Flat back carved face of cedar; details in eyes, broad nose, full mouth; geometric carving on forehead and ears; hollowed out opening at top of head for cord passage; carved signature IS on back
Flat back carved face of cedar; details in eyes, broad nose, full mouth; geometric carving on forehead and ears; hollowed out opening at top of head for cord passage; carved signature IS on back
Grey stone, flat one side with heads of bears stacked upon each other, largest bear on one end has features both sides, sharing the mouth, all have different expressions
Grey stone, flat one side with heads of bears stacked upon each other, largest bear on one end has features both sides, sharing the mouth, all have different expressions
engraved images of a woman in long tailed parka faces to the left, arms outstretched; she is facing two bears one is standing and showing teeth. 2.8 dia. embossed circle in br.Bottom reads “23/50 Dorset 1962 Pitseolak”Back reads “#270 DOR/FG 1962-49”Canadian Eskimo Arts Council (CEAC)embossed chop …
engraved images of a woman in long tailed parka faces to the left, arms outstretched; she is facing two bears one is standing and showing teeth. 2.8 dia. embossed circle in br.Bottom reads “23/50 Dorset 1962 Pitseolak”Back reads “#270 DOR/FG 1962-49”Canadian Eskimo Arts Council (CEAC)embossed chop in br.
Male figure with head and torso of one piece of carved bone; four appendages joined to torso with sinew; all limbs movable; eyes and mouth jowls, nose carved.
Male figure with head and torso of one piece of carved bone; four appendages joined to torso with sinew; all limbs movable; eyes and mouth jowls, nose carved.
The bottom two thirds of the print is white with an interconnecting web of straight lines throughout. Above this light section are two low tent shaped images with a gray shadow. The top third is a combination of straight and crossed lines and shapes differing in colours ranging from dark blue and g…
The bottom two thirds of the print is white with an interconnecting web of straight lines throughout. Above this light section are two low tent shaped images with a gray shadow. The top third is a combination of straight and crossed lines and shapes differing in colours ranging from dark blue and gray to a maroon colour.
Colour: black on white. Central figure is kneeling, with the head of an ill man resting in his hands. Behind them are swirls of strange figures, their arms outstretched. Vestiges of former drawing visible.
Colour: black on white. Central figure is kneeling, with the head of an ill man resting in his hands. Behind them are swirls of strange figures, their arms outstretched. Vestiges of former drawing visible.
Colour: black on white. Central figure is kneeling, with the head of an ill man resting in his hands. Behind them are swirls of strange figures, their arms outstretched.
Colour: black on white. Central figure is kneeling, with the head of an ill man resting in his hands. Behind them are swirls of strange figures, their arms outstretched.
Blue god or demon surrounded in flames, over nude figure; flames and border rust coloured; 5/ on back. CRW purchased it in Katmandu, Nepal in Autumn of 1970, approx. a month long trip which included Langtang Valley trek.
Blue god or demon surrounded in flames, over nude figure; flames and border rust coloured; 5/ on back. CRW purchased it in Katmandu, Nepal in Autumn of 1970, approx. a month long trip which included Langtang Valley trek.