Narrow Results By
- Unknown 103
- Peter Whyte (1905 – 1966, Canadian) 43
- Catharine Robb Whyte, O. C. (1906 – 1979, Canadian) 27
- George Webber 23
- Kiakshuk (1886 – 1966, Canadian) 10
- Reinhold H. Palenske (1884 – 1955, American) 10
- Kathleen Frances Daly Pepper (1898 – 1994, Canadian) 6
- Nicholas Raffael de Grandmaison (1892 – 1978, Canadian) 5
- Iola 4
- John Lefthand Jr. 4
- Kaka Ashoona (1928 – 1996, Canadian) 4
- Syollie Amituk (1936 – 1986, Canadian) 4
Aboriginal TM : the cultural and economic politics of recognition
https://archives.whyte.org/en/permalink/catalogue25713
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 A3a
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2022
- Physical Description
- x, 260 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous People
- Indigenous Traditions
- Tourism
- Language
- Politics
- Abstract
- In Aboriginal™, Jennifer Adese explores the origins, meaning, and usage of the term "Aboriginal" and its displacement by the word "Indigenous." In the Constitution Act, 1982, the term's express purpose was to speak to the "aboriginal rights" acknowledged in Section 35(1). Yet in the wake of the Constitution's passage, Aboriginal, in its capitalized form, became far more closely aligned with Section 35(2)'s interpretation of which specific groups held those rights, and was increasingly used to describe and categorize people. More than simple legal and political vernacular, the term Aboriginal (capitalized or not) has had real-world consequences for the people it defined. Aboriginal™ argues the term was a tool used to advance Canada's cultural and economic assimilatory agenda throughout the 1980s until the mid-2010s. Moreover, Adese illuminates how the word engenders a kind of "Aboriginalized multicultural" brand easily reduced to and exported as a nation brand, economic brand, and place brand--at odds with the diversity and complexity of Indigenous peoples and communities. In her multi-disciplinary research, Adese examines the discursive spaces and concrete sites where Aboriginality features prominently: the Constitution Act, 1982; the 2010 Vancouver Olympics; the "Aboriginal tourism industry"; and the Vancouver International Airport. Reflecting on the term's abrupt exit from public discourse and the recent turn toward Indigenous, Indigeneity, and Indigenization, Aboriginal™ offers insight into Indigenous-Canada relations, reconciliation efforts, and current discussions of Indigenous identity, authenticity, and agency. -- Provided by publisher.
- Contents
- Introduction -- 1. Aboriginal, aboriginality, aboriginalism, aboriginalization: what's in a word? -- Aboriginalized multiculturalism tm: Canada's olympic national brand -- Selling Aboriginal experiences and authenticity: Canadian and Aboriginal tourism -- Marketing aboriginality and the branding of place: the case of Vancouver international airport -- Conclusion: thoughts on the end of aboriginalization and the turn to indigenization.
- Notes
- Title appears with the trademark symbol after the word "Aboriginal".
- ISBN
- 9781772840056
- Accession Number
- P2023.09
- Call Number
- 07.2 A3a
- Collection
- Archives Library
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Abstract Carving
https://archives.whyte.org/en/permalink/artifactunk.06.67
- Artist
- Unknown
- Date
- n.d.
- Catalogue Number
- UnK.06.67
- Description
- Form with three sides, broad flat base narrowing towards peak; shapes resemble iceberg floes, mountains or possibly clouds; G or 6 incised on bottom and 5 followed by illegible number.
1 image
- Artist
- Unknown
- Title
- Abstract Carving
- Date
- n.d.
- Dimensions
- 8.0 x 6.3 x 12.0 cm
- Description
- Form with three sides, broad flat base narrowing towards peak; shapes resemble iceberg floes, mountains or possibly clouds; G or 6 incised on bottom and 5 followed by illegible number.
- Subject
- abstract, non-representational
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- UnK.06.67
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Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
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Advertising Decal
https://archives.whyte.org/en/permalink/artifact105.01.1017
- Date
- 1958
- Material
- paper
- Catalogue Number
- 105.01.1017
- Description
- Round paper decal, Indigenous person in headdress centered with a red band around with "Calgary Stampede July 7 to 12 1958 Calgary Alberta Canada
1 image
- Title
- Advertising Decal
- Date
- 1958
- Material
- paper
- Description
- Round paper decal, Indigenous person in headdress centered with a red band around with "Calgary Stampede July 7 to 12 1958 Calgary Alberta Canada
- Subject
- Calgary Stampede
- souvenir
- Indigenous
- Credit
- Gift of Maxine Bishop, Calgary, 1992
- Catalogue Number
- 105.01.1017
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Aklavik, N.W.T.
https://archives.whyte.org/en/permalink/artifactbpw.02.02
- Date
- prior to 1977
- Medium
- oil on canvas board
- Catalogue Number
- BpW.02.02
- Description
- General colour: blue with green, yellow, brown. A figure, sled and team of four dogs fills lower right quarter of picture. A broad crack in the frozen lake runs up from the center at the bottom and disappears into the horizon of trees. The far shore and mountains beyond start two thirds up the pict…
1 image
- Title
- Aklavik, N.W.T.
