Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burg…
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burgundy. On the back “Above the West Road Banff 24 H. G. Glyde.”
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
A thin green stem extends upwards from the bottom centre. Three red sketchy blooms extend from the bloom at the top. At the bottom there are three red stamps.
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown…
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown hue. The two male elk are facing each other and both have a full set of horns. The mountains in the far distance are a grey blue color.
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mo…
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mottled green and beige. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “49/X”.