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Ancient Brave of the Blood Tribe

https://archives.whyte.org/en/permalink/artifactmig.03.04
Artist
George Bertrand Mitchell (1872 – 1966, American)
Date
prior to 1938
Medium
graphite on paper
Catalogue Number
MiG.03.04
Description
A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
Artist
George Bertrand Mitchell (1872 – 1966, American)
Title
Ancient Brave of the Blood Tribe
Date
prior to 1938
Medium
graphite on paper
Dimensions
56.0 x 40.5 cm
Description
A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
Subject
portrait
male
Indigenous
Credit
Gift of C. Gardner Lane Jr., Scarborough, USA, 1996
Catalogue Number
MiG.03.04
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1910 – 1950
Material
wood; metal; plastic; feather; paint
Catalogue Number
104.05.0003 a-z, aa
Description
A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has s…
  1 image  
Title
Arrow
Date
1910 – 1950
Material
wood; metal; plastic; feather; paint
Dimensions
72.0 (average) cm
Description
A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has small feathers and painted coloured bands. Four of these arrows are marked “South Bend Quality Tackle Bait Co.”. Two of these arrows are marked “The Oreno Pat. Pending”.- Five wooden arrows with pointed metal tips. These arrows have red, yellow and white bands at the feathered end. One of these arrows has a pointed spike projecting from the tip. These arrows are marked “made in U.S.A. Rounsville-Pohm, Hazel Crest, Ill. 29”. - Two wooden arrows with pointed metal tips at one end, and plastic notches at the other. There are red, white, blue and yellow bands at the notched end of each arrow. - Two arrows with blue and white bands at the notched feathered end. These arrows have a darker harder wood piece, with a metal tip, scarfed to the other end.- One handmade arrow, in the manner of Indigenous arrows, that is painted blue at the notched end. The opposite end is sharpened to a point. - Three odd arrows: one arrow with a plastic tip and faded blue bands at the notched, feathered end; one arrow with a red and yellow band at the notched feathered end and metal tip; one arrow that was once painted completely red with plastic notch and metal tip (no feathers).
Subject
Indigenous
hunting
households
sports, archery
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
104.05.0003 a-z, aa
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1930
Material
wood; feather; sinew
Catalogue Number
104.05.0038 a,b,c
Description
Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the…
  1 image  
Title
Arrow
Date
1900 – 1930
Material
wood; feather; sinew
Dimensions
69.5 (a); 72.7 (b); 58.0 (c) cm
Description
Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the bottom of the featers. b) An arrow with bands of red, blue, and red under the feathers. c) An arrow with bands of blue, red, blue,yellow, blue, red, and blue under the feathers, and with a red band at the tip.
Subject
Indigenous
hunting
sports, archery
crafts
carving
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
104.05.0038 a,b,c
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1910 – 1930
Material
wood; feathers; sinew, string
Catalogue Number
104.05.1006 a-e
Description
wooden arrows with feather flights, feathers cut in half along stem and trimmed to shape, bound tightly top and bottom with sinew, a: 76.0 long x 1.0 dia. painted bands of colour underfeather…
  1 image  
Title
Arrows
Date
1910 – 1930
Material
wood; feathers; sinew, string
Dimensions
76.0 cm
Description
wooden arrows with feather flights, feathers cut in half along stem and trimmed to shape, bound tightly top and bottom with sinew, a: 76.0 long x 1.0 dia. painted bands of colour underfeathers, blue, red, yellow, green. b: 74.5 long x .8 dia. colours red and blue. c: 74.5 long x .8 dia. colours green, yellow, blue, red. d: 69.4 long x.8 dia. colours blue, red e: 63.2 long, irregular and with a slight bend, feathers held in place with a string.