- Date
- prior to 1977
- Medium
- oil on canvas board
- Dimensions
- 35.6 x 45.6 cm
- Description
- General colour: blue with green, yellow, brown. A figure, sled and team of four dogs fills lower right quarter of picture. A broad crack in the frozen lake runs up from the center at the bottom and disappears into the horizon of trees. The far shore and mountains beyond start two thirds up the picture.
- Credit
- Purchased from William Bonnetplume, 1978
- Catalogue Number
- BpW.02.02
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- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Catalogue Number
- 103.09.0085
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside…
1 image
- Title
- Amulet Charm
- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Dimensions
- 13.0 x 30.0 cm
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside of pouch beaded on canvas and front side beaded on buckskin. Fringe tassels of silver beads on lower two thirds of pouch edge.
- Subject
- Indigenous
- lore
- religious
- Eliza Hunter
- ceremonial
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.09.0085
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Ancestors : indigenous peoples of Western Canada in historic photographs
https://archives.whyte.org/en/permalink/catalogue25527
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Responsibility
- Edited by Sarah Carter and Inez Lightning
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Published Date
- 2021
- Physical Description
- x, 188 pages : illustrations (some color) ; 23 x 24 cm
- Abstract
- This exhibition catalogue introduces historic photographs of Indigenous peoples of Western Canada from a collection housed at the University of Alberta's Bruce Peel Special Collections. The publication focuses on the ancestors represented in the collection and how their images continue to generate stories and meanings in the present. The selected photographs contribute to a richer, deeper understanding of the past. There is strength, character, persistence, determination, artwork, humour, dance, celebration, and so much more in the photographs. Some serve as records of cherished landscapes that may have been altered. Others provide links to ancestors: revered leaders, soldiers, healers, thinkers, and orators. The curators hope that the process of identifying the people in these photographs, only begun here, will continue. (Provided by Publisher)
- Contents
- Foreword / Chief Willie Littlechild ; The nature of the collection and its challenges ; Western Canada in the late Nineteenth and early Twentieth Centuries ; The aims of the curators ; The Exhibition
- ISBN
- 9781551954547
- Accession Number
- P2022.05
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Collection
- Archives Library
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Ancient Brave of the Blood Tribe
https://archives.whyte.org/en/permalink/artifactmig.03.04
- Date
- prior to 1938
- Medium
- graphite on paper
- Catalogue Number
- MiG.03.04
- Description
- A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
- Title
- Ancient Brave of the Blood Tribe
- Date
- prior to 1938
- Medium
- graphite on paper
- Dimensions
- 56.0 x 40.5 cm
- Description
- A portrait from the shoulders up of a man wearing a fuzzy fir hat and a warm winter coat with hood. The man is looking directly at the viewer. Behind the man’s head is some heavy black shaded area created by the artist. The title is written on the lrc with the date: Alberta, 1938.
- Subject
- portrait
- male
- Indigenous
- Credit
- Gift of C. Gardner Lane Jr., Scarborough, USA, 1996
- Catalogue Number
- MiG.03.04
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Ancient Meeting
https://archives.whyte.org/en/permalink/artifactkia.04.10
- Date
- 1960
- Medium
- ink on paper
- Catalogue Number
- KiA.04.10
- Description
- Two figures face each other, irregularly shaped people, the woman with a baby on her back. She also has a tail or the long end of her parka. The couple appear animated, each has a hand outstretched. Brc artist and printer's chops in red, Dorset chop in black.
1 image
- Title
- Ancient Meeting
- Date
- 1960
- Medium
- ink on paper
- Dimensions
- 63.7 x 48.3 cm
- Description
- Two figures face each other, irregularly shaped people, the woman with a baby on her back. She also has a tail or the long end of her parka. The couple appear animated, each has a hand outstretched. Brc artist and printer's chops in red, Dorset chop in black.
