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Gordon Burles fonds

https://archives.whyte.org/en/permalink/descriptions118
Part Of
Gordon Burles fonds
Scope & Content
Fonds consists mainly of poems by Gordon Burles, 1970-2017. Manuscripts contain about twenty-seven hundred poems, mainly in free verse, some with revisions. Poems are numbered in chronological order. About 2016 Burles stopped numbering each poem. The year of creation is indicated with each poem.…
Date Range
1970-2017, 2022
Reference Code
M196 / V103
Description Level
1 / Fonds
GMD
Photograph
Negative
Photograph print
Textual record
Machine-readable data file
Private record
  1 Electronic Resource  
Part Of
Gordon Burles fonds
Description Level
1 / Fonds
Fonds Number
M 196
V 103
Sous-Fonds
M 196
V 103
Accession Number
1199, 1367, 1414, 1674, 2061, 2212, 2239, 2890, 3233, 3769, 3874, 5526, 5689, 5903, 6347, 6487, 6927,7215, 7483, 7486, 7612
Reference Code
M196 / V103
GMD
Photograph
Negative
Photograph print
Textual record
Machine-readable data file
Private record
Date Range
1970-2017, 2022
Physical Description
ca. 36.5 cm textual records + 9 CD-R (textual records). -- 7 photographs : prints, negatives.
History / Biographical
James Gordon Burles, b.1949, is a poet, surveyor and civil servant at Banff, Alberta, Canada. A native of Banff, Burles is a student of the Canadian Rockies. In Burles' own words, much of his poetry is inspired by four environments: the life and history of Banff National Park, the town of Banff, the Okanagan Valley, and Calgary.
Scope & Content
Fonds consists mainly of poems by Gordon Burles, 1970-2017. Manuscripts contain about twenty-seven hundred poems, mainly in free verse, some with revisions. Poems are numbered in chronological order. About 2016 Burles stopped numbering each poem. The year of creation is indicated with each poem. Some poems pertain to mountain personalities such as Bill Peyto, Norman Sanson, Margaret Stone, Walter D. Wilcox, Walter J. Phillips, Conrad Kain, and Georgia Engelhard. Many are surrealist or nonsense poems and many deal with the Cemetery Tea House, an imaginary teahouse frequented by various characters.
Fonds consists of three series: I : Poetry Manuscripts; II : Prose and research; III: Digital typeset copies of published poems
Some poems deal with Burle's parents and family. The collection also holds fifty-three books and booklets, self-published by the author from 1984 to 2017. The books published from 2003 to 2017 contain all the poems which the author considers worth preserving. Some in one book have been revised in a later book. Some poems were revised more than once. The three books published in 1984, 1986, and 1990 are considered by the author as early works. Only the poems in those books that the author considered worth publishing have been republished in the 2003-2017 books. Names in the poem titles are usually made up.
Some titles are tongue-in-cheek. There were so many poems that the author resorted to names like "Portrait for Bertrand Clerihew-Guggenheim" to make it easier. Some titles, of course, are obviously connected to the content of the poem. Many titles were long enough to preclude the difficulty of getting the graphic designer to centre the title over the poem! Also included are manuscripts, research materials, articles, and notes etc. regarding Bill Peyto, the Copper Mountain Mine, Banff National Park museum, logging roads in the Johnson Lake area, and the Sanson-Bethune connection.
Photographs pertain to remains of hay rake and wagon in the Third Vermilion Lake area (1975) and remains of the Queen of the Hills Mine, above Silver City (1977).
CD-ROMS's contain typeset copies of manuscripts by Gordon Burles in Pagemaker, In Design and .pdf file formats. Manuscripts include "The Jagged Harmony," 2005, "An Avenue Without End," 2005, "That Perfect Elsewhere," n.d., "Much Like A Dream," 2004, "All the Universe of Sight," 2006, "Those Grand Poplars," 2004, "Lords of Many Orchards: Selected Best Poems of Gordon Burles," 2003, "That trellis of tombs: Further Selected Poems of Gordon Burles," 2004, "The Closing of Many Doors: More Poems by Gordon Burles," 2006.
II : Prose and research includes "Life story of James Gordon Burles," 2022
Notes
Books of poetry published by Gordon Burles are located in the Whyte Museum Archives Library 05.1/B92. In 2018 Gordon Burles compiled a listing of the original poems that were edited and re-published. This list is in the M196 document file, and is also a PDF attached to the fonds level record
Name Access
Burles, Gordon
Subject Access
Arts
Access Restrictions
No restrictions on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: file level descriptions with inventory
Creator
Burles, Gordon
Category
Arts
Title Source
Title based on contents of fonds
Processing Status
Processed
Electronic Resources

