The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burg…
The mountain landscape is painted in shades of brown, yellow, grey and red. The sky is rendered in a light blue with dark grey clouds on the left. The foreground encompasses yellow rolling hills with suggestions of trees on the lower right. Between the mountains and the foreground is a line of burgundy. On the back “Above the West Road Banff 24 H. G. Glyde.”
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
Colour: black on white. Nine caribou wander across a rocky ridge in the foreground. One male caribou stands prominently left of center facing right. Mountain ranges diminish in the distance behind.
Colour: black on white. Nine caribou wander across a rocky ridge in the foreground. One male caribou stands prominently left of center facing right. Mountain ranges diminish in the distance behind.
A herd of caribou (9 distinct) are moving to the right through centre of picture; the nearest is a bull; the foreground is rocky; mountain ranges in background. Written in pencil (by the artist) Above Timberline.
A herd of caribou (9 distinct) are moving to the right through centre of picture; the nearest is a bull; the foreground is rocky; mountain ranges in background. Written in pencil (by the artist) Above Timberline.
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altere…
An irregularly shaped vessel with various coloured clays juxtaposed to resemble land formations, sweeping upwards to approximately mid way. Lip is cut away to alter round shape. Also bottom edge is cut away in two places. Composed of 3 stoneware clays and porcelain - laminated, thrown and altered, glazed with a traditional Celedone glaze, fired in reduction cone 9. Post firing sand blasting with silver amalgam added in lamination separations to conclude the work in keeping with historical ceramic traditions.
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
Pencil drawing of landscape with water in foreground and mountains in background.brc: Band of shadows across riverOther cursive writing denotes details and colour scheme.
Pencil drawing of landscape with water in foreground and mountains in background.brc: Band of shadows across riverOther cursive writing denotes details and colour scheme.
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circle…
Across the Southern States to the Blue Pacific and Vancouver
Date
1925 – 1966
Medium
graphite on paper
Dimensions
14.5 x 21.0 cm
Description
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circled.Side 2: Pencil drawing of a car driving through a landscape of rolling hills. Mountains are barely visible in the background. This illustration is in a rectangular box. Below this box is a rectangle that is divided into four.