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- Date
- 1790 – 1836
- Material
- fibre; skin; metal
- Catalogue Number
- 103.05.1053 a-f
- Description
- Pair shoes, pair gloves, pillow, long embroidered dress, (a) dress 132.0x72.0. Fine cotton with vertical lines of embroidery running full length, high empire line, short set-in sleeves with 5.0 wide lace at sleeve opening, tightly gathered centre front skirt. Bodice 15.0 long with silk lacing t…
1 image
- Title
- Ensemble
- Date
- 1790 – 1836
- Material
- fibre; skin; metal
- Description
- Pair shoes, pair gloves, pillow, long embroidered dress, (a) dress 132.0x72.0. Fine cotton with vertical lines of embroidery running full length, high empire line, short set-in sleeves with 5.0 wide lace at sleeve opening, tightly gathered centre front skirt. Bodice 15.0 long with silk lacing to tighten. Back opening to waist with drawstring neckline and empire waistline. 24.0 long slit openings at waist both sides. Bodicelined with unbleached cotton. (b,c) ivory satin shoes, 26.0 long. Very pointed toe, narrow leather sole and heel, heel shaped, 2.0 high. (d,e) tiny white unlined leather gloves, 12.5 around palm, 13.0 from centre finger to wrist. Fine stitching with 3 decorative 4.0 long seams on back of hand, wrist closure with a snap. (f) ring cushion, 13.0x9.0x4.0, embossed satin with satin bows on each corner with tiny white shells. Shells threaded on fine wire. 2.0 long steel straight pins are stuck into pillow to form letters, one side "L'Amitie", other side appears to be "PLMS"
- Credit
- Gift of Charles C. Reid, Banff, Alberta, 1986
- Catalogue Number
- 103.05.1053 a-f
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- Date
- 1820 – 1875
- Material
- metal
- Catalogue Number
- 104.19.0011
- Description
- A round, flat bottomed copper-plated colander with slightly flaring sides and a rolled lip. The bottom is pierced with small holes. There are two heavy round loop handles, one on each sides.
1 image
- Title
- Colander
- Date
- 1820 – 1875
- Material
- metal
- Dimensions
- 11.0 cm
- Description
- A round, flat bottomed copper-plated colander with slightly flaring sides and a rolled lip. The bottom is pierced with small holes. There are two heavy round loop handles, one on each sides.
- Subject
- households
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.19.0011
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- Date
- 1825 – 1900
- Material
- ceramic, bone china
- Catalogue Number
- 104.20.0157
- Description
- An irregularly oval- shaped serving platter with the shape forming a handle at each end. The tray is white with a double gold band outlining the perimeter and two sprays of flowers spaced evenly at each side. A small garland of flowers is at each end and a spray of flowers rests in the centre of …
1 image
- Title
- Platter
- Date
- 1825 – 1900
- Material
- ceramic, bone china
- Dimensions
- 41.0 cm
- Description
- An irregularly oval- shaped serving platter with the shape forming a handle at each end. The tray is white with a double gold band outlining the perimeter and two sprays of flowers spaced evenly at each side. A small garland of flowers is at each end and a spray of flowers rests in the centre of the platter. A leaf-like scroll pattern which decorates the handles are accented in gold. The bottom of the platter is slightly elevated. The platter is marked “Davenport, Longport, Staffordshire”.
- Subject
- households
- decorative
- plants
- flowers
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.20.0157
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- Date
- 1825 – 1875
- Material
- metal, silver; metal, copper; wood
- Catalogue Number
- 104.20.0477
- Description
- A round wooden cup with two carved angular handles. The cup has a silver plated copper lining. There is an illegible sticker remnant on the base.
1 image
- Title
- Cup
- Date
- 1825 – 1875
- Material
- metal, silver; metal, copper; wood
- Dimensions
- 4.0 x 11.0 cm
- Description
- A round wooden cup with two carved angular handles. The cup has a silver plated copper lining. There is an illegible sticker remnant on the base.
