Search Results - Research Collections - Whyte Museum of the Canadian Rockies

Bill Gibbons fonds

https://archives.whyte.org/en/permalink/descriptions582

Part Of: Bill Gibbons fonds

Scope & Content: Fonds consists of photographic business records of professional photographer Bill Gibbons in three series: I. Commercial black and white series, ca.1945-ca.1958, ca.5400 photographs; II. Canadian Rockies colour series, ca.1945-ca.1990, predominant ca.1966-ca.1972, ca.8000 photographs; III. Other …

Date Range: [ca.1945-ca.1990]

Reference Code: M532 / V227

Description Level: 1 / Fonds

GMD: Photograph; Negative; Photograph print; Postcard; Transparency; Textual record; Private record

Part Of: Bill Gibbons fonds

Description Level: 1 / Fonds

Fonds Number: M 532; V 227

Sous-Fonds: M 532; V 227

Accession Number: 194, 275, 1991, 2020, 5753, 5756, 6760, 7936, 7237

Reference Code: M532 / V227

GMD: Photograph; Negative; Photograph print; Postcard; Transparency; Textual record; Private record

Responsibility: Fonds consists of the private business records of Bill Gibbons. Some photographs may have been made by employees.

Date Range: [ca.1945-ca.1990]

Physical Description: ca.13,404 photographs: negatives, prints, transparencies, albums, postcards. -- 2.5 cm textual records

History / Biographical: W. J. L. "Bill" Gibbons, 1914-1994 , was a professional photographer at Banff, Alberta, Canada from 1945 until 1959. Gibbons came to Canada in 1941 and settled in Banff after the war with his wife, Ella Mae (Becker), a Banff native. He established British Photographic Laboratories, with partners Lou Crosby and Jack Anderson, in the basement of the Mount Royal Hotel, moving later to street-level. Bill and Ella Mae Gibbons travelled throughout the mountain parks photographing views for sale in the Banff shop. These were offered as hand-coloured prints, with much of the colouring done or supervised by Ella Mae.; Later the business expanded to include colour postcards and slide sets. Gibbons employed other photographers, such as Bruno Engler, for specialty work, such as ski photography, and the Banff studio also did portraiture. Gibbons himself did most of the 4 x 5 format landscape work and made extensive use of models, many of who were young women employed by his Banff store. In 1959, Gibbons sold his business to a group of Banff businessmen and moved to Vancouver. In subsequent years, he continued to be active as a photographer and in publishing, working in different areas of the world. He made several photographic trips through the mountain parks, ca.1966-1972.

Scope & Content: Fonds consists of photographic business records of professional photographer Bill Gibbons in three series: I. Commercial black and white series, ca.1945-ca.1958, ca.5400 photographs; II. Canadian Rockies colour series, ca.1945-ca.1990, predominant ca.1966-ca.1972, ca.8000 photographs; III. Other black and white series, ca. 1947, 4 photographs.; I. Commercial black and white series consists of six sub-series: A. Portraits and documentary views, 1945-1950, 2437 negatives (individual and group portraits, weddings, conferences, events, buildings, facilities and places; Banff and area); B. Banff School of Fine Arts, ca.1949, 277 negatives (privately produced views of classes, group portraits, activities, buildings and facilities); C. "S" sub-series, ca.1950, 1220 negatives (scenic views in the vicinity of Banff, Lake Louise, Banff-Jasper Highway, Jasper National Park, Radium and Columbia Valley, British Columbia and Pacific Coast, First Nations views); D. "T" sub-series, ca.1950, 482 negatives (scenic and commercial views, mainly Jasper, Banff-Jasper Highway and Lake Louise areas); E. Rolliflex and panorama negatives, 1949-1958, 584 negatives (Banff Winter Carnival, Banff School of Fine Arts, and Banff and area); F. Other, ca.1945-1951, 364 items (material similar to that in other series, some unidentified). Accompanied by small number of prints and postcards; also, publication: "Photographing the Canadian Rockies" by Bill J. L. Gibbons, 1948.; II. Canadian Rockies colour series consists of four sub-series: A. CR1 to CR84, ca.1966-ca.1972, ca.260 prints; B. CR1 to CR443, ca.1966-ca.1972, ca.5130 photographs; C. CR35-2 to CR35-81, ca.1966-ca.1972, ca.2310 photographs; D. Other photographs, ca.1945-ca.1990. Series consists primarily of commercial colour negatives and corresponding proof prints pertaining to Banff, Jasper and Yoho National Parks, also some transparencies and oversize display prints.; III. Other black and white series. Series consists of 2 black and white prints of crash landing at Sunshine with Al Gaetz and Dick Pike, 1947 and two copy negatives with prints of Bruno Engler and Ella Mae Gibbons, ca.1947.; Textual records are record book, 1945-1953, 62 p; and book layout.