Subject
Indigenous
hunting
Deer Lodge
souvenirs
Credit
Gift of Robert Crosby, Banff, 1985
Catalogue Number
104.05.1006 a-e
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Banff Indian Days photographs

https://archives.whyte.org/en/permalink/descriptions57511
Part Of
Luxton family fonds
Scope & Content
File consists of Banff Indian Days negatives and photographs depicting parades, trail rides, interior of the Sign of the Goat Curio Shop, opera rehearsal at the ballroom at the Banff Springs Hotel and field dressing of bison. Subjects include Job Stevens and his wife, unidentified Indigenous famili…
Date Range
1902
ca.1913
1915-1918
1921
ca.1925
1926-1927
ca.1930-1940
ca.1950-1960
Reference Code
LUX / I / D3a / 14 / NA - 01 to NA - 70 LUX / I / D3a / 14 / PA - 01 to PA - 49
Description Level
5 / File
GMD
Photograph
Photograph print
Print
Negative
  142 images  
Part Of
Luxton family fonds
Description Level
5 / File
Fonds Number
LUX
Series
LUX / I / D : Personal and professional
Sous-Fonds
I. Norman Luxton sous-fonds
Sub-Series
LUX / I / D / 3 : Organizations
Accession Number
LUX
Reference Code
LUX / I / D3a / 14 / NA - 01 to NA - 70 LUX / I / D3a / 14 / PA - 01 to PA - 49
GMD
Photograph
Photograph print
Print
Negative
Responsibility
Some photographs produced by F. Gully and Kilroy Harris
Date Range
1902
ca.1913
1915-1918
1921
ca.1925
1926-1927
ca.1930-1940
ca.1950-1960
Physical Description
119 photographs : 70 b&w negatives ; 15.5 x 19.5 cm or smaller : 49 b&w prints ; 25.2 x 20.8 cm or smaller
Scope & Content
File consists of Banff Indian Days negatives and photographs depicting parades, trail rides, interior of the Sign of the Goat Curio Shop, opera rehearsal at the ballroom at the Banff Springs Hotel and field dressing of bison. Subjects include Job Stevens and his wife, unidentified Indigenous families and individuals, and Norman Luxton. Photographs taken by F. Gully, Kilroy Harris, and potentially Carl Rungus. Additional information provided through consultation with Stoney community members. NA - 1: George McLean (Tatâga Mânî) (Walking Buffalo) center, unknown, unknown, unknown, and Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) on far right NA - 2: George McLean (Tatâga Mânî) (Walking Buffalo) center, unknown, unknown, unknown, and Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) on far right NA - 3: George McLean (Tatâga Mânî) (Walking Buffalo) center, unknown, unknown, unknown, and Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) on far right NA - 4: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), unknown [possibly a Brewster?], Dan Wildman (Thuda Gado) (Bangs on Steal) NA - 16: Norman Luxton (left) and Jonas Benjamin [?] (right) NA - 25: Dr. Brett (left) and Peter Wesley (Ta Otha) (Moose Hunter) (right) NA - 27: (Left to right) Unknown, George McLean (Tatâga Mânî) (Walking Buffalo), Tom Wilson, unknown, unknown NA - 31: (Left to right) Morley Beaver, potentially George McLean (Tatâga Mânî) (Walking Buffalo) on horse, Norman Luxton, Jonas Benjamin, unknown NA - 43: (Left to right) Peter Wesley (Ta Otha) (Moose Hunter), Hector Crawler (Wachegiye) (Prayer Giver), Joshua Twin (Nûbabin), Eli Rider NA - 46: Peter Wesley (Ta Otha) (Moose Hunter) on far right NA - 47: Hector Crawler (Wachegiye) (Prayer Giver) NA - 58: Sarah Twoyoungmen (Sîktô Wîyâ) (Blue/Grey Horse Woman) on right NA - 60: (Left to right) John Englishman / Rockymountain, Tom Kaquitts (Sûga Wakâ) (Dog God) NA - 68: Standing fourth and fifth from left in center wearing light clothing, is potentially Ezra Lefthand, and Sarah Twoyoungmen (Sîktô Wîyâ) (Blue/Grey Horse Woman) PA - 4: (Left to right) Hector Crawler (Wachegiye) (Prayer Giver) and unknown PA - 5: (Left to right) Job Stevens (Uwe Wakâ) (Following Creator's Path) and unknown PA - 12: (Left to right) John Englishman / Rockymountain and unknown PA - 14: (Center) Hector Crawler (Wachegiye) (Prayer Giver) PA - 15: Lazarus Dixon (Ohâthi Sa) (Red Cloud) PA - 16: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), Jim Brewster, unknown PA - 22: (Left to right) David Bearspaw (Ozîja Thiha), Norman Luxton PA - 24: (Left to right standing) Enos Hunter, Norman Luxton PA - 40: George Crawler (Yuzabi Toga), Joshua and William Twin (Nûbabin), Lot Twoyoungmen PA - 42: Dan Wildman (Thuda Gado) (Bangs on Steal) standing in center
Notes
George Noble film processing slip potentionally associated with NA-14 and NA-15. Stamped and annotations made by photographer or image compilers.
