture of lines. The artist’s signature is in the brhc.…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The image is deeply shaded in the upper third of the work, through the sky and the mountain range. The lower left corner is blank, while the centre is a mixture of lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “47/X-4”.