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23 records – page 1 of 3.

Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate

https://archives.whyte.org/en/permalink/catalogue25155
Medium
Library - Periodical
Published Date
2020
Author
Reid, Mark Collin
Call Number
P
  1 website  
Author
Reid, Mark Collin
Responsibility
Mark Collin Read
Published Date
2020
Physical Description
p.28 - 35
Medium
Library - Periodical
Subjects
Art
Art Canadian 20th century-Exhibitions
Art galleries
Artists
Group of Seven
Abstract
Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
Notes
In Canada's History, Vol. 100, No.3 (June-July)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
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Western voices in Canadian art

https://archives.whyte.org/en/permalink/catalogue26272
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Author
Bovey, Patricia
Publisher
Winnipeg, Manitoba, Canada : University of Manitoba Press
Call Number
06.1 B71w
Author
Bovey, Patricia
Publisher
Winnipeg, Manitoba, Canada : University of Manitoba Press
Published Date
2023
Physical Description
xvi, 453 pages : illustrations (chiefly colour) ; 23 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Canadian art
Indigenous Art
Indigenous Artists
Climate change
Western Canada
Abstract
Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has tirelessly championed the work of Western Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date. Beginning with the earliest European-trained artists in Western Canada, and moving up to present day, Bovey amplifies the depth, scope, and importance of the diverse artists (both settler and Indigenous) whose distinct voices have contributed to the Western Canadian artistic tradition. Bovey then adopts a thematic approach, richly informed by her knowledge and experience, connecting art and artists through time and across provincial boundaries. Insights from Bovey's studio visits and conversations with artists enhance our understandings of the history and trajectory of, and impetus for Canadian artistic creation. Lavishly illustrated with over 250 works reproduced in full colour, Western Voices in Canadian Art is a book that needs to be seen, and its artists and art celebrated. -- Provided by publisher.
Contents
New departures: developing artistic voices in Canada's west -- Expanding techniques: creating a new visual language -- Landscape as culture -- Urbanization and New Meanings -- Abstraction into the spiritual -- People: portraits and inscapes -- Visual voices and societal concerns.
ISBN
9780887550478
Accession Number
2024.04
Call Number
06.1 B71w
Collection
Archives Library
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Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture

https://archives.whyte.org/en/permalink/catalogue25227
Medium
Library - Periodical
Published Date
2020
Author
Campbell, Brooke
Call Number
P
  1 website  
Author
Campbell, Brooke
Responsibility
Brooke Campbell
Published Date
2020
Physical Description
p. 12 - 13
Medium
Library - Periodical
Subjects
Art
Art galleries
Artists
Women
First Nations
Climate
Climate change
Photography
Abstract
Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
Notes
In Canada's History, Vol. 101, No.2 (April-May)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Canadian Geographic Special Collector's Edition The Group of Seven