Name Access: Gibbons, Bill

Subject Access: Arts; Buildings and facilities; Commerce and industry; Education; Environment; Family and personal life; Sports, recreation and leisure

Access Restrictions: Some restriction/s on access; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: Finding aids and reference tools: arrangement outline; series and file description; electronic finding aid; selected modern reference prints

Creator: Gibbons, Bill

Category: Arts; Commerce and industry; Education; Environment; Family and personal life; Sports, recreation and leisure

Title Source: Title based on accession records and contents of fonds

Processing Status: Processed

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

George Noble fonds

https://archives.whyte.org/en/permalink/descriptions299

Part Of: George Noble fonds

Scope & Content: Fonds consists of a broad-ranging commercial negative collection. Includes four series. I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival a…

Date Range: [ca.1912]-1958

Reference Code: M533 / V469

Description Level: 1 / Fonds

GMD: Photograph; Negative; Photograph print; Transparency; Textual record; Corporate record

Part Of: George Noble fonds

Description Level: 1 / Fonds

Fonds Number: M 533; V 469

Sous-Fonds: M 533; V 469

Accession Number: 82, 168, 275, 940, 1157, 1992, 2020, 3513, 5281, 6753, 6841, 7135

Reference Code: M533 / V469

GMD: Photograph; Negative; Photograph print; Transparency; Textual record; Corporate record

Date Range: [ca.1912]-1958

Physical Description: ca.8500 photographs : negatives. -- 36 transparencies : stereo, colour. -- 2 textual records

History / Biographical: George Noble, 1879-1965, was a professional photographer at Banff, Alberta, Canada. Noble was born in Woolwich, England where he apprenticed as a photographer. He came to Banff in 1909 to operate a photographic business for his uncles, George and Bill Fear, who owned a curio business. In 1919, Noble bought the photographic business and, in 1932, acquired the remainder of the Fear Brothers business. He built a new studio and shop, which offered portraiture, photo- finishing and framing services and sold photographic supplies, camera equipment and English china. In addition to portraiture, George Noble and employees, such as photographer Bill Jamieson, produced a wide range of documentary, scenic and commercial views. Noble's shop offered black and white and hand-coloured prints of local events and Rocky Mountain views. George Noble was an active member of the community, serving on both the Banff School Board and the Banff Board of Trade for many years. Upon his retirement in 1957, his business was acquired by a group of investors which included Bill Jamieson, lab-technician and photographer for the Noble business from 1936 to 1957

Scope & Content: Fonds consists of a broad-ranging commercial negative collection. Includes four series.; I. Scenic and documentary views, 2839 items; includes film and glass negatives in sizes up to 8 X 10 inches. Pertains to Banff and area buildings, facilities, activities, events, such as Banff Winter Carnival and Banff Indian Days; Indigenous; scenic views of Banff and area and other Rocky Mountains locations.; II. Commercial views, 765 items; includes buildings, businesses, facilities, sports events, organizations, conventions, group portraits, displays and presentations.; III. Mixed views, 242 items; includes scenic, documentary and commercial views similar to material in previous series. Also includes some views know to have been produced by Fred Armbrister, a professional photographer who operated out of Lake Louise, Alberta, ca.1930.; IV. Portraits, ca.4600. This series contains four groups: A. 1920s-1950s, most unidentified; B. 1930s and 1940s, arranged alphabetically, many unidentified; C. 1950s, arranged alphabetically, most identified, many with proofs (prints); D. 1950s, arranged chronologically by job number.; V. Other, ca.50 items. Includes 36 colour stereo transparencies, ca.1955, re Administration Building and gardens, Banff-Jasper Highway scenics, mountain sheep, autumn colour, Banff Avenue, George Noble and staff. Also includes small number of commercial prints produced by Noble, including several large hand-painted views.; Fonds is accompanied by business record books, 1950-1958, 2 v. (M533)

