Narrow Results By
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 4
- Charles A. Beil (1894 – 1976, Canadian) 2
- Luxton, Norman 2
- Webstad, Phyllis 2
- Adese, Jennifer 1
- Allan, Melissa 1
- Bastien, Betty 1
- Bearspaw, Johnny 1
- Beaver, Annie 1
- Big Stoney, Bill 1
- Black, Liza 1
- Blondin, Walter; Blondin, George; Goose, Leanne; Mountain, Antoine; Stewart, Sarah; Yakeleya, Raymond; and Dene Elders; foreword by Blondin, Walter. 1
Aboriginal TM : the cultural and economic politics of recognition
https://archives.whyte.org/en/permalink/catalogue25713
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 A3a
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2022
- Physical Description
- x, 260 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous People
- Indigenous Traditions
- Tourism
- Language
- Politics
- Abstract
- In Aboriginal™, Jennifer Adese explores the origins, meaning, and usage of the term "Aboriginal" and its displacement by the word "Indigenous." In the Constitution Act, 1982, the term's express purpose was to speak to the "aboriginal rights" acknowledged in Section 35(1). Yet in the wake of the Constitution's passage, Aboriginal, in its capitalized form, became far more closely aligned with Section 35(2)'s interpretation of which specific groups held those rights, and was increasingly used to describe and categorize people. More than simple legal and political vernacular, the term Aboriginal (capitalized or not) has had real-world consequences for the people it defined. Aboriginal™ argues the term was a tool used to advance Canada's cultural and economic assimilatory agenda throughout the 1980s until the mid-2010s. Moreover, Adese illuminates how the word engenders a kind of "Aboriginalized multicultural" brand easily reduced to and exported as a nation brand, economic brand, and place brand--at odds with the diversity and complexity of Indigenous peoples and communities. In her multi-disciplinary research, Adese examines the discursive spaces and concrete sites where Aboriginality features prominently: the Constitution Act, 1982; the 2010 Vancouver Olympics; the "Aboriginal tourism industry"; and the Vancouver International Airport. Reflecting on the term's abrupt exit from public discourse and the recent turn toward Indigenous, Indigeneity, and Indigenization, Aboriginal™ offers insight into Indigenous-Canada relations, reconciliation efforts, and current discussions of Indigenous identity, authenticity, and agency. -- Provided by publisher.
- Contents
- Introduction -- 1. Aboriginal, aboriginality, aboriginalism, aboriginalization: what's in a word? -- Aboriginalized multiculturalism tm: Canada's olympic national brand -- Selling Aboriginal experiences and authenticity: Canadian and Aboriginal tourism -- Marketing aboriginality and the branding of place: the case of Vancouver international airport -- Conclusion: thoughts on the end of aboriginalization and the turn to indigenization.
- Notes
- Title appears with the trademark symbol after the word "Aboriginal".
- ISBN
- 9781772840056
- Accession Number
- P2023.09
- Call Number
- 07.2 A3a
- Collection
- Archives Library
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Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
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- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Catalogue Number
- 103.09.0085
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside…
1 image
- Title
- Amulet Charm
- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Dimensions
- 13.0 x 30.0 cm
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside of pouch beaded on canvas and front side beaded on buckskin. Fringe tassels of silver beads on lower two thirds of pouch edge.
