An oil painting entitled “Hommage” as an hommage to Manet’s “Le Dejeuner Sur L’Herbe”.Blue and white label on back reads:Royal Canadian Academy of Arts YEAR 1968ARTISTS NAME Charles F. Comfort LLD RCAADDRESS 28 Blvd. Alexandre Tache Hull P.Q.TITLE HOMMAGE PRICE: $4500.ooSIZE H X W 59” x 72” M…
An oil painting entitled “Hommage” as an hommage to Manet’s “Le Dejeuner Sur L’Herbe”.Blue and white label on back reads:Royal Canadian Academy of Arts YEAR 1968ARTISTS NAME Charles F. Comfort LLD RCAADDRESS 28 Blvd. Alexandre Tache Hull P.Q.TITLE HOMMAGE PRICE: $4500.ooSIZE H X W 59” x 72” MEDIUM oil on CanvasRed sticker underneath Member R.C.Awritten trhc in black felt pen: #44 See narrative for information regarding the painting.
Figure drawing of male, back view, right hand on hip, slipped under waistband. Left arm hangs at the side. Very lightly drawn horizontal lines appear to guide anatomical proportions.To the right of main figure is a small simple drawing , side view of face with large nose.Stamped into the page: tlc …
Figure drawing of male, back view, right hand on hip, slipped under waistband. Left arm hangs at the side. Very lightly drawn horizontal lines appear to guide anatomical proportions.To the right of main figure is a small simple drawing , side view of face with large nose.Stamped into the page: tlc spiral design; right edge CANSON & MONTGOLFIER FRANCE; blc INGRES
Figure drawing of standing male nude, side view, turned away from viewer 3/4. His weight is shifted onto his right leg, which is slightly bent, while his left leg is straight. His right arm grasps a strap that runs over his shoulder, causing his elbow to bend. He looks lightly to his right so that …
Figure drawing of standing male nude, side view, turned away from viewer 3/4. His weight is shifted onto his right leg, which is slightly bent, while his left leg is straight. His right arm grasps a strap that runs over his shoulder, causing his elbow to bend. He looks lightly to his right so that the profile of his face is visib.e Along upper right edge there are small sketches of individual ears. a line follows the curve of the figure’s right leg, and this line is echoed again closer to the right edge.“Peter Whyte NOV 15 - 1927” written in BLCWatermark/stamp: left edge CANSON & MONTGOLFIER FRANCE; trc INGRES; spiral design in brc
Figure drawing of standing male in 3/4 pose, with left side view. His right hand is on hip, left arm and left leg bent. Faint sketches on left side, angled view of head (chin, jaw, mouth). To the right of main figure is a simple sketch of right knee joint and thigh.Signed: Peter Whyte 1927 in brcWa…
Figure drawing of standing male in 3/4 pose, with left side view. His right hand is on hip, left arm and left leg bent. Faint sketches on left side, angled view of head (chin, jaw, mouth). To the right of main figure is a simple sketch of right knee joint and thigh.Signed: Peter Whyte 1927 in brcWatermark/stamp: right edge CANSON & MONTGOLFIER FRANCE; blc INGRES; tlc spiral design
Drawing of rear view of seated male figure. Man sits on wooden chair with knees facing to the viewer’s left. He grasps the seat with his right hand and twists his torso away from the viewer. His left arm is bent. Head tilts downwards. Rear two chair legs are only partially sketched. Small sketches…
Drawing of rear view of seated male figure. Man sits on wooden chair with knees facing to the viewer’s left. He grasps the seat with his right hand and twists his torso away from the viewer. His left arm is bent. Head tilts downwards. Rear two chair legs are only partially sketched. Small sketches to the left of main image. signed: “Peter Whyte NOV 1st 1927” brcWatermark/stamp: right edge: CANSON & MONTGOLFIER FRANCE; blc INGRES; tlc spiral design