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David McDougall fonds

https://archives.whyte.org/en/permalink/descriptions682
Part Of
David McDougall fonds
Scope & Content
Fonds consists of six series: 1. Business Correspondence; 2. Cheques, Receipts, Invoices; 3. Personal Documents; 4. Miscellaneous; 5. Blueprints; 6. Painting. Series 1 consists of business related correspondence to various companies, individuals, and two branches of the Canadian Government. Govern…
Date Range
1845-1947
Reference Code
M557 / V779
Description Level
1 / Fonds
GMD
Painting
Textual record
Blueprint
Private record
Published record
Part Of
David McDougall fonds
Description Level
1 / Fonds
Fonds Number
M 557
V 779
Sous-Fonds
M557
V779
Accession Number
2017.8667
Reference Code
M557 / V779
GMD
Painting
Textual record
Blueprint
Private record
Published record
Date Range
1845-1947
Physical Description
39cm of textual records. – 1 painting
History / Biographical
David McDougall, son of George Millward McDougall and Elizabeth Chantler McDougall, was born on May 14, 1845 in Owen Sound, Ontario. David had four siblings: John, Eliza, Lubby, and Nellie. David married Annie McKenzie in 1871 in Manitoba. Together, they had six children, including their daughter named Georgina (Georgie) Elizabeth McDougall (1872-1965). Georgina was the wife of Norman Luxton and an active member in Banff and the mother of Eleanor Georgina Luxton (1908-1995). David was an early pioneer of Calgary and Banff, who helped build both community life and their economies. While David’s father and brother were both members of the clergy and did missionary work in Morley, Alberta, David become a successful businessman. He established a general merchant store in Morley where he was a dealer in cattle, horses, furs, and curios. In addition to managing his own business block in Calgary, David also owned properties in Edmonton and Calgary. In Banff, David and Annie owned the Mount Royal Hotel for six years until they sold it to Jim Brewster in August 14, 1913. David died in December 6, 1927 and Annie died in 1939.
Scope & Content
Fonds consists of six series: 1. Business Correspondence; 2. Cheques, Receipts, Invoices; 3. Personal Documents; 4. Miscellaneous; 5. Blueprints; 6. Painting. Series 1 consists of business related correspondence to various companies, individuals, and two branches of the Canadian Government. Government correspondence pertains to taxes and by-laws for McDougall’s properties. Series 2 contains invoices, receipts, cheques, and bank statements pertaining to McDougall’s business and properties. Series 3 contains personal letters and legal documents. Materials includes handwritten letters, property transactions and proof of ownership on properties. Series 4 contains cheque books, Dominion Travellers’ Hotel Guide, event program featuring Commissioner Coombs and “Safety First Guarantee” slip. Series 5 contains blueprints of Mount Royal Hotel and McDougall business block, Calgary 1911. The last series consist of a painting of George Noble photograph of Banff Ave, 1929.
Name Access
McDougall, David
Subject Access
Buildings and facilities
Commerce and industry
Communications
Family and personal life
Government
Labour
Land, settlement and immigration
Law and justice
Access Restrictions
No restriction on access. Copyright, privacy, commercial use and other restrictions may apply.