Name Access
Stevens, Job
Luxton, Norman
Harris, Kilroy
McLean, George
Walking Buffalo (George McLean)
Kaquitts, Ben
Kaquitts, Benjamin
Wilson, Danny
Benjamin, Jonas
Brett, Robert G.
Brett, Robert George
Wesley, Peter
Crawler, Hector
Englishman, Johnny
Englishman, John
Kaquitts, Tom
Lefthand, Ezra
Dixon, Lazarus
Brewster, Jim
Bearspaw, David
Hunter, Enos
Twin, William
Twin, Joshua
Twoyoungmen, Lot
Twoyoungmen, Sarah
Subject Access
Banff Springs Hotel
Banff Indian Days
Community events
Parade
Bison
Indigenous
Geographic Access
Banff
Alberta
Banff National Park
Reproduction Restrictions
Restrictions may apply
Language
English
Title Source
Title based on contents of file
Processing Status
Processed
Images
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Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Banff Indian Days photographs

https://archives.whyte.org/en/permalink/descriptions57512
Part Of
Luxton family fonds
Scope & Content
File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a trip…
Date Range
1902
1913
1923
1926
1927
1932
1934
1939
1941
1944
1948
1950
[ca. 1950s]
Reference Code
LUX / I / D3a / 15 / NA - 01 to NA - 02 LUX / I / D3a / 15 / PA - 001 to PA - 108
Description Level
5 / File
GMD
Photograph
Photograph print
Print
Negative
  160 images  
Part Of
Luxton family fonds
Description Level
5 / File
Fonds Number
LUX
Series
LUX / I / D : Personal and professional
Sous-Fonds
I. Norman Luxton sous-fonds
Sub-Series
LUX / I / D / 3 : Organizations
Accession Number
LUX
Reference Code
LUX / I / D3a / 15 / NA - 01 to NA - 02 LUX / I / D3a / 15 / PA - 001 to PA - 108
GMD
Photograph
Photograph print
Print
Negative
Responsibility
Photographs are produced by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, International Photographic Services Banff Springs Hotel, Western Ways Tucson, Associated Screen Limited and potentionally Byron Harmon.
Date Range
1902
1913
1923
1926
1927
1932
1934
1939
1941
1944
1948
1950
[ca. 1950s]
Physical Description
110 photographs : 2 b&w negatives ; 12 x 16 cm or smaller : 108 b&w prints ; 25.5 x 20.5 cm or smaller
Scope & Content
File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a triptych of Ludwig "Big Chief" Banjo purchased by Clifford White from the Western Music Supply Co. Subjects include Enos Hunter, Nat Hunter, George Kaquitts, Tom Kaquitts Jacob Twoyoungmen, Hector Crawler, Ernest Kehr and others. Photographs are taken by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, and potentionally Byron Harmon. Additional information provided through consultation with Stoney community members. NA - 1: Hector Crawler (Wachegiye) (Prayer Giver) NA - 2: (Left to right, back row): Unknown, unknown, Peter Ear, unknown, Hector Crawler (Wachegiye) (Prayer Giver), Jonas Goodstoney, Jonas Rider, Enos Hunter, George McLean (Tatâga Mânî) (Walking Buffalo), possibly a Lefthand [?], Judas Hunter, unknown, unknown (Left to right, front row): William Twin (Nûbabin), unknown, unknown, unknown, Mary Jean Crawler, unknown, unknown, Christine Holloway, Eliza Hunter (Wîchîyânâgish) (Young Woman), unknown, unknown, unknown, unknown, George Kaquitts (Sîktogeja Hîthke) (Wolf Teeth), Mark Poucette PA - 1: John Hunter (Îhre Wapta) (Dry River Rocks) PA - 3: John Hunter (Îhre Wapta) (Dry River Rocks) PA - 4: Enos Hunter PA - 5: Maggie Hunter PA - 8: (Left to right) Mary Jean Crawler, Hector Crawler (Wachegiye) (Prayer Giver) PA - 9: (Left to right) John Simeon, Eli Rider, John Salter (Yarhyerîgen) (Star), Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) PA - 10: Unknown Stoney family PA - 11: Philip Dogtail PA - 12: (Left to right) Unknown, unknown, Frances Louise holding hand of woman, unknown baby, Samson Beaver PA - 13: (Left to right) Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword), Janet Kaquitts (Maraha) PA - 14: (Left to right) Hector Crawler (Wachegiye) (Prayer Giver), unknown, Enos Hunter, Philip Dogtail, potentially Jonas Benjamin [?] PA - 16: Sarah Twoyoungmen (Sîktô Wîyâ) (Blue/Grey Horse Woman) PA - 17: Joshua Twin (Nûbabin) PA - 18: (Left to right) Unknown child, Jacob Twoyoungmen PA - 21: George Cecil PA - 22: George Cecil PA - 28: (Left to right) Jonas Rider, Norman Luxton PA - 29: Standing in foreground, Norman Luxton, Enos Hunter sitting to right of Luxton PA - 30: (Left to right, sitting): Possibly Dan Wildman (Thuda Gado) (Bangs on Steal), unknown, Norman Luxton, Mark Poucette, Enos Hunter. Unknown man, standing. PA - 31: (Left to right, sitting): Possibly Dan Wildman (Thuda Gado) (Bangs on Steal), unknown, Norman Luxton, Mark Poucette. Unknown man, standing. PA - 34: Standing in center, Enos Hunter PA - 37: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), unknown, unknown PA - 40: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), unknown, unknown, unknown, Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) PA - 41: Unknown child, George McLean (Tatâga Mânî) (Walking Buffalo), unknown, Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) PA - 43: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), unknown, unknown, unknown, Ben Kaquitts (Mînâ Yuha Wagicha) (Dances with Sword) PA - 44: (Left image): Hector Crawler (Wachegiye) (Prayer Giver) (Center image): Clifford White (Right image): Hector Crawler (Wachegiye) (Prayer Giver), Clifford White PA - 45: Norman Luxton standing in foreground facing the crowd, Enos Hunter standing to the right of Luxton in the front row, (Left to right, riding horses): Jonas Rider, Hector Crawler (Wachegiye) (Prayer Giver), unknown PA - 46: Norman Luxton standing in foreground with hand on head, Hector Crawler (Wachegiye) (Prayer Giver) riding horse in center, foreground, Jonas Rider riding horse in center background, Enos Hunter standing to right, unknown on horse to right PA - 51: (Left to right) Unknown, Eliza Hunter (Wîchîyânâgish) (Young Woman), Maggie Hunter, John Gibbons, John Bearspaw (Rhuya Thiha) (Golden Eagle Claw), Enos Hunter, unknown, Jonas Rider, Jake Twoyoungmen (Mînâ Wasiju). John Biggons taken into Stoney tribe. PA - 52: Second from left, John Gibbon. PA - 53: (Left to right) Unknown, Nat Hunter, unknown PA - 54: (Left to right) Nat Hunter, unknown PA - 55: Flora (Crawler) McLean PA - 56: George McLean (Tatâga Mânî) (Walking Buffalo) PA - 57: Jake Twoyoungmen (Mînâ Wasiju) PA - 58: Isaac Rollinmud PA - 59: Moses Jimmyjohn PA - 61: Tom Kaquitts (Sûga Wakâ) (Dog God) PA - 62: George Kaquitts (Sîktogeja Hîthke) (Wolf Teeth) PA - 63: George Kaquitts (Sîktogeja Hîthke) (Wolf Teeth) PA - 64: Isaac Rollinmug PA - 65: Moses Jimmyjohn PA - 66: Flora (Crawler) McLean PA - 68: Duck Chief, Blackfoot PA - 69: Possibly Chief Whitehead, Blackfoot PA - 70: Duck Chief, Blackfoot PA - 71: Wolf Collar, Blackfoot PA - 74: (Left to right) Norman Luxton, John Bearspaw (Rhuya Thiha) (Golden Eagle Claw), Jonas Rider, George McLean (Tatâga Mânî) (Walking Buffalo), Ernie Kehr, David Bearspaw (Ozîja Thiha), George Crawler (Yuzabi Toga), Isaac Twoyoungmen, William Snow, Paul Francis PA - 75: (Left to right) George McLean (Tatâga Mânî) (Walking Buffalo), David