- Credit
- Gift of Doreen Hutchinson, Calgary, 1988
- Catalogue Number
- KiA.04.10
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Animal Sculpture
https://archives.whyte.org/en/permalink/artifactaba.06.01
- Artist
- Abba
- Date
- c. 1952
- Catalogue Number
- AbA.06.01
- Description
- A walrus is laying on its left side, head up. Incised flippers and facial features. “ABBA E7 416” is engraved on the base. There is also a white label with “395” attached to the base.
1 image
- Artist
- Abba
- Title
- Animal Sculpture
- Date
- c. 1952
- Dimensions
- 7.5 x 4.5 x 8.5 cm
- Description
- A walrus is laying on its left side, head up. Incised flippers and facial features. “ABBA E7 416” is engraved on the base. There is also a white label with “395” attached to the base.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- AbA.06.01
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Animal Spirits
https://archives.whyte.org/en/permalink/artifactnap.06.01
- Artist
- Peter Nauya
- Date
- n.d.
- Catalogue Number
- NaP.06.01
- Description
- Compound form of caribou calf with upraised head merged with opposite facing head of animal with one bear-like claw and long tail or tentacle. Details in heads of animals; set on flat base which is scratched Peter Nauya 71921. Poss. same artist as Peter Nowya of Povungnituk, reference Image 344 of …
1 image
- Artist
- Peter Nauya
- Title
- Animal Spirits
- Date
- n.d.
- Dimensions
- 11.0 x 6.5 x 17.5 cm
- Description
- Compound form of caribou calf with upraised head merged with opposite facing head of animal with one bear-like claw and long tail or tentacle. Details in heads of animals; set on flat base which is scratched Peter Nauya 71921. Poss. same artist as Peter Nowya of Povungnituk, reference Image 344 of Swinton, Geo. Sculpture of the Eskimo.
- Subject
- animal, caribou
- symbolism
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- NaP.06.01
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Annie Pootoogook: cutting ice
https://archives.whyte.org/en/permalink/catalogue19837
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2017
- Author
- Campbell, Nancy
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Call Number
- 06.1 C14a
1 website
- Author
- Campbell, Nancy
- Responsibility
- Nancy Campbell
- Publisher
- Fredericton, NB : Goose Lane Editions ; Kleinburg, ON : McMichael Canadian Art Collection
- Published Date
- 2017
- Physical Description
- 173 pages : illustrations (chiefly color) : 27 cm
- Subjects
- Art
- First Nations
- Inuit
- Canadian art
- Subjects
- Art
- First nations - Artists
- Abstract
- This exhibition celebrates the strength and contemporaneity of Pootoogook’s work but also uncovers how it has influenced her peers. Alongside works by Pootoogook, this exhibition will include works of art by Shuvinai Ashoona, Itee Pootoogook, Jutai Toonoo, Ohotaq Mikkigak and Siassie Kenneally, showing how Annie Pootoogook made it possible to begin a different conversation that celebrates Inuit art in new ways in Canada and the world. Bringing these artists’ works and words together in the Cutting Ice exhibition, will celebrate Annie Pootoogook as an important creative catalyst in contemporary art. (Taken from McMichael: Canadian Art Collection)
- Contents
- Director's foreword / Ian A.C. Dejardin -- West Baffin Eskimo Co-operative President's foreword / Pingwartok Ottokie -- West Baffin Eskimo Co-operative: a short history / Nancy Campbell, in consultation with West Baffin Eskimo Cooperative -- Dear Annie... / Nancy Campbel.
- ISBN
- 9781773100692
- Accession Number
- 2019.46
- Call Number
- 06.1 C14a
- Collection
- Archives Library
- URL Notes
- The URL pertains to the site in which the information for the abstract was drawn from
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- Date
- n.d.
- Medium
- graphite on paper
- Catalogue Number
- DaK.03.01
- Description
- General colour: pencil on white. Head and torso of an Inuk girl facing left. She wears a parka and has her hair pulled back.
1 image
- Title
- Annie Pukluk
- Date
- n.d.
- Medium
- graphite on paper
- Dimensions
- 29.0 x 36.5 cm
- Description
- General colour: pencil on white. Head and torso of an Inuk girl facing left. She wears a parka and has her hair pulled back.