Language
Language is English
Related Material
See Luxton Family fonds
Creator
McDougall, David
Biographical Source Notes
Luxton, Eleanor G. Latch String Out. Banff: Summerthought Publishing, 2015. “The Morleyville Story.” McDougall Stoney Mission Society. http://www.mcdougallstoneymission.com/docs/The_Morleyvillle_Story.pdf
Title Source
Title based on provenance of fonds
Processing Status
Processed
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Jimmy Simpson family fonds

https://archives.whyte.org/en/permalink/descriptions444
Part Of
Jimmy Simpson family fonds
Scope & Content
Fonds consists of papers, photographs and sound recording produced by and pertaining to Jimmy Simpson and the Simpson family. Material is arranged in seven series. I. Jimmy Simpson Sr. papers and photographs, ca.1901-1972, ca.74 cm of textual records, 23 photograph albums (ca.2875 prints), 425 tra…
Date Range
[ca.1900]-1995
Reference Code
M78 / S16 / V577
Description Level
1 / Fonds
GMD
Photograph
Album
Negative
Photograph print
Transparency
Sound recording
Recording disc
Textual record
Blueprint
Drawing
Painting
Poster
Private record
Published record
Scrapbook
Part Of
Jimmy Simpson family fonds
Description Level
1 / Fonds
Fonds Number
M 78
S 16
V 577
Sous-Fonds
M 78
S 16
V 577
Accession Number
256, 492, 1035, 1160, 1422, 1467, 1484, 1625, 1655, 1668, 1869, 2930, 3006, 5302, 6356, 6599, 6771, 6914, 7217, 7337 (unproc o.s.), 7768 (unproc)
Reference Code
M78 / S16 / V577
GMD
Photograph
Album
Negative
Photograph print
Transparency
Sound recording
Recording disc
Textual record
Blueprint
Drawing
Painting
Poster
Private record
Published record
Scrapbook
Other Title Info
Also known as Jimmy Simpson fonds
Date Range
[ca.1900]-1995
Physical Description
2.5 m textual records. -- ca.1605 photographs: ca.755 prints, 410 negatives, ca.430 transparencies. -- 29 photograph albums (ca.3000 prints). -- 1 sound recording: audio disc
History / Biographical
Justin James McCarthy (Jimmy) Simpson, 1877-1972, was a trapper, guide and outfitter and lodge owner at Banff and Bow Lake, Alberta, Canada. Born in Stamford, Lincolnshire, Simpson was sent to Canada by his family in 1896. He worked briefly at Laggan (Lake Louise), Alberta for the Canadian Pacific Railway, travelled extensively and returned to the Rockies to work on the trail and trap. By the early 1900s, he was a successful guide and outfitter with Carl Rungius and the Alpine Club of Canada as clients. Starting in 1920, Simpson began building Num-Ti-Jah Lodge at Bow Lake as a base for hunting and climbing parties. Simpson and Williamina (Billie) Ross Reid, 1891-1968, married in 1916 and had three children. The lodge was run mainly by Billie Simpson and in 1945 the business was turned over to Jimmy Simpson Jr., 1922-2003 . Daughters Margaret Simpson, 1917-1941, and Mary Simpson (Hallock), 1919-2002, were internationally-famous figure skaters.
Scope & Content
Fonds consists of papers, photographs and sound recording produced by and pertaining to Jimmy Simpson and the Simpson family. Material is arranged in seven series.
I. Jimmy Simpson Sr. papers and photographs, ca.1901-1972, ca.74 cm of textual records, 23 photograph albums (ca.2875 prints), 425 transparencies. Includes business and personal correspondence, business records and subject files, 1903-1972; literary papers, 1912-1972; and other papers, 1903- 1957. Business records pertain mainly to guiding, outfitting and hunting operations. Correspondents include Carl Rungius, J. Monroe Thorington, L. S. Amery, Louis Agassiz Fuertes, William S. Ladd, C. Hart Merriam, Allan Brooks and others; also federal and provincial government departments, Canadian Pacific Railway, etc., regarding hunting, game regulations, park boundaries, licences, permits, horses, etc. Albums pertain mainly to hunting trips, including those with Carl Rungius, Caroline Hinman and McAleenan family, ca.1901-ca.1920, 23 items. Transparencies pertain to McAleenan family trips.
II. Simpson family papers, photographs and sound recording, ca.1900-1987, ca.1.5 m of textual records, ca.675 photographic prints, 6 photograph albums (ca.460 prints), 410 photographic negatives, 1 sound recording. Textual records include large series of alphabetical files, 1907-1987; correspondence, ca.1910-ca.1985; school records, 1923-1936; Num-Ti-Jah Lodge registers, 1939-1957; other material, 1929-1942. Photographs pertain to Jimmy Simpson and family; friends and guests; lodges and camps, including Num-Ti-Jah Lodge; Banff home and community; pack trips; scenic views; other.