Bearspaw (Ozîja Thiha), Jonas Rider, John Bearspaw (Rhuya Thiha) (Golden Eagle Claw), Ernie Kehr, Isaac Twoyoungmen, Paul Francis PA - 76: (Left to right) Unknown, David Bearspaw (Ozîja Thiha), Jonas Rider, John Bearspaw (Rhuya Thiha) (Golden Eagle Claw), George McLean (Tatâga Mânî) (Walking Buffalo), Ernie Kehr, Isaac Twoyoungmen, George Crawler (Yuzabi Toga), William Snow, Paul Francis PA - 77: (Left to right) Unknown, Eliza Hunter (Wîchîyânâgish) (Young Woman), Kate Smith, Mary Jean Twoyoungmen PA - 78: c PA - 79: (Left to right) Unknown, Eliza Hunter (Wîchîyânâgish) (Young Woman), Kate Smith, Mary Jean Twoyoungmen PA - 80: Unknown mother, unknown baby in moss bag, Kate Smith PA - 81: Kate Smith PA - 82: (Left to right) Kate Smith, Jake Twoyoungmen (Mînâ Wasiju) PA - 83: (Left to right) Unknown, Jake Twoyoungmen (Mînâ Wasiju), unknown PA - 84: (Left to right) Unknown, Jake Twoyoungmen (Mînâ Wasiju), unknown PA - 85: (Left to right) Unknown, Jake Twoyoungmen (Mînâ Wasiju), unknown
Notes
Some of the photographs have typed or handwritten annotations, photographer copyright stamps, and copyright embossing and debossing of early 20th century prints. PA-83,84,85 and 90 and may show government officials from Tasmania including John Francis Gaha. PA-88 includes a copy negative. NA-01 has a copy print. Some prints or negatives have processing slip or enlargement requests. PA-26 may have been used as a reference for Banff Indian Days poster drawn by Palenske, LUX / I / D3 / 8
Name Access
Hunter, Enos
Cecil, George
Luxton, Norman
White, Clifford
Round, William E. (Bill), Sr.
Gibbon, John Murray
Hunter, Nat
Kaquitts, George
Twoyoungmen, Jacob
Kaquitts, Tom
Rollinmud, Isaac
Jimmy John, Moses
Duck Chief
Kehr, Ernie
McLean, George
Bearspaw, Johnny
Rider, Jonas
Crawler, George
Twoyoungmen, Isaac
Simeon, John
Dogtail, Philip
Beaver, Samson
Francis, Paul
Snow, William
Gaha, John Francis
Smith, Kate
Rider, Eli
Hunter, Judas
Beaver, Annie
Big Stoney, Bill
Standard, Paul
Ear, Peter
Walking Buffalo (George McLean)
Crawler, Hector
Goodstoney, Jonas
Holloway, Christine
Hunter, Elijah
Twin, William
Poucette, Mark
Subject Access
Banff Springs Hotel
Banff Indian Days
Community events
Parade
Indigenous
Banff Indian Grounds
Geographic Access
Banff
Alberta
Banff National Park
Reproduction Restrictions
Restrictions may apply
Language
English
Related Material
PA-21 to PA-27 prints from negatives LUX / I / E6 / NA - 74 to NA - 81
Title Source
Title based on contents of file
Processing Status
Processed
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Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1930
Material
fibre
Catalogue Number
102.04.0377
Description
Plant fibre basket with bottom pointed inward, sides flare out slightly and contrast at top, patterned in three colours, the background is a shiny light beige material with dark, red brown fibres, which appear to be the outer surface of a tree bark, forming two zig-zag lines made up of a series o…
  1 image  
Title
Basket
Date
1900 – 1930
Material
fibre
Dimensions
12.8 x 18.0 cm
Description
Plant fibre basket with bottom pointed inward, sides flare out slightly and contrast at top, patterned in three colours, the background is a shiny light beige material with dark, red brown fibres, which appear to be the outer surface of a tree bark, forming two zig-zag lines made up of a series of stepped parallelograms, the designs run around upper and lower portion of basket, vertical rib construction with two strands of stitching twisted around each rib.