- Subject
- Indigenous
- lore
- religious
- Eliza Hunter
- ceremonial
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.09.0085
Images
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Ancestors : indigenous peoples of Western Canada in historic photographs
https://archives.whyte.org/en/permalink/catalogue25527
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Responsibility
- Edited by Sarah Carter and Inez Lightning
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Published Date
- 2021
- Physical Description
- x, 188 pages : illustrations (some color) ; 23 x 24 cm
- Abstract
- This exhibition catalogue introduces historic photographs of Indigenous peoples of Western Canada from a collection housed at the University of Alberta's Bruce Peel Special Collections. The publication focuses on the ancestors represented in the collection and how their images continue to generate stories and meanings in the present. The selected photographs contribute to a richer, deeper understanding of the past. There is strength, character, persistence, determination, artwork, humour, dance, celebration, and so much more in the photographs. Some serve as records of cherished landscapes that may have been altered. Others provide links to ancestors: revered leaders, soldiers, healers, thinkers, and orators. The curators hope that the process of identifying the people in these photographs, only begun here, will continue. (Provided by Publisher)
- Contents
- Foreword / Chief Willie Littlechild ; The nature of the collection and its challenges ; Western Canada in the late Nineteenth and early Twentieth Centuries ; The aims of the curators ; The Exhibition
- ISBN
- 9781551954547
- Accession Number
- P2022.05
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Collection
- Archives Library
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- Date
- 1900 – 1930
- Material
- wood; feather; sinew
- Catalogue Number
- 104.05.0038 a,b,c
- Description
- Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the…
1 image
- Title
- Arrow
- Date
- 1900 – 1930
- Material
- wood; feather; sinew
- Dimensions
- 69.5 (a); 72.7 (b); 58.0 (c) cm
- Description
- Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the bottom of the featers. b) An arrow with bands of red, blue, and red under the feathers. c) An arrow with bands of blue, red, blue,yellow, blue, red, and blue under the feathers, and with a red band at the tip.
- Subject
- Indigenous
- hunting
- sports, archery
- crafts
- carving
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.05.0038 a,b,c
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The arts of Indigenous health and well-being
https://archives.whyte.org/en/permalink/catalogue25714
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 S9t
- Responsibility
- Edited by Nancy Van Styvendale, J. D. McDougall, Robert Henry, and Robert Alexander Innes
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2021
- Physical Description
- 272 pages : illustrations ; 23 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous Traditions
- Indigenous Peoples
- Health
- Oral History
- Medicine
- Abstract
- Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, The Arts of Indigenous Health and Well-Being addresses the effects of artistic endeavour on the "good life", or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being. In this interdisciplinary collection, Indigenous knowledges inform an approach to health as a wider set of relations that are central to well-being, wherein artistic expression furthers cultural continuity and resilience, community connection, and kinship to push back against forces of fracture and disruption imposed by colonialism. The need for healing--not only individuals but health systems and practices--is clear, especially as the trauma of colonialism is continually revealed and perpetuated within health systems. The field of Indigenous health has recently begun to recognize the fundamental connection between creative expression and well-being. This book brings together scholarship by humanities scholars, social scientists, artists, and those holding experiential knowledge from across Turtle Island to add urgently needed perspectives to this conversation. Contributors embrace a diverse range of research methods, including community-engaged scholarship with Indigenous youth, artists, Elders, and language keepers. The Arts of Indigenous Health and Well-Being demonstrates the healing possibilities of Indigenous works of art, literature, film, and music from a diversity of Indigenous peoples and arts traditions. This book will resonate with health practitioners, community members, and any who recognize the power of art as a window, an entryway to access a healthy and good life. -- Provided by publisher.
- Contents
- "Art for life's sake": approaches to indigenous arts, health, and well-being / Nancy Van Styvendale, J.D. McDougall, Robert Henry, and Robert Alexander Innes -- What this pouch holds / Gail MacKay -- Baskets, birchbark scrolls, and maps of land: indigenous making practices as oral historiography / Andrea Riley-Mukavetz -- For Kaydence and her cousins: health and happiness in cultural legacies and contemporary contexts / Adesola Akinleye -- Stories and staying power: artmaking as (re)source of cultural resilience and well-being for Panniqtumiut / Alena Rosen -- Healthy connections: facilitator's perceptions of programming linking arts and wellness with indigenous youth / Mamata Pandey, Nuno F. Ribeiro, Warren Linds, Linda M. Goulet, Jo-Ann Episkenew, and Karen Schmidt -- The doubleness of sound in Canada's Indian residential schools / Beverley Diamond -- Kissed by lightning: mediating Haudenosaunee traditional teachings through film / Nicholle Dragone -- Minobimaadiziwinke (creating a good life): native bodies healing / Petra Kuppers and Margaret Noodin -- Body counts: war, pesticides, and queer spirituality in Cherri´e Moraga's Heroes and saints / Desiree Hellegers -- The language of soul and ceremony / Louise Halfe -- Sa^kihiwa^win: land's overflow into the space-tial "otherwise" / Karyn Recollet.