III. Billie Simpson papers, 1913-1968, 6.5 cm of textual records. Includes Billie Simpson correspondence, literary and dramatic papers.
IV. Simpson Sisters professional papers and photographs, 1929-1955, ca.20 cm and 3 v. of textual material, ca.15 cm of print material, 86 photographic prints. Material pertains to the professional skating career of Margaret Simpson and Mary Simpson.
V. Mary Simpson Hallock papers, 1960-1955, 1.5 cm of textual records.
VI. Jimmy Simpson Jr. papers, 1947-1983, 1 cm of textual records.
VII. Other material, before 1970, 1 cm of textual records and art works.
Name Access
Simpson, Billie
Simpson, Jimmy, Jr.
Simpson, Jimmy, Sr.
Simpson, Margaret
Simpson, Mary (Hallock)
Subject Access
Exploration, discovery and travel
Family and personal life
Sports, recreation and leisure
Access Restrictions
Some restrictions on access to originals
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
sub-series description
electronic finding aid
microfilm copies of albums
Related Material
Accompanied by artifacts (Heritage Collections, Whyte Museum)
Creator
Simpson, Jimmy (family)
Category
Exploration, discovery and travel
Family and personal life
Sports, recreation and leisure
Title Source
Title based on contents of fonds
Processing Status
Processed / Unprocessed
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Answering The Challenge

https://archives.whyte.org/en/permalink/artifacttic.02.07
Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Date
1996
Medium
oil on canvas
Catalogue Number
TiC.02.07
Description
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown…
  1 image  
Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Title
Answering The Challenge
Date
1996
Medium
oil on canvas
Dimensions
122.0 x 182.8 cm
Description
At the bl a male elk is challenging another male elk. The second elk is higher up on the side of a mountain in a grass area. Further off in the distance six female elk watch. The grass that the elk are standing on is a yellow green color and the rock in the background behind the elk is a red brown hue. The two male elk are facing each other and both have a full set of horns. The mountains in the far distance are a grey blue color.
Subject
landscape
Canadian Rockies
animal
elk
Credit
Gift of Clarence Ingwall Tillenius, Winnipeg, 1996
Catalogue Number
TiC.02.07
Images
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Artist
D. H. Pinder
Date
c. 1930
Medium
watercolour on paper
Catalogue Number
PiD.05.01
Description
An unframed watercolour showing a small boat with two sails on water at sunset. In the background are palm trees and stone columns. A person and a red net are in the boat.
  1 image  
Artist
D. H. Pinder
Title
Arab Dhow
Date
c. 1930
Medium
watercolour on paper
Dimensions
10.8 x 19.0 cm
Description
An unframed watercolour showing a small boat with two sails on water at sunset. In the background are palm trees and stone columns. A person and a red net are in the boat.
Subject
seascape
Atlantic
boat
sailing
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
PiD.05.01
Images
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Bear Street Alley, Sulphur Mountain

https://archives.whyte.org/en/permalink/artifactwyp.01.534
Artist
Peter Whyte (1905 – 1966, Canadian)
Date
1922 – 1933
Medium
oil on canvas
Catalogue Number
WyP.01.534
  1 image  
Artist
Peter Whyte (1905 – 1966, Canadian)
Title
Bear Street Alley, Sulphur Mountain
Date
1922 – 1933
Medium
oil on canvas
Dimensions
30.2 x 40.4 cm
Subject
landscape
Canadian Rockies
mountain
winter
town, Banff
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
WyP.01.534
Images
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Blondie and Friend Icefields Parkway 1991

https://archives.whyte.org/en/permalink/artifactenm.12.05
Artist
Maureen Enns (1949 – , Canadian)
Date
1991
Medium
acrylic; charcoal on canvas
Catalogue Number
EnM.12.05
Description
Two bears done in charcoal and outlined in red paint walk in front of mountains that are in the background. The mountain range is outlined in white paint.
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Blondie and Friend Icefields Parkway 1991
Date
1991
Medium
acrylic; charcoal on canvas
Dimensions
43.0 x 73.0 cm
Description
Two bears done in charcoal and outlined in red paint walk in front of mountains that are in the background. The mountain range is outlined in white paint.