Subject
households
decorative
Indigenous
basketry
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
102.04.0377
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
prior to 1930
Material
glass; skin
Catalogue Number
103.07.1041 a,b
Description
Pair of beaded armbands with buckskin ties on ends. White beaded background with two sets of crossed flags.
  1 image  
Title
Beaded Armbands
Date
prior to 1930
Material
glass; skin
Description
Pair of beaded armbands with buckskin ties on ends. White beaded background with two sets of crossed flags.
Subject
Indigenous
beadwork
Mary Schaffer
regalia
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
103.07.1041 a,b
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1935
Material
glass; skin; fibre
Catalogue Number
103.01.1006 a,b
Description
yellow geometric on white outlined in dark blue, (a) 21.8 x 8.0 x.5 (b) 20.7 x 8.5 x .5 worked directly on buckskin, thongs at each corner, (b) beaded on long edges by white beads, (a) only along 1 edge, light blue, red, and yellow triangular hourglass motifs outlined in dark blue at each end, …
  1 image  
Title
Beaded Armband
Date
1900 – 1935
Material
glass; skin; fibre
Description
yellow geometric on white outlined in dark blue, (a) 21.8 x 8.0 x.5 (b) 20.7 x 8.5 x .5 worked directly on buckskin, thongs at each corner, (b) beaded on long edges by white beads, (a) only along 1 edge, light blue, red, and yellow triangular hourglass motifs outlined in dark blue at each end, 5 yellow squares outlined in dark blue form checkerboard motif at middle.
Subject
Indigenous
Stoney
beadwork
regalia
Credit
Gift of J. Monroe Thorington, Philadelphia, USA, 1969
Catalogue Number
103.01.1006 a,b
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1910
Material
glass; fibre; skin
Catalogue Number
103.07.1044 a,b
Description
Pair, geometric design with American flags on white background, white background, long edges have 2 rows of mauve and one of light green, centered is a multi-coloured spade, 3 rows of red beads outline the spade, from each side, black and green bar ca 8.0 long from which hangs a stylizedAmerican fl…
  1 image  
Title
Beaded Armbands
Date
1900 – 1910
Material
glass; fibre; skin
Dimensions
10.4 x 33.2 cm
Description
Pair, geometric design with American flags on white background, white background, long edges have 2 rows of mauve and one of light green, centered is a multi-coloured spade, 3 rows of red beads outline the spade, from each side, black and green bar ca 8.0 long from which hangs a stylizedAmerican flag 3.0 x 2.7, red and blue, near each end are 2 geometric designs, light green outlined in red, edges bound with cotton, a buckskin thong and a red twill sewn onto armband as ties. a: 33.2 x 10.4 b: 33.0 x 10.0
Subject
Indigenous
beadwork
regalia
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
103.07.1044 a,b
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1925
Material
glass; skin; fibre
Catalogue Number
103.01.0075 a,b
Description
Completely beaded canvas armbands with thongs of buckskin attached on underside at each of the four corners, and a double strand of canvas wrapped with beads hanging from one corner of each. Contains, on white background, three images of three light green crennelated fortresses outlined in dark red…
  1 image  
Title
Beaded Armbands
Date
1900 – 1925
Material
glass; skin; fibre
Dimensions
11.0 x 31.0 cm
Description
Completely beaded canvas armbands with thongs of buckskin attached on underside at each of the four corners, and a double strand of canvas wrapped with beads hanging from one corner of each. Contains, on white background, three images of three light green crennelated fortresses outlined in dark red with a further outline of brass beads at the crennels, and having a long blue Roman cross rising from its centre. Narrow border of canvas backing with edging of light green transparent beads along long edges. Two long strands of thick canvas rope wrapped with white beads and a blue band at the middle hang from one corner.