- ISBN
- 9780887559396
- Accession Number
- P2023.09
- Call Number
- 07.2 S9t
- Collection
- Archives Library
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- Date
- 1960 – 1970
- Material
- plastic
- Catalogue Number
- 102.04.0347 a,b
- Description
- Heat resistant plastic ashtrays with photographic reproduction of Indigenous people (Stoney) in dish, white bases. (a) is rectangular, with rounded corners and ridged foot, stamped "Canadian Scenes, Made in Italy" on bottom. Scene of horse mounted Chief and standing woman with Mount Rundle in backg…
1 image
- Title
- Ashtray
- Date
- 1960 – 1970
- Material
- plastic
- Dimensions
- 1.3 x 10.5 x 14.9 cm
- Description
- Heat resistant plastic ashtrays with photographic reproduction of Indigenous people (Stoney) in dish, white bases. (a) is rectangular, with rounded corners and ridged foot, stamped "Canadian Scenes, Made in Italy" on bottom. Scene of horse mounted Chief and standing woman with Mount Rundle in background, bottom left corner chipped (b) is square with rounded corners, stamped "MB Italy" logo on bottom. Pictures same Chief in portrait, signed "Banff" and marked "Indian Chief, Canada".
- Subject
- households
- decorative
- Indigenous
- Stoney
- souvenirs
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 102.04.0347 a,b
Images
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Banff Indian Days photographs
https://archives.whyte.org/en/permalink/descriptions57511
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of Banff Indian Days negatives and photographs depicting parades, trail rides, interior of the Sign of the Goat Curio Shop, opera rehearsal at the ballroom at the Banff Springs Hotel and field dressing of bison. Subjects include Job Stevens and his wife, unidentified Indigenous famili…
- Date Range
- 1902
- ca.1913
- 1915-1918
- 1921
- ca.1925
- 1926-1927
- ca.1930-1940
- ca.1950-1960
- Reference Code
- LUX / I / D3a / 14 / NA - 01 to NA - 70 LUX / I / D3a / 14 / PA - 01 to PA - 49
- Description Level
- 5 / File
- GMD
- Photograph
- Photograph print
- Negative
142 images
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / D : Personal and professional
- Sous-Fonds
- I. Norman Luxton sous-fonds
- Sub-Series
- LUX / I / D / 3 : Organizations
- Accession Number
- LUX
- Reference Code
- LUX / I / D3a / 14 / NA - 01 to NA - 70 LUX / I / D3a / 14 / PA - 01 to PA - 49
- Responsibility
- Some photographs produced by F. Gully and Kilroy Harris
- Date Range
- 1902
- ca.1913
- 1915-1918
- 1921
- ca.1925
- 1926-1927
- ca.1930-1940
- ca.1950-1960
- Physical Description
- 119 photographs : 70 b&w negatives ; 15.5 x 19.5 cm or smaller : 49 b&w prints ; 25.2 x 20.8 cm or smaller
- Scope & Content
- File consists of Banff Indian Days negatives and photographs depicting parades, trail rides, interior of the Sign of the Goat Curio Shop, opera rehearsal at the ballroom at the Banff Springs Hotel and field dressing of bison. Subjects include Job Stevens and his wife, unidentified Indigenous families and individuals, and Norman Luxton. Photographs taken by F. Gully, Kilroy Harris, and potentially Carl Rungus.
- Notes
- George Noble film processing slip potentionally associated with NA-14 and NA-15. Stamped and annotations made by photographer or image compilers.
- Name Access
- Stevens, Job
- Luxton, Norman
- Harris, Kilroy
- Subject Access
- Banff Springs Hotel
- Banff Indian Days
- Community events
- Parade
- Bison
- Indigenous
- Geographic Access
- Banff
- Alberta
- Banff National Park
- Reproduction Restrictions
- Restrictions may apply
- Language
- English
- Title Source
- Title based on contents of file
- Processing Status
- Processed
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Banff Indian Days photographs
https://archives.whyte.org/en/permalink/descriptions57512
- Part Of
- Luxton family fonds
- Scope & Content
- File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a trip…
- Date Range
- 1902
- 1913
- 1923
- 1926
- 1927
- 1932
- 1934
- 1939
- 1941
- 1944
- 1948
- 1950
- [ca. 1950s]
- Reference Code
- LUX / I / D3a / 15 / NA - 01 to NA - 02 LUX / I / D3a / 15 / PA - 001 to PA - 108
- Description Level
- 5 / File
- GMD
- Photograph
- Photograph print
- Negative
160 images
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / D : Personal and professional
- Sous-Fonds
- I. Norman Luxton sous-fonds
- Sub-Series
- LUX / I / D / 3 : Organizations
- Accession Number
- LUX
- Reference Code
- LUX / I / D3a / 15 / NA - 01 to NA - 02 LUX / I / D3a / 15 / PA - 001 to PA - 108
- Responsibility
- Photographs are produced by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, International Photographic Services Banff Springs Hotel, Western Ways Tucson, Associated Screen Limited and potentionally Byron Harmon.
