Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to…
Inscription reads: Brazeau Snowfield, Jasper. Sketchbook drawing by Lawren S. Harris (1885-1970). Presented to the Peter Whyte Gallery, Banff, Alta. in memory of Peter & Catharine Whyte by Anne & Lawren P. Harris, June, 1979. Also written by Lawren P. Harris is the Following: I certify this work to be an original sketchbook drawing by Lawren S. Harris, (1885-1970. Lawren P. Harris, May 22, 1979. Ottawa, Ontario.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Small sketch of a road with foothills rolling off on either side of the road. The road leads to a mountain range; blue coloured pencil is used to accent the mountain peaks as well as blue spot rain/snow drops centre under image. Artist signature: centre under image Sinclair ‘69.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
Foliage or tree stump centre foreground. Tree along right side, more trees extend into background, dominated by mountain on the horizon. More bare trees to the left of the drawing.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountain range encompasses the entirety of the image, and is sketched with a variety of textured lines. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “48/I-5”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains are rendered in simple, single lines, and shading is done centrally on the left and right sides. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/G-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The sky in the upper section of this piece is empty, while the mountains are darkly shaded. The bottom centre of the work is bare, with a small indication of a reflection. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, 46/X-6“”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in p…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The mountains sit in the centre and to the right of the work, with a long, narrow cloud over the central mountain. Shapes of trees are in the llhc. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/H-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Three mountain shapes dominate the top section of this image, with a suggestion of trees in the foreground. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “46/y-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X…
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. The top of the work is dominated by mountains and a shaded sky, and the bottom third is composed of suggestions of foliage. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “44/X-6”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.
A pencil sketch of a landscape on paper with intact sketchbook binding holes at the top. Trees dominate the foreground, with a shaded mountain range in the background. The artist’s signature is in the brhc. Au verso, written in pencil in the tlhc, “45/I-7”.