Subject
Indigenous
beadwork
accessories
regalia
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.01.0075 a,b
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
prior to 1930
Material
glass; skin
Catalogue Number
103.08.1039
Description
Small beaded purse, blue background with yellow coloured horse head centered in red petals in a diamond shape. Two red diamonds each corner. Tag: PP.NN L.BN
  1 image  
Title
Beaded Bag
Date
prior to 1930
Material
glass; skin
Description
Small beaded purse, blue background with yellow coloured horse head centered in red petals in a diamond shape. Two red diamonds each corner. Tag: PP.NN L.BN
Subject
Indigenous
beadwork
Mary Schaffer
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
103.08.1039
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1910
Material
glass; skin; fibre; metal, brass
Catalogue Number
103.07.1034
Description
7 panel beaded belt, geometric designs with American flags.
  1 image  
Title
Beaded Belt
Date
1900 – 1910
Material
glass; skin; fibre; metal, brass
Dimensions
15.5 x 105.0 cm
Description
7 panel beaded belt, geometric designs with American flags.
Subject
Indigenous
Blackfeet
regalia
beadwork
Credit
Gift of Charles C. Reid, Banff, Alberta, 1986
Catalogue Number
103.07.1034
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1910
Material
skin; quill
Catalogue Number
103.07.0005
Description
A loom woven quill belt. The belt has a white background and features a design of a series of red diamonds running the length of the belt with a border of red and blue squares.
  1 image  
Title
Beaded Belt
Date
1900 – 1910
Material
skin; quill
Dimensions
3.5 x 65.0 cm
Description
A loom woven quill belt. The belt has a white background and features a design of a series of red diamonds running the length of the belt with a border of red and blue squares.
Subject
Indigenous
Athapaskan
Chippeway
decorative
regalia
quillwork
weaving
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.07.0005
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1910
Material
quill; glass; fibre; skin
Catalogue Number
103.07.0006
Description
A loom woven quill belt that is split at one end. The belt has a white background with red and turquoise triangles along edges. The design features a central band of white outlined in yellow containing blue diamonds outlined in yellow. The split ends of the belt are worked in a red, white and bl…
  1 image  
Title
Beaded Belt
Date
1900 – 1910
Material
quill; glass; fibre; skin
Dimensions
4.0 x 78.0 cm
Description
A loom woven quill belt that is split at one end. The belt has a white background with red and turquoise triangles along edges. The design features a central band of white outlined in yellow containing blue diamonds outlined in yellow. The split ends of the belt are worked in a red, white and blue chevron pattern. The entire belt is edged with white beads.
Subject
Indigenous
Chippeway
Athapaskan
decorative
regalia
quillwork
beadwork
weaving
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.07.0006
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1910
Material
skin; quill; glass
Catalogue Number
103.07.0007
Description
A loom woven quill belt with a white background with a red and purple triangular pattern along the top and bottom edges. There is a band of turquoise, red and pink diamond shapes along the centre of the belt, and a chequerboard pattern at each end of white alternating with yellow, blue, red and tu…
  1 image  
Title
Beaded Belt
Date
1900 – 1910
Material
skin; quill; glass
Dimensions
4.3 x 64.0 cm
Description
A loom woven quill belt with a white background with a red and purple triangular pattern along the top and bottom edges. There is a band of turquoise, red and pink diamond shapes along the centre of the belt, and a chequerboard pattern at each end of white alternating with yellow, blue, red and turquoise squares. The belt is fastened with thongs, and is trimmed with beads along the outside edges.