- Date Range
- 1902
- 1913
- 1923
- 1926
- 1927
- 1932
- 1934
- 1939
- 1941
- 1944
- 1948
- 1950
- [ca. 1950s]
- Physical Description
- 110 photographs : 2 b&w negatives ; 12 x 16 cm or smaller : 108 b&w prints ; 25.5 x 20.5 cm or smaller
- Scope & Content
- File consists of Banff Indian Days photographs and negatives depicting identified and unidentifed Indigenous individuals and families primarily in Banff. Photographs depict studio and environmental portraits, parades, events at the Banff Springs Hotel, 1944 Stampede, and ceremonies. There is a triptych of Ludwig "Big Chief" Banjo purchased by Clifford White from the Western Music Supply Co. Subjects include Enos Hunter, Nat Hunter, George Kaquitts, Tom Kaquitts Jacob Twoyoungmen, Hector Crawler, Ernest Kehr and others. Photographs are taken by J.G. Noble, F. Gully, Ernest A. Kehr, C.P.R. Photo, and potentionally Byron Harmon.
- Notes
- Some of the photographs have typed or handwritten annotations, photographer copyright stamps, and copyright embossing and debossing of early 20th century prints. PA-83,84,85 and 90 and may show government officials from Tasmania including John Francis Gaha. PA-88 includes a copy negative. NA-01 has a copy print. Some prints or negatives have processing slip or enlargement requests. PA-26 may have been used as a reference for Banff Indian Days poster drawn by Palenske, LUX / I / D3 / 8
- Name Access
- Hunter, Enos
- Cecil, George
- Luxton, Norman
- White, Clifford
- Round, William E. (Bill), Sr.
- Gibbon, John Murray
- Hunter, Nat
- Kaquitts, George
- Twoyoungmen, Jacob
- Kaquitts, Tom
- Rollinmud, Isaac
- Jimmy John, Moses
- Duck Chief
- Kehr, Ernie
- McLean, George
- Bearspaw, Johnny
- Rider, Jonas
- Crawler, George
- Twoyoungmen, Isaac
- Francis, Paul
- Snow, William
- Gaha, John Francis
- Smith, Kate
- Rider, Eli
- Hunter, Judas
- Beaver, Annie
- Big Stoney, Bill
- Standard, Paul
- Ear, Peter
- Walking Buffalo (George McLean)
- Crawler, Hector
- Subject Access
- Banff Springs Hotel
- Banff Indian Days
- Community events
- Parade
- Indigenous
- Banff Indian Grounds
- Geographic Access
- Banff
- Alberta
- Banff National Park
- Reproduction Restrictions
- Restrictions may apply
- Language
- English
- Related Material
- PA-21 to PA-27 prints from negatives LUX / I / E6 / NA - 74 to NA - 81
- Title Source
- Title based on contents of file
- Processing Status
- Processed
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- Date
- 1890 – 1910
- Material
- fibre; bark; cedar;
- Catalogue Number
- 102.04.1016 a,b
- Description
- Woven storage basket with lid, (a) lid: 57.0 x 4.0 x 31.5, twining approximately 2.0 cm wide, light coloured with red brown and black bark overlayed on twining in four step design lines, (b) basket: 64.0 x 37.0 x 30.0. Sides twining approximately 1.5 cm wide, 4 layered and coloured (red/brown/bla…
1 image
- Title
- Basket
- Date
- 1890 – 1910
- Material
- fibre; bark; cedar;
- Description
- Woven storage basket with lid, (a) lid: 57.0 x 4.0 x 31.5, twining approximately 2.0 cm wide, light coloured with red brown and black bark overlayed on twining in four step design lines, (b) basket: 64.0 x 37.0 x 30.0. Sides twining approximately 1.5 cm wide, 4 layered and coloured (red/brown/black/white) continuous "V" design, half diamond design from top edge, same colours
- Subject
- Indigenous
- households
- Credit
- Gift of Iva (Mrs. Len) Smith, 1976
- Catalogue Number
- 102.04.1016 a,b
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- Date
- 1880 – 1900
- Material
- wood
- Catalogue Number
- 102.04.0376
- Description
- Small round twined basket with rounded base and high sides closing in slightly at the mouth, natural buff colour background with brown design and black accents, design repeated three times around sides is of four brown parallelograms stacked on one another in stairlike fashion moving up to the righ…
1 image
- Title
- Basket
- Date
- 1880 – 1900
- Material
- wood
- Dimensions
- 10.5 x 13.5 cm
- Description
