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Indigenous identity formation in post-secondary institutions : I found myself in the most unlikely place

https://archives.whyte.org/en/permalink/catalogue25266
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Barnes, Barbara G.
Voyageur, Cora J.
Publisher
Edmonton, Alberta : Brush Education Inc.
Call Number
07.2 B26i
  1 website  
Author
Barnes, Barbara G.
Voyageur, Cora J.
Responsibility
Barbara G. Barnes
Cora J. Voyageur
Publisher
Edmonton, Alberta : Brush Education Inc.
Published Date
2020
Physical Description
132 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Anthropology
First Nations
History
Abstract
This book presents a study conducted between 2005 and 2010 of 60 self-declared Indigenous university students from western Canada. The study explored Indigenous identity formation among these students through these central research questions:
Do conventional definitions of identity, and conventional identity formation theories, offer ways to understand the identity of these Indigenous students?
What role, if any, does postsecondary education play in the formation and/or confirmation of the identity of Indigenous students as Indigenous individuals? The study is unique for two reasons. First, little scholarly attention has been paid to Indigenous individuals’ sense of identity. While the literature and research on identity is diverse, it mostly focuses on Eurocentric definitions of identity. Second, this study emphasizes Indigenous identity formation in postsecondary institutions. This book moves beyond a simple understanding of Indigenous students’ concept of identity and delves into determining the role a university education can play in the development of an Indigenous individual’s identity (from publisher's website)
Contents
Preface and dedication
Acknowledgements
Introduction
Find the self: a history of defining Indigenous identity in Canada
Conventional and Indigenous concepts of identity
A history of Indigenous education in Canada
Who were the participants?
Identity and Blumer's symbolic interactionism: definitions and participant responses
Identity and Mihesuah's Native identity development theory: definition and participant responses
The university experience
Building on Mihesuah: a Canadian Indigenous identity formation model
References
About the authors
ISBN
9781550598544
Accession Number
P2020.08
Call Number
07.2 B26i
Collection
Archives Library
URL Notes
Publisher's website
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Old man's garden : the history and lore of southern Alberta wildflowers

https://archives.whyte.org/en/permalink/catalogue25141
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2020
Author
Brown, Annora
Publisher
Calgary, Alberta : Rocky Mountain Books
Call Number
04.1 B81 2020
  1 website  
Author
Brown, Annora
Responsibility
Annora Brown
Mary-Beth Laviolette (introduction)
Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black (forward)
Publisher
Calgary, Alberta : Rocky Mountain Books
Published Date
2020
Physical Description
xxii, 268 pages : illustrations (some colour)
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Botany
Folklore
Art
Flowers
Brown, Annora
Abstract
Through pen and ink illustrations and stories, Old Man’s Garden conveys the legends and folklore connected with Southern Alberta’s wildflowers, native plants, and Indigenous culture. Originally published in 1954, Annora Brown’s Old Man’s Garden is a Canadian classic that tells the story of Southern Alberta’s native plants and wildflowers through art and in consideration of Indigenous traditional knowledge from the region. Accompanying the new RMB edition of Old Man’s Garden, Sidney Black of Fort Macleod, the Indigenous Anglican Bishop for Treaty 7, provides his own commentary about Annora’s art and writing in relation to the Blackfoot, while independent art curator Mary-Beth Laviolette broadens the story about the artist’s contribution to Canadian art. Also included in this new edition are full-colour images of Annora’s later paintings of Blackfoot lodges (tipis) and regalia, the dramatic landscape of the Oldman RIver region such as Waterton National Park, and her abiding, lifelong regard for the flora of her homeland. According to Annora Brown, Old Man’s Garden is a “book of gossip about the flowers of the West.” A one-of-a-kind work featuring 169 black-and-white drawings of flowers and native plants, this classic text is about more than botany. Throughout its pages there is a sparkle to her stories of early exploration and settlement, her concern for conservation, and her regard for the Blackfoot Nation, and Indigenous culture. (from Rocky Mountain Books website)
Contents
Forward by Niitsitapi (Siksika) Bishop - the Right Reverand Sidney Black
Introduction to the new edition by Mary-Beth Laviolette
Introduction to the 1954 edition
I Wi-suk-i-tshak
II Trail Blazers
III Moon-When-the-Grass-Turns-Green
IV Old Man's Vegetable Garden
V Old Man's Medicine Bag
VI Dyes
VII Desert and Swamp
VIII Incense
IX Moon-of-the-Flowers
X Berries
XI Trees
Index
Notes
Originally published in 1954 by J.M. Dent & Sons Ltd. and 1970 by Gray's Publishing Co.
ISBN
9781771603447
Accession Number
P2020-6
Call Number
04.1 B81 2020
Collection
Archives Library
URL Notes
Book on Rocky Mountain Book's website
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
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