Subject
Indigenous
Chippeway
Athapaskan
regalia
decorative
beadwork
quillwork
weaving
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.07.0007
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1910 – 1930
Material
skin, deer; fibre; glass
Catalogue Number
103.07.0017
Description
A beaded woman's belt that fastens with thong ties. The belt has a solid background with a repeated pattern of six small diamonds, forming a rectangle, alternating with an eight-sided star.
  1 image  
Title
Beaded Belt
Date
1910 – 1930
Material
skin, deer; fibre; glass
Dimensions
4.5 x 91.0 cm
Description
A beaded woman's belt that fastens with thong ties. The belt has a solid background with a repeated pattern of six small diamonds, forming a rectangle, alternating with an eight-sided star.
Subject
Indigenous
Blackfoot
Siksika
decorative
regalia
beadwork
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
103.07.0017
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1930
Material
fibre; glass
Catalogue Number
103.07.0090
Description
A wide heavily beaded belt or bead strip, of heavy canvas with burgundy cotton backing. The beaded design is of conventional flowers in an overall symmetrical form mirroring from the centre of the belt, an orange yellow flower with green leaves, followed by, in sequence, a three petalled deep red a…
  1 image  
Title
Beaded Belt
Date
1900 – 1930
Material
fibre; glass
Dimensions
7.3 x 91.6 cm
Description
A wide heavily beaded belt or bead strip, of heavy canvas with burgundy cotton backing. The beaded design is of conventional flowers in an overall symmetrical form mirroring from the centre of the belt, an orange yellow flower with green leaves, followed by, in sequence, a three petalled deep red and blue flower, two leaves, a white and pale blue flower, three yellow and green tulip shaped flowers, a deep red and vermillion flower and a long stalked branching flower with three buds of vermillion, yellow, and grey beads. The ground is a deep blue bordered on both sides by a narrow green band.
Subject
Indigenous
beadwork
regalia
Silas Abraham
Norman Abraham
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.07.0090
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1915 – 1930
Material
fibre; glass; metal
Catalogue Number
103.07.0091
Description
A heavily beaded belt of medium width, finished with a commercially tanned belt end with chrome plated steel buckle and commercially tanned tab, both of which are sewn to the beaded canvas cotton backed strip which is the body of the belt. The bead strip design consists of white rectangles separate…
  1 image  
Title
Beaded Belt
Date
1915 – 1930
Material
fibre; glass; metal
Dimensions
5.2 x 92.0 cm
Description
A heavily beaded belt of medium width, finished with a commercially tanned belt end with chrome plated steel buckle and commercially tanned tab, both of which are sewn to the beaded canvas cotton backed strip which is the body of the belt. The bead strip design consists of white rectangles separated by bands of long beads in silver grey between dark blue bead lines, all the rectangles bordered by stripes of light blue, outside them are four crossed bars, and beyond them a cross in red with quadrants of white and blue alternating. Some bead loss on the tab.
Subject
Indigenous
beadwork
regalia
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.07.0091
Images
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1900 – 1920
Material
skin; glass
Catalogue Number
103.07.0112
Description
A heavily beaded belt (framed) of commercially tanned harness leather, wide strap. Design of sky blue ground with symmetrical figures on it, starting from one end, stepped oblique triangles in brown indigo turquoise and orange then stepped diamond with stepped crowns in pink blue and pink black ros…
  1 image  
Title
Beaded Belt
Date
1900 – 1920
Material
skin; glass
Dimensions
10.0 x 84.0 cm
Description
A heavily beaded belt (framed) of commercially tanned harness leather, wide strap. Design of sky blue ground with symmetrical figures on it, starting from one end, stepped oblique triangles in brown indigo turquoise and orange then stepped diamond with stepped crowns in pink blue and pink black rose then five rectangles in cross form, yellow centred and bordered by rust lengths and blue widths. Belt at one time had red bead border of which more than half is gone. Near one end there is a 2.5 centimeter tear. The belt body is two pieces of leather sewn together at the middle.
Subject
Indigenous
beadwork
regalia
Mark Poucette
PW
Jack Labelle
Cliff White
Dave White
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
103.07.0112
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

120 records – page 1 of 6.

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