Name Access: Noble, George

Subject Access: Arts; Buildings and facilities; Commerce and industry; Community life; Environment; Sports, recreation and leisure; Transportation

Access Restrictions: Some restrictions on access to originals; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: Finding aids and reference tools: arrangement outline; file description and index; electronic finding aid; selected modern reference prints

Related Material: Related commercial photographs made by Bill Jamieson in the employ of George Noble are located in the Ron Duke fonds (V180 / II.A.i. - V180 / II.A.vi.; V180 / III.A.); Portrait camera and electric 3D viewer reside in Heritage collections, Whyte Museum

Creator: Noble, George

Category: Arts; Commerce and industry; Environment; Sports, recreation and leisure; Transportation

Title Source: Title based on accession records and contents of fonds

Processing Status: Processed

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Nicholas Morant fonds

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Part Of: Nicholas Morant fonds

Scope & Content: The Nicholas Morant fonds consists of Morant's freelance work from his early days with the Winnipeg Free Press to his retirement from the Canadian Pacific Railway in 1981. It is national in scope and also includes some international material. The fonds is comprised of three series: I. Photograp…

Date Range: 1892-1995, predominant 1920-1981

Reference Code: M300 / S20 / V500

Description Level: 1 / Fonds

GMD: Album; Drawing; Film; Government record; Map; Blueprint; Negative; Photograph; Photograph print; Postcard; Poster; Private record; Recording disc; Scrapbook; Sound recording; Textual record; Transparency

Part Of: Nicholas Morant fonds

Description Level: 1 / Fonds

Fonds Number: M300 / S20 / V500

Sous-Fonds: M300 / S20 / V500

Accession Number: 122, 182, 1273, 1460, 1612, 1685, 2175, 2265, 2631, 2703, 5117, 7438, 7784, 7672, 7914, 2023.01

Reference Code: M300 / S20 / V500

GMD: Album; Drawing; Film; Government record; Map; Blueprint; Negative; Photograph; Photograph print; Postcard; Poster; Private record; Recording disc; Scrapbook; Sound recording; Textual record; Transparency

Responsibility: Nicholas Morant, Canadian Pacific, various

Date Range: 1892-1995, predominant 1920-1981

Physical Description: ca.50,775 photographs: ca.23,795 negatives, ca.18,456 transparencies, ca.8524 prints. -- 11 photograph albums. -- 125 sound recordings

History / Biographical: Nicholas Everard Morant, 1910-1999, was a professional photographer based at Banff, Alberta, Canada. He was a Canadian commercial photographer of international repute and Canada's premier railway photographer of the 20th century.; Morant was born at Kamloops, British Columbia, the son of Francis and Mollie Morant. After attending the University School at Victoria, Morant served as Special Photographer to the CPR from 1929 to 1935 and again from 1944 to 1981. From 1935 to 1939, he was a cameraman for the Winnipeg Free Press, and from 1940 to 1944 worked with the Wartime Information Branch of the federal government (later to be known as the National Film Board Stills Division).; Morant had a prolific career as a freelance commercial, portrait, magazine, landscape and documentary photographer. His work appeared in numerous books and magazines, including Time, Life, Liberty, Saturday Evening Post, (Toronto) Star Weekly, Northern Sportsman, Reader's Digest, Country Guide, The Standard, National Home Monthly, Canadian Photography, Outdoor Canada, National Geographic, the Globe & Mail, Winnipeg Tribune, New York Daily News, and the two Canadian Pacific Railway magazines, The Spanner and Rail News.; Two wartime images were featured on postage stamps, while three landscape views appeared on Canadian $10, $50 and $100 bills. His images were also used for corporate annual reports, postcards, brochures, calendars and advertisements. From the 1950s to 1980s Morant gave public slide shows of his work, two of the most popular being "A Talk Without Words" and "The World At Your Feet".; Morant married Ivy May "Willie" Young in 1936 when he was a photographer with the Winnipeg Free Press. Beginning in 1929, and until the end of her life, Morant's travelling and working companion was his wife, "Willie," 1910-1986.