- Subject
- figure, child
- Inuit
- Credit
- Purchased from Kathleen Frances Daly Pepper, 1969
- Catalogue Number
- DaK.03.01
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Anthropology on the Great Plains
https://archives.whyte.org/en/permalink/catalogue26190
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 1980
- Publisher
- Lincoln : University of Nebraska Press
- Call Number
- 07.2 W86a
- Responsibility
- Edited by W. Raymond Wood and Margot Liberty
- Publisher
- Lincoln : University of Nebraska Press
- Published Date
- 1980
- Physical Description
- vii, 306 pages : illustrations ; 27 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous Customs
- Indigenous People
- Indigenous Traditions
- Turtle Island
- History
- Abstract
- Native American tribes living on the Great Plains have long attracted the attention of Euro-American scholars, inspiring over the years a vast quantity of research. The contributors to this volume discuss and evaluate all the major works of scholarship devoted to the culture of Plains Indians, from the arrival of these peoples on the North American grasslands thousands of years ago, through their subsequent Village and High Plains lifeways, to their present-day adaption to reservation and urban life. Toghether, the twenty-two authors undertake a comprehensive survey of the state of anthropology on the Plains: what it has been, what it is now, and what it may offer theory and method in the future. -- From interior dustjacket
- Contents
- The Plains setting / B. Miles Gilbert -- The influence of Plains ethnography on the development of anthropological theory / E. Adamson Hoebel -- The Plains culture area concept / Richard Scaglion -- Prehistoric studies on the Plains / Alfred E. Johnson and W. Raymond Wood -- An overview of Great Plains physical anthropology / David V. Hughey -- Studies in Plains linguistics : a review / Robert C. Hollow and Douglas R. Parks -- Plains trade in prehistoric and protohistoric intertribal relations / W. Raymond Wood -- The ethnohistorical approach in Plains area studies / Mildred Mott Wedel and Raymond J. DeMallie -- Plains economic analysis : the Marxist complement / Alan M. Klein -- Morgan's problem : the influence of Plains ethnography on the ethnology of kinship / John H. Moore -- Social control on the Plains / Garrick Bailey -- The Sun Dance / Margot Liberty -- The Ghost Dance / Omer C. Stewart -- The Native American church / Omer C. Stewart -- Plains Indian art / Mary Jane Schneider -- Plains Indian music and dance / William K. Powers -- Psychological anthropology / Margot Liberty and Robert Morais --The formal education of Plains Indians / Janet Goldenstein Ahler -- Plains Indian women : an assessment / Katherine M. Weist -- Research in health and healing in the Plains / Luis S. Kemnitzer -- Peoples of the Plains / compiled by Douglas R. Parks, Margot Liberty, and Andrea Ferenci.
- ISBN
- 9780803247086
- Accession Number
- 2022.17
- Call Number
- 07.2 W86a
- Collection
- Archives Library
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- Date
- 1960
- Medium
- stencil on paper
- Catalogue Number
- NiV.04.02
- Description
- General colour: blue and black on white. A blue figure fills the lower two thirds of the picture. He looks up, aims an arrow at the four black birds flying to the right of the top.
1 image
- Title
- The Archer
- Date
- 1960
- Medium
- stencil on paper
- Dimensions
- 54.3 x 30.1 cm
- Description
- General colour: blue and black on white. A blue figure fills the lower two thirds of the picture. He looks up, aims an arrow at the four black birds flying to the right of the top.
- Subject
- figure, male
- animal, bird
- hunting
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1971
- Catalogue Number
- NiV.04.02
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- Date
- prior to 1970
- Material
- skin; metal
- Catalogue Number
- 103.01.3021 a,b
- Description
- Two heavy leather straps with leather thongs attached to the ends of the straps (a - 62.0 cm long with thongs, b - 67.0 cm long with thongs). Each strap has four round metal bells (4.0 cm diameter) tied on with leather thongs. White adhesive tape has been wrapped around the straps.
1 image
- Title
- Armband
- Date
- prior to 1970
- Material
- skin; metal
- Dimensions
- 3.0 x 31.0 cm
- Description
- Two heavy leather straps with leather thongs attached to the ends of the straps (a - 62.0 cm long with thongs, b - 67.0 cm long with thongs). Each strap has four round metal bells (4.0 cm diameter) tied on with leather thongs. White adhesive tape has been wrapped around the straps.