Subject
mountains
animal, bears
Maureen Enns
Credit
Gift of Maureen Enns, Cochrane, 2010
Catalogue Number
EnM.12.05
Images
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Artist
Peter Whyte (1905 – 1966, Canadian)
Date
1928 – 1933
Medium
oil on canvas
Catalogue Number
WyP.01.509
  1 image  
Artist
Peter Whyte (1905 – 1966, Canadian)
Title
Bow Lake
Date
1928 – 1933
Medium
oil on canvas
Dimensions
35.2 x 35.3 cm
Subject
landscape
Canadian Rockies
mountain
lake
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
WyP.01.509
Images
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Artist
Dorothy Elsie Knowles Perehudoff (1927 – 2023, Canadian)
Date
1991
Medium
oil on linen
Catalogue Number
KnD.02.01
Description
In the foreground are trees of green with a large group of mountains in the center back area. A large tree is on the left side of this painting and there are red and pink flowers in the foreground. The mountain is a grey brown colour and the majority of the trees and shrubs are different colours of…
  1 image  
Artist
Dorothy Elsie Knowles Perehudoff (1927 – 2023, Canadian)
Title
Bow Valley Series
Date
1991
Medium
oil on linen
Dimensions
81.2 x 101.6 cm
Description
In the foreground are trees of green with a large group of mountains in the center back area. A large tree is on the left side of this painting and there are red and pink flowers in the foreground. The mountain is a grey brown colour and the majority of the trees and shrubs are different colours of green. The sky in the background is blue with some white cloud.
Subject
landscape
Canadian
Yamnuska
Dorothy Knowles
Credit
Gift of Dorothy Elsie Knowles Perehudoff, Saskatoon, 1996
Catalogue Number
KnD.02.01
Images
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Building The Dam - Busy Beavers

https://archives.whyte.org/en/permalink/artifacttic.02.12
Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Date
1993
Medium
oil on canvas board
Catalogue Number
TiC.02.12
Description
A body of water starts from the cl and makes its way down into the foreground and ends up at the blc and the brc. A piece of land and rocks jet out between the blc and the brc. Standing on this piece of land a beaver is carring a piece of wood or tree section and is heading towards the dam that he …
Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Title
Building The Dam - Busy Beavers
Date
1993
Medium
oil on canvas board
Dimensions
30.6 x 40.7 cm
Description
A body of water starts from the cl and makes its way down into the foreground and ends up at the blc and the brc. A piece of land and rocks jet out between the blc and the brc. Standing on this piece of land a beaver is carring a piece of wood or tree section and is heading towards the dam that he is building. All along the left side of the water there are green and orange trees. The sky above the trees is a medium blue colour. On the other side of the dam two other beavers are also working on the dam.
Subject
landscape
Canadian Rockies
animal
beaver
Credit
Gift of Clarence Ingwall Tillenius, Winnipeg, 1996
Catalogue Number
TiC.02.12
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Artist
Peter Whyte (1905 – 1966, Canadian)
Date
1929
Medium
oil on canvas
Catalogue Number
WyP.01.594
  1 image  
Artist
Peter Whyte (1905 – 1966, Canadian)
Title
Castleguard Meadows
Date
1929
Medium
oil on canvas
Dimensions
27.7 x 27.8 cm
Subject
landscape
Canadian Rockies
mountain
camp
tent
figure
male
Credit
Gift of James (Sr.) Simpson, 1968
Catalogue Number
WyP.01.594
Images
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Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Date
1990
Medium
oil on canvas board
Catalogue Number
TiC.02.13
Description
A group of bison gather in a wooded area. The woods seem very thick therefore the tone is very dark. The wooded area is a brown, purple colour and the open area in the foreground is a light brown and yellow colour. Out in the foreground a bison is standing with his back facing the left edge of the …
Artist
Clarence Ingwall Tillenius (1913 – 2012, Canadian)
Title
Coming Together
Date
1990
Medium
oil on canvas board
Dimensions
20.4 x 25.4 cm
Description
A group of bison gather in a wooded area. The woods seem very thick therefore the tone is very dark. The wooded area is a brown, purple colour and the open area in the foreground is a light brown and yellow colour. Out in the foreground a bison is standing with his back facing the left edge of the image and appears to be walking toward the others in the woods.