- Small round twined basket with rounded base and high sides closing in slightly at the mouth, natural buff colour background with brown design and black accents, design repeated three times around sides is of four brown parallelograms stacked on one another in stairlike fashion moving up to the right, with serrated edges of black-tipped triangles along the sides and narrow black lines between each parallelogram. Between each steplike series on the buff background is an oblique double zig-zag line running from bottom to top of the basket. Lip is finished with three rows of twining of a lighter brown colour, pattern not visible on inside. Paper tag rimmed with metal is attached with cord and wax through lip of basket; no writing is visible.
- Subject
- households
- decorative
- Indigenous
- basketry
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 102.04.0376
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- Date
- 1900 – 1930
- Material
- fibre
- Catalogue Number
- 102.04.0377
- Description
- Plant fibre basket with bottom pointed inward, sides flare out slightly and contrast at top, patterned in three colours, the background is a shiny light beige material with dark, red brown fibres, which appear to be the outer surface of a tree bark, forming two zig-zag lines made up of a series o…
1 image
- Title
- Basket
- Date
- 1900 – 1930
- Material
- fibre
- Dimensions
- 12.8 x 18.0 cm
- Description
- Plant fibre basket with bottom pointed inward, sides flare out slightly and contrast at top, patterned in three colours, the background is a shiny light beige material with dark, red brown fibres, which appear to be the outer surface of a tree bark, forming two zig-zag lines made up of a series of stepped parallelograms, the designs run around upper and lower portion of basket, vertical rib construction with two strands of stitching twisted around each rib.
- Subject
- households
- decorative
- Indigenous
- basketry
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 102.04.0377
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Bead by bead : constitutional rights and Métis community
https://archives.whyte.org/en/permalink/catalogue25524
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 B71b
- Responsibility
- Edited by Yvonne Boyer and Larry Chartrand
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- xii, 221 pages ; 24 cm
- Subjects
- Indigenous
- Metis
- Canada
- Politics
- Colonialism
- Identity
- Abstract
- What does the phrase Me´tis peoples mean in constitutional terms? As lawyers and scholars dispute forms of Me´tis identity, and debate the nature and scope of Me´tis rights under the Canadian Constitution, understanding Me´tis experience of colonization is fundamental to achieving reconciliation. In Bead by Bead, contributors address the historical denial - at both federal and provincial levels - of outstanding Me´tis concerns and Aboriginal rights claims, in particular with respect to land, resources, and governance. Tackling such themes as ongoing colonial policies, the invisibility of Me´tis women in court decisions, identity politics, and racist legal principles, they uncover the troubling issues that plague Me´tis aspirations for a just future. This nuanced analysis of the parameters that current Indigenous legal doctrines place around Me´tis rights discourse moves beyond a one-size-fits-all definition of Me´tis or a uniform approach to Aboriginal rights. By raising critical questions about self-determination, colonization, kinship, land, and other essential aspects of Me´tis lived reality, these clear-eyed essays go beyond legal theorizing and create pathways to respectful, inclusive Me´tis-Canadian constitutional relationships. (Provided by Publisher)
- Contents
- Me´tis identity captured by law: struggles over use of the category Me´tis in Canadian law / Se´bastien Grammond ; Recognition and reconciliation: recent developments in Me´tis rights law / Thomas Isaac ; Shifting the status quo: the duty to consult and the Me´tis of British Columbia / Christopher Gall and Brodie Douglas ; The resilience of Me´tis title: rejecting assumptions of extinguishment / Karen Drake and Adam Gaudry ; Where are the women? Analyzing the three Me´tis Supreme Court of Canada decisions / Brenda L. Gunn ; Manitoba Me´tis Federation and Daniels: "post-legal" reconciliation and Western Me´tis / Jeremy Patzer ; Colonial ideologies: the denial of Me´tis political identity in Canadian law / D'Arcy Vermette ; Me´tis Aboriginal rights: four legal doctrines / Darren O'Toole ; Suzerainty, sovereignty, jurisdiction: the future of Me´tis ways / Signa A. Daum Shanks.