https://archives.whyte.org/en/permalink/catalogue26628
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Publisher
Canadian Geographic Enterprises on behalf of The Royal Canadian Geographical Society
Call Number
06.1 K99c
06.1 K99c Copy 2
Responsibility
editor in chief Kylie, Aaron
Publisher
Canadian Geographic Enterprises on behalf of The Royal Canadian Geographical Society
Published Date
2020
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Group of Seven
Art
Art History
ISBN
9780986751608
Accession Number
2024.49
Call Number
06.1 K99c
06.1 K99c Copy 2
Collection
Archives Library
Less detail
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Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2022
Author
General Idea et al.
Publisher
Ottawa : Musée des beaux-arts du Canada ; Genève : JRP Editions -- Ottawa, Canada : National Gallery of Canada ; Geneva : JRP Editions
Call Number
06.1 W44g Oversized
Author
General Idea et al.
Responsibility
edited by Welch, Adam
Publisher
Ottawa : Musée des beaux-arts du Canada ; Genève : JRP Editions -- Ottawa, Canada : National Gallery of Canada ; Geneva : JRP Editions
Published Date
2022
Physical Description
755 pages : illustrations (some color), portraits, facsimiles, photographs ; 30 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Art History
Artists books
Artists
Abstract
"General Idea (1969-1994) were pioneers of conceptual and media art whose work attained international prominence through the art world and the streets in equal measure. The groundbreaking collective practice of AA Bronson, Felix Partz and Jorge Zontal spanned twenty-five years, addressing aspects of mass media, consumer culture, queer identity, the art economy and the AIDS crisis. They remain some of the most influential artists to have emerged from Canada. This monumental publication presents a visual survey of General Idea's artworks, from their earliest perfomances and actions to their use of consumer and advertising media in the public realm to their gallery and museum work. Including texts by a range of scholars and more than 500 illustrations, it is the definitve resource on General Idea."-- Provided by publisher.
Contents
Part 1 : Performances and actions. 1969-1984 ; Part 2 : In the streets. A visual chronology, 1967-2021 / compiled by Sholem Krishtalka-- On General Idea's bookshelf / David Balzer-- Shops and boutiques: General Idea and the retail trade / Diedrich Diedrichsen-- Exaggerated super normal: General Idea's television - essays / Dominic Johnson-- Copyright HIV: General Idea's infectious process / Theodore Kerr; Part 3 : In the showroom. I speak, therefore I will be / Sholem Krishtalka-- Death and the maiden / Philip Monk-- Future perfect: the museum in General Idea and General Idea in the museum / Diana Nemiroff-- Plates, 1968-2021 / -- General Idea sell out: another way of painting in the 1980s / Alex Kitnick-- The great polystyrene cold / Elisabeth Lebovici.
Notes
A french language edition was also published at the same time, not yet in our collections.
ISBN
9783037645857
Accession Number
2024.49
Call Number
06.1 W44g Oversized
Collection
Archives Library
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Revision and resistance : mistiko^siwak (Wooden Boat People) at The Metropolitan Museum of Art

https://archives.whyte.org/en/permalink/catalogue25281
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Monkman, Kent
Publisher
Toronto, ON : Art Canada Institute
Call Number
06.1 M74r
  1 website  
Author
Monkman, Kent
Responsibility
Kent Monkman
Publisher
Toronto, ON : Art Canada Institute
Published Date
2020
Physical Description
127 pages (2 folded) : illustrations (chiefly color)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Art galleries
Artists
First Nations
Exhibition catalogue
Exhibitions
Abstract
This book explores mistikôsiwak (Wooden Boat People) by the internationally renowned artist Kent Monkman. Commissioned by The Metropolitan Museum of Art, the epic diptych exhibited in The Met’s Great Hall revisits iconic works of art, notably the famed painting Washington Crossing the Delaware by Emanuel Leutze. Monkman—featured in mistikôsiwak (Wooden Boat People) as his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle—reverses the colonial gaze of American and European art history through an Indigenous lens to present a powerful vision for the future. Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art is the definitive documentation on Monkman, his practice, and two of the most important paintings of our times. (From publisher's website)
Contents
Introduction from the Met / by Randall Griffey -- Introduction from ACI / by Sara Angel -- Introducing Miss Chief Eagle Testickle / by Shirley Madill -- Inside Kent Monkman's Studio / by Jami Powell -- Revisioning History: An Index, Part I / by Ruth Phillips & Mark Phillips -- Welcoming the Newcomers by Ruth Phillips & Mark Phillips -- Revisioning History: An Index, Part II / by Sasha Suda -- Resurgence of the People / by Sasha Suda -- Waves of History / by Nick Estes.
ISBN
9781487102258
Call Number
06.1 M74r
Collection
Archives Library
URL Notes
Publisher's website
Websites
Less detail
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Takao Tanabe Printmaker

https://archives.whyte.org/en/permalink/catalogue26623
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2023
Publisher
Kelowna Art Gallery
Call Number
06.1 K29t
Responsibility
Kelowna Art Gallery
Publisher
Kelowna Art Gallery
Published Date
2023
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Exhibitions
Exhibition catalogue
Art
Art Canadian 21st century-Exhibitions
ISBN
9781990145087
Accession Number
2024.49
Call Number
06.1 K29t
Collection
Archives Library
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Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage

https://archives.whyte.org/en/permalink/catalogue25525
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Publisher
Vancouver, British Columbia : University of British Columbia Press
Call Number
07.2 L62a
Responsibility
Edited by Sigrid Lien and Hilde Wallem Nielssen
Publisher
Vancouver, British Columbia : University of British Columbia Press
Published Date
2021
Physical Description
vi, 312 pages : illustrations (black & white) ; 24 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Indigenous Photography
Politics
Heritage
Colonialism
Abstract
Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
Contents
Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
ISBN
9780774866613
Accession Number
P2022.04
Call Number
07.2 L62a
Collection
Archives Library
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Art, research, play : the Midnight Sun Camera Obscura project

https://archives.whyte.org/en/permalink/catalogue26627
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Author
Barrett, Louise and Lawrence, Donald, and Mills, Josephine and Dundas Oke, Emily and Kockelkoren, Petran
Publisher
Lethbridge : University of Lethbridge
Call Number
06.1 B27a
Author
Barrett, Louise and Lawrence, Donald, and Mills, Josephine and Dundas Oke, Emily and Kockelkoren, Petran
Responsibility
Helen Christou Gallery
Publisher
Lethbridge : University of Lethbridge
Published Date
2021
Physical Description
312 pages : illustrations (chiefly color) ; 29 cm.
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Photography
Abstract
During summer solstice 2015 in Dawson City, Yukon, the Midnight Sun Camera Obscura Festival brought together an international group of artists and other researchers interested in cameras obscura and related optical phenomenon as a meeting place of art and science, cultural and wilderness settings, learning and play. Camera obscura simply means "dark room" in Latin, a term coined to describe devices used to aid perception, but can include any darkened space into which light enters through a small opening (sometimes aided by a lens and a mirror). Using the long days to provide maximum effect, the festival included a range of public-site installations around Dawson City, exhibitions in the local galleries, workshops and a community exhibition with the Yukon Arts Centre, performances, tours, and public talks. As is clear in the range of work in this exhibition, this deceptively simple technology continues to fascinate contemporary artists and scholars. This exhibition includes one of the actual cameras obscura; images projected by several of the devices; documentation of the event; and new work produced by the artists in response to the initial research. - Aurora
ISBN
9781927770115
Accession Number
2024.49
Call Number
06.1 B27a
Collection
Archives Library
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Braided learning : illuminating indigenous presence through art and story

https://archives.whyte.org/en/permalink/catalogue25539
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2022
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Call Number
07.2 D62b
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Published Date
2022
Physical Description
275 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Reconciliation
Storytelling
Studying
Teaching
Education
Abstract
The Truth and Reconciliation Commission and Indigenous activism have made many Canadians uncomfortably aware of how little they know about First Nations, Métis, and Inuit peoples. In Braided Learning, Lenape-Potawatomi scholar and educator Susan Dion shares her approach to learning and teaching about Indigenous histories and perspectives. Métis leader Louis Riel illuminated the connection between creativity and identity in his declaration, “My people will sleep for a hundred years, but when they awake, it will be the artists who give them their spirits back.” Using the power of stories and artwork, Dion offers respectful ways to address challenging topics including treaties, the Indian Act, the Sixties Scoop, land claims, resurgence, the drive for self-determination, and government policies that undermine language, culture, and traditional knowledge systems. Braided Learning draws on Indigenous knowledge and world views to explain perspectives that are often missing from the national narrative. This generous work is an invaluable resource for Canadians trying to make sense of a difficult past, decode unjust conditions in the present, and work toward a more equitable future. -- Provided by publisher
Contents
Introduction: Indigenous Presence ; Requisites for Reconciliation ; Seeing Yourself in Relationship with Settler Colonialism ; The Historical Timeline: Refusing Absence, Knowing Presence, and Being Indigenous ; Learning from Contemporary Indigenous Artists ; The Braiding Histories Stories ; Conclusion: Wuleelham - Make Good Tracks ; Glossary and Additional Resources: Making Connections, Extending Learning
ISBN
9780774880794
Accession Number
P2022.04
Call Number
07.2 D62b
Collection
Archives Library
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23 records – page 1 of 3.

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