05.1_b92_burles_poems_original_finalversions.pdf

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Luxton family fonds

https://archives.whyte.org/en/permalink/descriptions588
Part Of
Luxton family fonds
Scope & Content
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and profession…
Date Range
[ca.1860]-1995
Reference Code
LUX
Description Level
1 / Fonds
GMD
Photograph
Print
Cabinet card
Framed print
Negative
Sound recording
Cassette
Textual record
Corporate record
Private record
Published record
Scrapbook
  1 Electronic Resource  
Part Of
Luxton family fonds
Description Level
1 / Fonds
Fonds Number
LUX
Sous-Fonds
LUX
Accession Number
Lux1 - EL estate, 1996
Lux2 - Whyte Museum, 2000
Lux3 - Glenbow Archives, 2001
Reference Code
LUX
GMD
Photograph
Print
Cabinet card
Framed print
Negative
Sound recording
Cassette
Textual record
Corporate record
Private record
Published record
Scrapbook
Other Title Info
Also known as the Eleanor Luxton archives
Date Range
[ca.1860]-1995
Physical Description
ca.32.1 m of textual records (29.3 m textual records, 47 scrapbooks) -- ca.7290 photographs (ca.5300 b&w and col. prints, ca.1915 negatives, 75 transparencies, 2 tintypes) -- 17 albums -- ca.74 cm sound recordings (29 CDs, 45 audio cassettes, 17 R120 DAT tapes, 1 VHS, 8 voicewriter discs)
History / Biographical
The Norman Luxton family was a prominent family in Banff, Alberta, Canada from 1904 until 1962. Daughter Eleanor Luxton maintained the family's position in the town until her death in 1995.
Publisher and businessman Norman K. Luxton, 1876-1962, was the son of Winnipeg Free Press co-founder William Luxton. After working for the Winnipeg Free Press, Norman Luxton travelled, then joined the Calgary Herald for eight years. In 1901, he journeyed 10,000 miles on the Pacific in the dug-out canoe Tilikum. After becoming ill, Luxton abandoned the trip in Fiji and came to Banff to recuperate. The around-the-world trip was subsequently completed by his sailing partner, Capt. John Voss.
Luxton bought Banff's Crag and Canyon newspaper in 1902 and remained as publisher until 1951. Also in 1902, he established the Sign of the Goat Curio store which specialized in Stoney Indian handicrafts and taxidermy specimens. Other significant Luxton businesses were the King Edward Hotel and Livery, Luxton Bros. insurance (with brother Louis Luxton) and the Lux Block, which included a hotel, the Lux Theatre and retail stores.
In 1904, Norman Luxton married Georgina (Georgie) Elizabeth McDougall, 1870-1965, of the pioneer missionary McDougall family of Morley, Alberta. In addition to her McDougall connections, Georgie Luxton was related by marriage to Senator George Ross. Norman and Georgie Luxton had one child, Eleanor Georgina, born in Banff in 1908.
The Luxtons were important Banff "boosters" with involvement in numerous local organizations and events. Norman Luxton managed the Banff Indian Days from 1909 to 1950, was a founder of Banff Winter Carnival and was involved with native events at the Calgary Stampede for 25 years. In 1953, Norman established a museum to house his native artifacts. The Luxton Museum was built in co-operation with Eric Harvie of the Glenbow Foundation of Calgary. After Luxton's death, the museum continued to be managed by the Glenbow until 1992.
Eleanor Luxton, 1908-1995, was a writer, historian, researcher, engineer, teacher and business woman. After graduating from high school in Banff in 1926, she attended the University of Alberta from 1926 until 1939, receiving degrees in history (BA '30, MA'33), a Diploma in Education (1931) and subsequent education, biology and natural history courses during the summers.
Between 1937 and 1956, Eleanor received further degrees and certificates from studies at Garbutt Business College (Calgary), St. Stephen's College (Edmonton), Ottawa Technical High School, Havergal Ladies College (Ontario), St. George Williams College (Montreal), McGill University (Montreal) and the Banff School of Fine Arts. Subjects studied included office practices, shorthand, machine draughting, English, civil engineering (BSc '46), German, broadcast writing, management, commerce, accounting and commercial law.
Eleanor Luxton's extensive education overlapped and preceded a long and varied professional career. Her teaching career extended from high school teacher in Alberta (Banff and Sexsmith), 1933-1940, to university lecturer in Montreal in the 1950s. During the 1940s, she worked in locomotive design for the CPR in Montreal. Beginning in 1956 and continuing until 1965, when she returned to Banff to care for her mother, Eleanor worked throughout southern Alberta as a field researcher for Calgary's Glenbow Foundation. From 1965 until her death in 1995, Eleanor remained in Banff in her family home and pursued an active career in writing and research.
Scope & Content
Fonds consists of textual, visual and sound materials pertaining to Norman Luxton, Eleanor Luxton and their family members and friends (including Georgina Luxton, Norman's parents and siblings, and members of the Ross, Graham and McDougall families). Includes correspondence, personal and professional records, financial documents, organization and volunteer records, business and property records, scrapbooks and albums, research materials, candid and professional portraits, various collected materials, and other related content.
Notes
Fonds consists of three sous-fonds:
I. Norman Luxton sous-fonds, [ca.1880]-1962, ca. 7.5 m. of textual records and photographs in four series: A. Correspondence, B. Business, financial and legal, C. Personal, D. Personal and professional, E. Collected materials.
II. Eleanor Luxton sous-fonds, [ca.1890]-1995, ca. 15 m. of textual records, sound recordings and photographs in six series: A. Correspondence, B. Professional, C. Personal, D. Business, financial and legal, E. Travel and events, F. Collected materials.
III. Luxton family sous-fonds, 1836-1972, ca.6.5 m. of textual records and photographs in four series: A. Norman Luxton family series, [ca.1900-ca.1970]; B. Georgina Luxton series, [ca.1890]-1967; C. Related family series, [ca.1890]-1972; D. Other material series, 1836-1970; E. Luxton family home records [1996].
Name Access
Luxton, Eleanor
Luxton, Georgina
Luxton, Norman
Subject Access
Arts
Commerce and industry
Education
Exploration, discovery and travel
Family and personal life
First Nations
Professional and Personal Life
Sports, recreation and leisure
Research
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Reproduction Restrictions
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: electronic finding aid for processed material
box list for unprocessed material
Creator
Luxton, Norman
Luxton, Georgina
Luxton, Eleanor
Category
Arts
Commerce and industry
Education
Exploration, discovery and travel
Family and personal life
First nations
Sports, recreation and leisure
Title Source
Title based on contents of fonds
Processing Status
Processed
Electronic Resources
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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