- ISBN
- 9780774865975
- Accession Number
- P2022.04
- Call Number
- 07.2 B71b
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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- Date
- 1900 – 1935
- Material
- glass; skin; fibre
- Catalogue Number
- 103.01.1006 a,b
- Description
- yellow geometric on white outlined in dark blue, (a) 21.8 x 8.0 x.5 (b) 20.7 x 8.5 x .5 worked directly on buckskin, thongs at each corner, (b) beaded on long edges by white beads, (a) only along 1 edge, light blue, red, and yellow triangular hourglass motifs outlined in dark blue at each end, …
1 image
- Title
- Beaded Armband
- Date
- 1900 – 1935
- Material
- glass; skin; fibre
- Description
- yellow geometric on white outlined in dark blue, (a) 21.8 x 8.0 x.5 (b) 20.7 x 8.5 x .5 worked directly on buckskin, thongs at each corner, (b) beaded on long edges by white beads, (a) only along 1 edge, light blue, red, and yellow triangular hourglass motifs outlined in dark blue at each end, 5 yellow squares outlined in dark blue form checkerboard motif at middle.
- Subject
- Indigenous
- Stoney
- beadwork
- regalia
- Credit
- Gift of J. Monroe Thorington, Philadelphia, USA, 1969
- Catalogue Number
- 103.01.1006 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1900 – 1910
- Material
- glass; fibre; skin
- Catalogue Number
- 103.07.1044 a,b
- Description
- Pair, geometric design with American flags on white background, white background, long edges have 2 rows of mauve and one of light green, centered is a multi-coloured spade, 3 rows of red beads outline the spade, from each side, black and green bar ca 8.0 long from which hangs a stylizedAmerican fl…
1 image
- Title
- Beaded Armbands
- Date
- 1900 – 1910
- Material
- glass; fibre; skin
- Dimensions
- 10.4 x 33.2 cm
- Description
- Pair, geometric design with American flags on white background, white background, long edges have 2 rows of mauve and one of light green, centered is a multi-coloured spade, 3 rows of red beads outline the spade, from each side, black and green bar ca 8.0 long from which hangs a stylizedAmerican flag 3.0 x 2.7, red and blue, near each end are 2 geometric designs, light green outlined in red, edges bound with cotton, a buckskin thong and a red twill sewn onto armband as ties. a: 33.2 x 10.4 b: 33.0 x 10.0
- Subject
- Indigenous
- beadwork
- regalia
- Credit
- Gift of Charles C. Reid, Banff, Alberta, 1986
- Catalogue Number
- 103.07.1044 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
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- Date
- 1880 – 1900
- Material
- skin; glass; metal
- Catalogue Number
- 103.01.0030 a,b
- Description
- A pair of beadwork strips with the beads stitched directly on the hide in horizontal rows. The design of each strip is a white background with a dark blue X at the centre and diamond shapes at each end of medium blue, red and silver-coloured (possibly nickle) beads. Each strip has yellow looped be…
1 image
- Title
- Beaded Armbands
- Date
- 1880 – 1900
- Material
- skin; glass; metal
- Dimensions
- 7.5 x 29.0 cm
- Description
- A pair of beadwork strips with the beads stitched directly on the hide in horizontal rows. The design of each strip is a white background with a dark blue X at the centre and diamond shapes at each end of medium blue, red and silver-coloured (possibly nickle) beads. Each strip has yellow looped beaded edging along the long sides. Both strips have a narrow leather thong through the beadwork at one end that is knotted and left with both ends hanging.