- Subject
- Indigenous
- regalia
- dancing
- music
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.01.3021 a,b
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- Date
- 1910 – 1950
- Material
- wood; metal; plastic; feather; paint
- Catalogue Number
- 104.05.0003 a-z, aa
- Description
- A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has s…
1 image
- Title
- Arrow
- Date
- 1910 – 1950
- Material
- wood; metal; plastic; feather; paint
- Dimensions
- 72.0 (average) cm
- Description
- A set of twenty-seven arrows: - Four handmade wooden arrows with three feathers at one notched end. The other end of each arrow is sharpened to a point. There are coloured bands painted under the feathers. - Ten very thin wooden arrows with pointed metal tips. The notched end of each arrow has small feathers and painted coloured bands. Four of these arrows are marked “South Bend Quality Tackle Bait Co.”. Two of these arrows are marked “The Oreno Pat. Pending”.- Five wooden arrows with pointed metal tips. These arrows have red, yellow and white bands at the feathered end. One of these arrows has a pointed spike projecting from the tip. These arrows are marked “made in U.S.A. Rounsville-Pohm, Hazel Crest, Ill. 29”. - Two wooden arrows with pointed metal tips at one end, and plastic notches at the other. There are red, white, blue and yellow bands at the notched end of each arrow. - Two arrows with blue and white bands at the notched feathered end. These arrows have a darker harder wood piece, with a metal tip, scarfed to the other end.- One handmade arrow, in the manner of Indigenous arrows, that is painted blue at the notched end. The opposite end is sharpened to a point. - Three odd arrows: one arrow with a plastic tip and faded blue bands at the notched, feathered end; one arrow with a red and yellow band at the notched feathered end and metal tip; one arrow that was once painted completely red with plastic notch and metal tip (no feathers).
- Subject
- Indigenous
- hunting
- households
- sports, archery
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.05.0003 a-z, aa
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- Date
- 1900 – 1930
- Material
- wood; feather; sinew
- Catalogue Number
- 104.05.0038 a,b,c
- Description
- Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the…
1 image
- Title
- Arrow
- Date
- 1900 – 1930
- Material
- wood; feather; sinew
- Dimensions
- 69.5 (a); 72.7 (b); 58.0 (c) cm
- Description
- Three handmade arrows carved from wooden twigs, each with three split and trimmed shaft feathers bound to a notched end. All three arrows have sharpened tips and are painted with coloured bands: a) An arrow with red, green and yellow bands under feathers. Long pieces of down have been left at the bottom of the featers. b) An arrow with bands of red, blue, and red under the feathers. c) An arrow with bands of blue, red, blue,yellow, blue, red, and blue under the feathers, and with a red band at the tip.
- Subject
- Indigenous
- hunting
- sports, archery
- crafts
- carving
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.05.0038 a,b,c
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- Date
- prior to 1970
- Material
- bone; feather; metal; wood
- Catalogue Number
- 104.05.3001
- Description
- Eight handmade arrows. Each arrow has a wooden shaft, feathers and down fletching attached to the shaft with waxed thread (sinew?), and a carved nock.a-c) Three similar arrows (72.0 x 0.8 cm) with red and green coloured bands around the shaft at the fletching. d-f) Three similar arrows (74.0 x 0.9…
1 image
- Title
- Arrow
- Date
- prior to 1970
- Material
- bone; feather; metal; wood
- Dimensions
- 1.2 (g) x 77.5 (g) cm
- Description
- Eight handmade arrows. Each arrow has a wooden shaft, feathers and down fletching attached to the shaft with waxed thread (sinew?), and a carved nock.a-c) Three similar arrows (72.0 x 0.8 cm) with red and green coloured bands around the shaft at the fletching. d-f) Three similar arrows (74.0 x 0.9 cm) with no markings.g) Long arrow with thick shaft (77.5 x 1.2 cm) and a serrated bone arrowhead attached with waxed thread. The shaft is marked with red at the fletching and the arrowhead.h) Arrow (69.0 x 0.7 cm) with the fletching feathers cut square. There are red bands around the shaft and at the fletching. There is a metal (copper?) band at the tip.DO NOT DISPLAY AS OF JULY 2013: Corleigh Powderface (Belton)
- Subject
- Indigenous
- crafts
- carving
- sports, archery
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.05.3001
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- Date
- 1910 – 1930
- Material
- wood; feathers; sinew, string
- Catalogue Number
- 104.05.1006 a-e
- Description
- wooden arrows with feather flights, feathers cut in half along stem and trimmed to shape, bound tightly top and bottom with sinew, a: 76.0 long x 1.0 dia. painted bands of colour underfeather…
1 image
- Title
- Arrows
- Date
- 1910 – 1930
- Material
- wood; feathers; sinew, string
- Dimensions
- 76.0 cm
- Description
- wooden arrows with feather flights, feathers cut in half along stem and trimmed to shape, bound tightly top and bottom with sinew, a: 76.0 long x 1.0 dia. painted bands of colour underfeathers, blue, red, yellow, green. b: 74.5 long x .8 dia. colours red and blue. c: 74.5 long x .8 dia. colours green, yellow, blue, red. d: 69.4 long x.8 dia. colours blue, red e: 63.2 long, irregular and with a slight bend, feathers held in place with a string.
- Subject
- Indigenous
- hunting
- Deer Lodge
- souvenirs
- Credit
- Gift of Robert Crosby, Banff, 1985
- Catalogue Number
- 104.05.1006 a-e
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
Read more.