Scope & Content: The Nicholas Morant fonds consists of Morant's freelance work from his early days with the Winnipeg Free Press to his retirement from the Canadian Pacific Railway in 1981. It is national in scope and also includes some international material. The fonds is comprised of three series: I. Photography; II. Professional records; III. Personal and family records.; I. Photography series consists of: A. Negatives and transparencies, B. Transparencies, C. Prints, D. Other photographs. II. Professional records series consists of: A. Working records, B. Career records, C. Topical files. III. Personal and family records series consists of: A. Nick and Willie Morant, B. Nick Morant funeral and memorial, C. Francis and Mollie Morant, D. Collected material

Notes: Full summary of sub-sub-series levels: I / A : 1) Darkroom Files [ a) Negative Albums b) Black/White Series I and II c) Colour Series I and II d) Leica Negs ] 2) GD Files I / B : 1) Presentations [ a) Topical Files b) Thematic Files ] 2) General Files 3) Other I / C : 1) Print Files I / D : 1) Exhibition and Display Prints 2) Photographs used by John Garden 3) Other Photographs II / A : 1) Log Books 2) Notebooks II / B : 1) Career Binders [ a) Postcards b) Brochures and Advertising c) clippings and articles d) Calendar Photographs ] 2) Scrapbooks [ a) Content 1933 - 1946 b) Content 1940 - 1980 ] II / C : 1) Numbered / Titled Files [ a) Group A b) Group B c) Group C d) Group D e) Group H f) Group P g) Group R ] 2) Other Topical Files [ a) Railway; i) Timetables ii) Publications iii) Other b) Photography; i) Textual Records ii) Print Material c) Travel d) Exhibitions and Galleries e)Personal f) Other ] 3) Postcards, Greeting Cards and Ephemera Collection 4) Published Images and Text 5) Professional Photography 6) Promotional Items, Awards and Correspondence 7) Presentation and Interview Materials III / A : 1) Correspondence 2) Personal Papers [ a) Personal Records b) Notes and Notebooks c) Lists and Card Files d) Awards and Retirement ] 3) Personal Photographs 4) House Records [ a) Construction b) Household Records ] 5) Business, Financial and Legal Papers 6) Interviews, Reminiscences Personal Recordings 7) Other Records (Signs, Cartoons, Drawings, etc.) 8) Personal Correspondence and Notes 9) Travel Documents and Maps III / B : 1) Nick Morant Funeral, Memorial and Estate III / C : 1) Mollie Morant Papers 2) Other Family Papers III / D : 1) Sound Recordings 2) Biographical Material 3) Other Papers and Photographs [ a) Burton Wheatley Family b) Other ] 4) Personal and Family Photography 5) Personal Interest and Gifts

Name Access: Morant, Nicholas

Subject Access: Environment; Exploration, discovery and travel; Transportation

Geographic Access: Alberta; Banff; British Columbia; Peru; Canadian Rocky Mountains; Canada; Manitoba; New Brunswick; Newfoundland and Labrador; Nova Scotia; Ontario; Quebec; Saskatchewan

Access Restrictions: Some restriction/s on access; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: Finding aids and reference tools: arrangement outline; series and file description; electronic and online finding aids

Creator: Morant, Nicholas

Category: Environment; Exploration, discovery and travel; Transportation

Biographical Source Notes: Brock Silversides; We Live in a Postcard: Banff Family Histories (Banff: Banff History Book Committee, 2005)

Title Source: Title based on contents of fonds

Processing Status: Processed / Unprocessed

This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Vaux family fonds

https://archives.whyte.org/en/permalink/descriptions391

Part Of: Vaux family fonds

Scope & Content: Fonds consists of two or more series. Series I. Photography, 1893-1913, is processed. Series II. Textual records are processed and consist of six series. Photography series consists of twenty-four sub-series: A. to O. Travel 1893 to Travel 1907; P. to S. Travel 1909 to Travel 1913; T. Travel ge…

Date Range: [after 1855]

Reference Code: M107 / V653

Description Level: 1 / Fonds

GMD: Photograph; Album; Negative; Photograph print; Transparency; Textual record; Map; Private record; Published record

Part Of: Vaux family fonds

Description Level: 1 / Fonds

Fonds Number: M 107; V 653

Sous-Fonds: M 107; V 653

Accession Number: 739, 1117, 1118, 1793, 2883, 3236, 3942, 4012, 7202, 7579 (unproc), 7792 (unproc)