- Subject
- households
- crafts
- woodwork
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 104.20.0477
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- Date
- 1792
- Material
- paper; wood; glass
- Catalogue Number
- 105.02.0003
- Description
- A rectangular document on white paper beginning: “Know all men by these Presents ...” followed by handwriting stating the particulars of the sale, dated in Middlesex on December 29th, 1792 and signed by the Justice of the Peace. The contents state the agreement of a bill-of-sale between Asa Nurse …
1 image
- Title
- Bill-Of-Sale
- Date
- 1792
- Material
- paper; wood; glass
- Dimensions
- 16.0; 25.2 (frame) x 20.0; 30.3 (frame) cm
- Description
- A rectangular document on white paper beginning: “Know all men by these Presents ...” followed by handwriting stating the particulars of the sale, dated in Middlesex on December 29th, 1792 and signed by the Justice of the Peace. The contents state the agreement of a bill-of-sale between Asa Nurse and Thomas Buckminster. The bill is framed in a wide plain mahogany veneer frame with mitred corners.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 105.02.0003
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- Date
- 1825 – 1875
- Material
- wood, mahogany; metal, brass
- Catalogue Number
- 102.03.0013
- Description
- A chest of drawers with an inlaid bowed front, this chest has five drawers with brass drawer pulls.
1 image
- Title
- Drawers Chest
- Date
- 1825 – 1875
- Material
- wood, mahogany; metal, brass
- Dimensions
- 92.0 x 63.0 x 116.0 cm
- Description
- A chest of drawers with an inlaid bowed front, this chest has five drawers with brass drawer pulls.
- Subject
- households
- furniture
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.03.0013
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- Date
- 1825 – 1875
- Material
- wood, mahogany; glass; metal, brass
- Catalogue Number
- 102.03.0014
- Description
- Standing mirror with acorn finials and a platform base with claw feet. The mirror frame has two pivot points, located midway in the height of the mirror, attached to two side supports so that the mirror angle can be changed.
1 image
- Title
- Cheval Mirror
- Date
- 1825 – 1875
- Material
- wood, mahogany; glass; metal, brass
- Dimensions
- 193.0 x 61.0 x 86.6 cm
- Description
- Standing mirror with acorn finials and a platform base with claw feet. The mirror frame has two pivot points, located midway in the height of the mirror, attached to two side supports so that the mirror angle can be changed.
- Subject
- households
- furniture
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.03.0014
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- Date
- 1825 – 1900
- Material
- wood, mahogany; wood; metal, brass
- Catalogue Number
- 102.03.0036
- Description
- Inlaid mahogany oval tea table with squared tapering legs. Half of the table top folds over to store as semi-circle. The table has a red, hard to read, label “Once owned by Eliza Schaeffer 18__ - belongs to L. D. Schaeffer”
1 image
- Title
- Tea Table
- Date
- 1825 – 1900
- Material
- wood, mahogany; wood; metal, brass
- Dimensions
- 72.0 x 88.8 x 90.5 cm
- Description
- Inlaid mahogany oval tea table with squared tapering legs. Half of the table top folds over to store as semi-circle. The table has a red, hard to read, label “Once owned by Eliza Schaeffer 18__ - belongs to L. D. Schaeffer”
- Subject
- households
- furniture
- Mary Schaffer
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.03.0036
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- Date
- 1820 – 1850
- Material
- fibre, cotton
- Catalogue Number
- 102.04.0026
- Description
- One very delicate guipure lace mat. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground, as in filet lace. The doily has a quadrifoliate shape of four large scallops with four smaller scallops between each of the large scallop…
1 image
- Title
- Table Throw
- Date
- 1820 – 1850
- Material
- fibre, cotton
- Dimensions
- 37.0 x 49.0 cm
- Description
- One very delicate guipure lace mat. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground, as in filet lace. The doily has a quadrifoliate shape of four large scallops with four smaller scallops between each of the large scallops. The center of the doily has four star shaped flowers. The outside edge of the doily is also scalloped.
- Subject
- households
- decorative
- crafts
- needlework
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.04.0026
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- Date
- 1820 – 1850
- Material
- fibre, cotton
- Catalogue Number
- 102.04.0027
- Description
- One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held together by connecting threads rather than attached to mesh or net ground, as in filet lace. A delicate starburst centre is ringed by nine triangles and twelve petal shapes around the border.
1 image
- Title
- Doily
- Date
- 1820 – 1850
- Material
- fibre, cotton
- Dimensions
- 13.5 x 13.5 cm
- Description
- One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held together by connecting threads rather than attached to mesh or net ground, as in filet lace. A delicate starburst centre is ringed by nine triangles and twelve petal shapes around the border.