- Subject
- Indigenous
- Stoney
- decorative
- beadwork
- regalia
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0030 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1900 – 1925
- Material
- glass; skin; fibre
- Catalogue Number
- 103.01.0075 a,b
- Description
- Completely beaded canvas armbands with thongs of buckskin attached on underside at each of the four corners, and a double strand of canvas wrapped with beads hanging from one corner of each. Contains, on white background, three images of three light green crennelated fortresses outlined in dark red…
1 image
- Title
- Beaded Armbands
- Date
- 1900 – 1925
- Material
- glass; skin; fibre
- Dimensions
- 11.0 x 31.0 cm
- Description
- Completely beaded canvas armbands with thongs of buckskin attached on underside at each of the four corners, and a double strand of canvas wrapped with beads hanging from one corner of each. Contains, on white background, three images of three light green crennelated fortresses outlined in dark red with a further outline of brass beads at the crennels, and having a long blue Roman cross rising from its centre. Narrow border of canvas backing with edging of light green transparent beads along long edges. Two long strands of thick canvas rope wrapped with white beads and a blue band at the middle hang from one corner.
- Subject
- Indigenous
- beadwork
- accessories
- regalia
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.01.0075 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1890
- Material
- glass; fibre
- Catalogue Number
- 103.01.0003 a,b
- Description
- A pair of armlets, each consisting of three thick strands wrapped with stripes of dark blue, yellow and red beads. Two wrapped strands hang from the centre of each armlet with loops of beads at the ends and where they attach.
1 image
- Title
- Beaded Armlet
- Date
- 1890
- Material
- glass; fibre
- Dimensions
- 32.5 cm
- Description
- A pair of armlets, each consisting of three thick strands wrapped with stripes of dark blue, yellow and red beads. Two wrapped strands hang from the centre of each armlet with loops of beads at the ends and where they attach.
- Subject
- Indigenous
- Stoney
- beadwork
- regalia
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 103.01.0003 a,b
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1965 – 1975
- Material
- skin; hair; glass
- Catalogue Number
- 103.08.0228
- Description
- A flat triangular purse with lightly beaded flap, beaver fur front, long buckskin shoulder strap, and fringes down sides becoming longer at the bottom point. Flap is beaded with three small blue triangles outlined in red and two small yellow triangles outlined in bright blue, forming a semi circula…
1 image
- Title
- Beaded Bag
- Date
- 1965 – 1975
- Material
- skin; hair; glass
- Dimensions
- 20.0 x 17.0 cm
- Description
- A flat triangular purse with lightly beaded flap, beaver fur front, long buckskin shoulder strap, and fringes down sides becoming longer at the bottom point. Flap is beaded with three small blue triangles outlined in red and two small yellow triangles outlined in bright blue, forming a semi circular shape with a vertical line of pearly pink beads outlined in green at its centre. Flap edged with pearly pink and green beads. Edging of red and light brown beads around bottom point of purse. Back body of purse tan buckskin, but fringes, flap, strap and edging band of back are white doeskin. Flap ties closed with white buckskin thongs.
- Subject
- Indigenous
- beadwork
- regalia
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.08.0228
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Date
- 1965 – 1975
- Material
- skin; hair; glass; fibre
- Catalogue Number
- 103.08.0229
- Description
- A flat, square, rounded bottom, tan buckskin purse with square, spotted fawn hair panel set into front, side panels of front notch edged and lightly beaded with two light and dark blue geometric, diamond , motifs on each side and one at the bottom centre. Small rounded buckskin flap has four flyin…
1 image
- Title
- Beaded Bag
- Date
- 1965 – 1975
- Material
- skin; hair; glass; fibre
- Dimensions
- 24.0 x 27.0 cm
- Description
- A flat, square, rounded bottom, tan buckskin purse with square, spotted fawn hair panel set into front, side panels of front notch edged and lightly beaded with two light and dark blue geometric, diamond , motifs on each side and one at the bottom centre. Small rounded buckskin flap has four flying light and dark blue geometric figures and is edged with dark blue beads. Bottom of purse is fringed. Short carrying strap of buckskin notched along one edge and lined with pink orange satin, inside completely lined with satin. Closes with buckskin covered toggle attached through fawn hide and fastens through hole in small piece of buckskin sewn to underside of flap.
- Subject
- Indigenous
- beadwork
- regalia
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.08.0229
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.