Subject
animal
Bison
Credit
Gift of Clarence Ingwall Tillenius, Winnipeg, 1996
Catalogue Number
TiC.02.13
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Artist
Charles Morrise Brousson ( – 1941)
Date
1920
Medium
oil on wood
Catalogue Number
BrC.02.01
Description
A primitive painting on a piece of wood. The foreground is beige and brown bank with a white and brown tepee on the left. Beyond this the creek, blue and white extends to mid centre. The top half of the painting is a slope covered with trees to left and a mountain, blue, white and green, to the ri…
  1 image  
Artist
Charles Morrise Brousson ( – 1941)
Title
Cultus Creek
Date
1920
Medium
oil on wood
Dimensions
10.5 x 15.1 cm
Description
A primitive painting on a piece of wood. The foreground is beige and brown bank with a white and brown tepee on the left. Beyond this the creek, blue and white extends to mid centre. The top half of the painting is a slope covered with trees to left and a mountain, blue, white and green, to the right. A cloudy grey sky.
Subject
Canadian Rockies
landscape
mountain
creek
building
tepee
Credit
Gift of Earle Birney, Toronto, 1969
Catalogue Number
BrC.02.01
Images
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Artist
D. H. Pinder
Date
c. 1930
Medium
watercolour on paper
Catalogue Number
PiD.05.02
Description
An unframed watercolour showing three people and two camels resting under two palm trees.
  1 image  
Artist
D. H. Pinder
Title
Desert Scene
Date
c. 1930
Medium
watercolour on paper
Dimensions
10.0 x 19.0 cm
Description
An unframed watercolour showing three people and two camels resting under two palm trees.
Subject
landscape
desert
figure
group
animal
camel
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
PiD.05.02
Images
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Artist
Dan Hudson (1959 – , Canadian)
Date
1990
Medium
oil on canvas
Catalogue Number
HdD.02.01
Description
In the center of the painting there is a white outline of a nude male figure. The face down figure has one arm outstreached in front and the other outstreached to the side. Off set to the lower left a bit, is the same male again but this time with his body painted in black, white and purple. Also…
Artist
Dan Hudson (1959 – , Canadian)
Title
Emergence
Date
1990
Medium
oil on canvas
Dimensions
160.0 x 160.0 cm
Description
In the center of the painting there is a white outline of a nude male figure. The face down figure has one arm outstreached in front and the other outstreached to the side. Off set to the lower left a bit, is the same male again but this time with his body painted in black, white and purple. Also in the same area there is a wolf leaning down to get a drink of water and directly beneath that wolf is his reflection that looks like another wolf. Both wolves are purple with white highlights. At the top left corner there is a ring of fire, orange and red in colour. The background behind the above mentioned is black and the paint has been applied very thick (almost impasto in some places). The frame for the canvas is made out of natural wood poles and the ends stick out at each corner and cross over each other.
Subject
figure
male
animal
wolf
mythological
Credit
Gift of Dan Hudson, Canmore, 1993
Catalogue Number
HdD.02.01
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Artist
Maureen Enns (1949 – , Canadian)
Date
1993
Medium
acrylic; charcoal; paper; glue on canvas
Catalogue Number
EnM.12.03
Description
Predominant colours are black, dark blue, grey and white. There is an outline of one large grizzly bear on the top two-thirds (viewer’s left) of the painting, side view, painted black, and the back part is flat background painted dark blue; this extends to the bottom left. The right side is backgro…
  1 image  
Artist
Maureen Enns (1949 – , Canadian)
Title
Flint’s Park
Date
1993
Medium
acrylic; charcoal; paper; glue on canvas
Dimensions
104.0 x 104.0 cm
Description
Predominant colours are black, dark blue, grey and white. There is an outline of one large grizzly bear on the top two-thirds (viewer’s left) of the painting, side view, painted black, and the back part is flat background painted dark blue; this extends to the bottom left. The right side is background and is painted white from top to the paw (viewer’s right) to the bottom of the painting. Overlapping this a large cutout of a bear, grey, white, and black charcoal, dominates the painting. Across the top of his body is a stencilled sign: “FLINTS PARK CABIN”, below this the outline of a Bighorn sheep’s head, and below this “WARDEN SERVICE” “BANFF NATIONAL PARK” is stencilled across his legs. Under this bear, to the viewer’s right, is the cutout of a grizzly bear’s head, painted black, and his left paw which is clutching a wire. The painting is signed in the brc “Enns ‘93”. On the unpainted part of the paper llhc: “Flint’s Park - B.N.P.” and lrhc: “Maureen Enns 1993”.