- Subject
- households
- decorative
- crafts
- needlework
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.04.0027
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- Date
- 1820 – 1850
- Material
- cotton
- Catalogue Number
- 102.04.0028
- Description
- Three extremely delicate guipure lace doilies. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground. 102.04.0028a is slightly different in design from the other two doilies. Each has a petal shape border with a starburst centre.
1 image
- Title
- Doily Set
- Date
- 1820 – 1850
- Material
- cotton
- Dimensions
- 14.0 x 14.0 cm
- Description
- Three extremely delicate guipure lace doilies. Guipure is a lace in which the patterns are held in place by connecting threads rather than attached to mesh or net ground. 102.04.0028a is slightly different in design from the other two doilies. Each has a petal shape border with a starburst centre.
- Subject
- households
- decorative
- crafts
- needlework
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.04.0028
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- Date
- 1820 – 1850
- Material
- fibre, cotton
- Catalogue Number
- 102.04.0029
- Description
- One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held in place by connecting threads, rather than attached to mesh or net ground, as in filet lace. This doily is elliptical in shape with a petal shapes as a border. The interior design features a central circ…
1 image
- Title
- Doily
- Date
- 1820 – 1850
- Material
- fibre, cotton
- Dimensions
- 21.5 x 33.5 cm
- Description
- One extremely delicate guipure lace doily. Guipure is a lace in which the patterns are held in place by connecting threads, rather than attached to mesh or net ground, as in filet lace. This doily is elliptical in shape with a petal shapes as a border. The interior design features a central circle with four circles spaced around the edge of the piece.
- Subject
- households
- decorative
- crafts
- needlework
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.04.0029
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- Date
- 1821 – 1821
- Material
- glass
- Catalogue Number
- 102.04.0100
- Description
- A handblown glass vase with a plain base flaring to a wide rim. The punty mark is visible on the bottom. The vase is etched on the outside with a floral design around the monogram “WEC 1821”.
1 image
- Title
- Flower Vase
- Date
- 1821 – 1821
- Material
- glass
- Dimensions
- 15.0 x 12.2 x 12.2 cm
- Description
- A handblown glass vase with a plain base flaring to a wide rim. The punty mark is visible on the bottom. The vase is etched on the outside with a floral design around the monogram “WEC 1821”.
- Subject
- households
- decorative
- crafts
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 102.04.0100
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- Date
- 1822 – 1822
- Material
- fibre, flax; wood; paper; metal
- Catalogue Number
- 107.02.0008
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on loosely woven ecru linen. The sampler has a double-stitched border with stitched bars between each row of letters (A-Z) beginning with capital letters, followed by numerals from 1 to 10, then lower case letters (a-z), then numerals fr…
1 image
- Title
- Sampler
- Date
- 1822 – 1822
- Material
- fibre, flax; wood; paper; metal
- Dimensions
- 19.0; 22.0 (frame) x 21.0; 23.5 (frame) cm
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on loosely woven ecru linen. The sampler has a double-stitched border with stitched bars between each row of letters (A-Z) beginning with capital letters, followed by numerals from 1 to 10, then lower case letters (a-z), then numerals from 1 to 6, then large capital letters (A-F), and ending with “Serena Matilda Potts 1822.” The piece was originally framed in a simple brown wood frame with a parallel line (wood grain?) texture. The paper backing has “Serena Potts’ work born 1812” handwritten and a “Royal Picture Gallery” (Calgary, Alberta) framer’s sticker.
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 107.02.0008
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- Date
- 1796 – 1796
- Material
- fibre, flax; wood; paper; metal
- Catalogue Number
- 107.02.0009
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on a loosely woven ecru linen. The sampler has a narrow double-stitched border with a floral band at the top followed by rows of letters of the alphabet separated by horizontal bars. Most of the letters are worked twice together through…
1 image
- Title
- Sampler
- Date
- 1796 – 1796
- Material
- fibre, flax; wood; paper; metal
- Dimensions
- 15.0; 18.0 (frame) x 20.0; 22.5 (frame) cm
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on a loosely woven ecru linen. The sampler has a narrow double-stitched border with a floral band at the top followed by rows of letters of the alphabet separated by horizontal bars. Most of the letters are worked twice together through the alphabet repeating from A to D at the end, followed by another floral band as at the top, and then “Susanah Lehman November the 3 1796.” The sampler was originally framed in a simple brown wood frame with parallel line texture (wood grain?) and has a framer’s sticker on the back “The Royal Art Gallery” (Calgary, Alberta).