Reference Code: M107 / V653

GMD: Photograph; Album; Negative; Photograph print; Transparency; Textual record; Map; Private record; Published record

Date Range: [after 1855]

Physical Description: 2924 photographs: 2632 negatives, 167 transparencies, 125 prints. -- 1 photograph album (50 prints). -- ca.2.7 m textual records

History / Biographical: The Vaux family of Philadelphia, Pennsylvania were photographers, mountaineers and scientists. Mary M. Vaux, 1860-1940, George Vaux Jr., 1863-1927, and William S. Vaux Jr., 1872-1908, were the children of George Vaux (VIII) of Philadelphia. They were all involved in photography in the early 1880s and were members of the Photographic Society of Philadelphia. All three were taking photographs when the family made its first trip west in 1885. The first Vaux family photographs of the Canadian mountain west were made in 1887 during a summer trip along the Canadian Pacific Railway to Glacier House in the Selkirk Mountains of British Columbia in 1887.; The family made frequent visits to the Selkirk and Rocky Mountains over the next two decades to study the Illecillewaet and other glaciers, photograph, paint and climb. George's and Mary's photographic work centred on the mountain landscape, while William's concentrated upon the movement and physical features of glaciers. Due to the size of their large format cameras, the two brothers took most of the photographs during these trips and Mary was responsible for all of the printing. William Vaux died in 1908 and George did not return to the Canadian mountains after 1911; however, Mary Vaux Walcott returned to the region virtually every summer for over forty years. A detailed discussion of their activities is contained in "Legacy In Ice: The Vaux Family and the Canadian Alps," Whyte Foundation, Banff, 1983

Scope & Content: Fonds consists of two or more series. Series I. Photography, 1893-1913, is processed. Series II. Textual records are processed and consist of six series.; Photography series consists of twenty-four sub-series: A. to O. Travel 1893 to Travel 1907; P. to S. Travel 1909 to Travel 1913; T. Travel general, 1894?-1912?; U. Prints, 1899-1907; V. Lantern slides, 1900-1909; W. Photograph album, before 1907; X. Textual records, 1893-1910; Y. Damaged Negatives; Z. Mary Schaffer Negatives. Photographic negatives, arranged chronologically, are prominent in the series. Images pertain to landscape studies and scenic views of the Selkirk and Rocky Mountains, especially the Glacier, Yoho and Lake Louise areas; glaciers in the Selkirk and Rocky Mountains, especially Illecillewaet, Asulkan, Yoho and Bow Glaciers; mountain scenes and panorama views in the Selkirks and Rockies; Canadian Pacific Railway in the Selkirks and CPR hotels; Glacier and Field, B.C. and Banff, Alberta and areas; climbing and other mountain activities; United States and Canadian views on trips to the mountains. Negatives include both glass (962 items) and film negatives (1740 items). Textual records are exposure records, original negative envelopes and publications.; Textual series consists of six series: I. Trip Series, II. Correspondence Series, III. Publications Series, IV. George Vaux: Legal and Finance Management Series, V. Photographic Related Material, VI. Other Series (O.S.). Textual records pertain to glacier study, including research papers, maps and publications; William S. Vaux Jr. papers re travels, engineering and architecture, other; George Vaux Jr. writing and other papers; Mary Vaux correspondence and papers re writing and presentations; and other records, 1877, 1912-1913. Textual records also include family travel papers, 1881-1911; George Vaux, Jr. "Glacier" files; correspondence between George Vaux and the Schäffers, 1899-1926; papers of Dr. Charles Schäffer, Mary Schäffer and Schäffer estate, 1855-1927.

Name Access: Schaffer, Charles; Schaffer, Mary; Vaux, George; Vaux, Mary; Vaux, William

Subject Access: Environment; Exploration, discovery and travel; Family and personal life

Access Restrictions: Some restriction/s on access; Copyright, privacy, commercial use and other restrictions may apply

Language: Language is English

Finding Aid: Finding aids and reference tools: arrangement outline; series description; file description for Series I; electronic finding aid for Series I; selected modern reference prints; digital images in Images database and in Alberta InSight database

Related Material: Related by provenance to the Vaux family collection of photographs held by the Library Company of Philadelphia and the Vaux collection of correspondence, documents and graphics held by Special Collections of Haverford College Library, Haverford, Pennsylvania