Subject
wildlife, grizzly bears
Banff National Park
Maureen Enns
warden
Credit
Gift of Masters Gallery ltd., Calgary, 2010
Catalogue Number
EnM.12.03
Images
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Artist
J. Monroe Thorington (1894 – 1989, American)
Date
1922
Medium
watercolour on paper
Catalogue Number
ThM.05.01
Description
General colour: white, blue, purple. A distant mountain skyline with dotted routes marked on the right and at center. The name of each peak is marked at the end of a line which comes down perpendicular to the mountains, from the sky which is blue except for couds hanging just above the peaks.
Artist
J. Monroe Thorington (1894 – 1989, American)
Title
Freshfield Group
Date
1922
Medium
watercolour on paper
Dimensions
37.5 x 24.5 cm
Description
General colour: white, blue, purple. A distant mountain skyline with dotted routes marked on the right and at center. The name of each peak is marked at the end of a line which comes down perpendicular to the mountains, from the sky which is blue except for couds hanging just above the peaks.
Subject
landscape
mountain
Credit
Gift of anonymous, 1971
Catalogue Number
ThM.05.01
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Girl, School Portrait

https://archives.whyte.org/en/permalink/artifactwyp.02.042
Artist
Peter Whyte (1905 – 1966, Canadian)
Date
1928
Medium
oil on canvas
Catalogue Number
WyP.02.042
  1 image  
Artist
Peter Whyte (1905 – 1966, Canadian)
Title
Girl, School Portrait
Date
1928
Medium
oil on canvas
Dimensions
53.5 x 43.5 cm
Subject
portrait
female
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
WyP.02.042
Images
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Artist
Edmee Moore (1908 – 1971, Canadian)
Date
c. 1928
Medium
poster paint on board
Catalogue Number
MoE.11.01
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours f…
Artist
Edmee Moore (1908 – 1971, Canadian)
Title
Illustrations
Date
c. 1928
Medium
poster paint on board
Dimensions
23.0;66.0 x 27.6;46.0 cm
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours for the C.P.R.
Subject
figure
still life
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
MoE.11.01
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Artist
Edmee Moore (1908 – 1971, Canadian)
Date
c. 1928
Medium
poster paint on board
Catalogue Number
MoE.11.02
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours f…
Artist
Edmee Moore (1908 – 1971, Canadian)
Title
Illustrations
Date
c. 1928
Medium
poster paint on board
Dimensions
23.0;66.0 x 27.6;46.0 cm
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours for the C.P.R.
Subject
figure
still life
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
MoE.11.02
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Artist
Edmee Moore (1908 – 1971, Canadian)
Date
c. 1928
Medium
poster paint on board
Catalogue Number
MoE.11.03
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours f…
Artist
Edmee Moore (1908 – 1971, Canadian)
Title
Illustrations
Date
c. 1928
Medium
poster paint on board
Dimensions
23.0;66.0 x 27.6;46.0 cm
Description
These illustrations were part of Edmee Moore's (daughter of Col. & Mrs. Pearl Moore) training at art school. It is difficult to ascertain which school they were done at, as Edmee attended schools in Boston, New York, Chicago and London, while accompanying her parents on her father's lecture tours for the C.P.R.
Subject
figure
still life
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
MoE.11.03
Less detail
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