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 107.02.0009
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- Date
- 1794 – 1796
- Material
- fibre, flax; wood; paper; metal
- Catalogue Number
- 107.02.0010
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on ecru linen. The sampler has a narrow stitched border with a design in the band at the top followed by rows of letters separated by horizontal bars. The alphabet is stitched with each letter worked twice, followed by the alphabet with…
1 image
- Title
- Sampler
- Date
- 1794 – 1796
- Material
- fibre, flax; wood; paper; metal
- Dimensions
- 19.0; 21.0 (frame) x 13.5; 16.0 (frame) cm
- Description
- A needlepoint sampler, in many colours, done in cross-stitch on ecru linen. The sampler has a narrow stitched border with a design in the band at the top followed by rows of letters separated by horizontal bars. The alphabet is stitched with each letter worked twice, followed by the alphabet with each letter worked once until “P” at the end of the sampler where “Susana Lhaman” (sic) is stitched. The sampler was originally framed with a simple brown wood frame with parallel line texture (wood grain?).
- Credit
- Gift of Pearl Evelyn Moore, Banff, 1979
- Catalogue Number
- 107.02.0010
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- Date
- 1825 – 1900
- Material
- stone
- Catalogue Number
- 104.06.0015
- Description
- A fairly large natural rock, sandstone? of rough texture except for one flat side which is slightly polished and smooth. Grooved indentation carved about middle, to hold thong for swinging .
1 image
- Title
- Clubhead
- Date
- 1825 – 1900
- Material
- stone
- Dimensions
- 16.0 x 11.0 x 14.5 cm
- Description
- A fairly large natural rock, sandstone? of rough texture except for one flat side which is slightly polished and smooth. Grooved indentation carved about middle, to hold thong for swinging .
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.06.0015
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- Date
- 1825 – 1925
- Material
- stone
- Catalogue Number
- 104.19.0029
- Description
- Long thin narrow squared grey stone with rounded ends and tapering slightly at one end.
1 image
- Title
- Pestle
- Date
- 1825 – 1925
- Material
- stone
- Dimensions
- 5.3 x 5.5 x 30.0 cm
- Description
- Long thin narrow squared grey stone with rounded ends and tapering slightly at one end.
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.19.0029
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- Date
- 1825 – 1925
- Material
- stone
- Catalogue Number
- 104.19.0030
- Description
- Elongated slightly tapered black igneous rock rounded at smaller end and flat across wider end with chip broken from one corner. Almost indiscernable inward curve just below rounded end.
1 image
- Title
- Pestle
- Date
- 1825 – 1925
- Material
- stone
- Dimensions
- 6.4 x 5.8 x 35.5 cm
- Description
- Elongated slightly tapered black igneous rock rounded at smaller end and flat across wider end with chip broken from one corner. Almost indiscernable inward curve just below rounded end.
- Subject
- Indigenous, Stoney
- households
- Guy Soldier
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.19.0030
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- Date
- 1825 – 1950
- Material
- metal; wood; skin; fibre
- Catalogue Number
- 104.49.0005
- Description
- A solid brass hatchet head with long narrow blade flaring to curved edge. Small round cast brass bowl, pipe? at other end of blade has small hole drilled through bottom. Handle is straight flattened piece of wood which was once painted green as evidenced by traces of green colour in grain. Handle p…
1 image
- Title
- Hatchet Ax
- Date
- 1825 – 1950
- Material
- metal; wood; skin; fibre
- Dimensions
- 3.8 x 19.3 x 30.0 cm
- Description
- A solid brass hatchet head with long narrow blade flaring to curved edge. Small round cast brass bowl, pipe? at other end of blade has small hole drilled through bottom. Handle is straight flattened piece of wood which was once painted green as evidenced by traces of green colour in grain. Handle passes through round opening in hatchet head and is tied on with a thong of buckskin. A strip of flannel material is tied at base of handle with one end hanging loose.
- Subject
- Indigenous
- warfare
- hunting
- HBC
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 104.49.0005
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