Skip header and navigation

Narrow Results By

3 records – page 1 of 1.

Part Of
Stan J. Carr fonds
Scope & Content
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in cam…
Date Range
ca. 1912
Reference Code
V127 / PS - 1 to 8
Description Level
5 / File
GMD
Transparency
Lantern slide
  8 images  
Part Of
Stan J. Carr fonds
Description Level
5 / File
Fonds Number
M 179
V 127
Sous-Fonds
V 127
Accession Number
1072
Reference Code
V127 / PS - 1 to 8
GMD
Transparency
Lantern slide
Date Range
ca. 1912
Physical Description
8 photographs : col. slides ; 10.5 x 14 cm
History / Biographical
Additive Colour Screen Plates, first theorized by James Clerk Maxwell in 1861, were the first forms of colour photography. Maxwell’s original process involved printing the same black and white image through different coloured screens onto transparencies and then projecting them overlapped in order to create a single full-colour image. In 1868 Louis Ducos du Hauron expanded on this method by placing a screen made up of microscopic coloured stripes in front of a light-sensitive emulsion before exposing it to light. During exposure, the colours in the screen attached to the developing picture so when viewed back through the screen in a projector the image appeared fully in colour. Neither of these methods were commercially popular during the 19th century since black and white processes were cheaper and more widely available. In 1907 the Lumiere brothers introduced the Autochrome process to wide commercial success. The Autochrome process involved a mix of tiny potato starch grains dyed green, orange-red, and blue-purple that were mixed thoroughly and applied to a glass slide coated in a sticky varnish that held the grains in an evenly-distributed layer. The grains were laminated into the varnish to make them smaller and more transparent, and then the whole thing was sealed with another layer of waterproof varnish. The entire process could be done by machines, which made the slides cheap to produce, easily available to the public and opened up the process to amateur photographers. Photographs developed on Autochrome plates created soft images with relatively natural colour rendering, making them popular with artists and photojournalists. Autochrome plates (which came to refer to all colour screen plates regardless of manufacturer) created one-of-a-kind positive images and required long exposure times. Once an image was complete, it had to be quickly covered with either a strong coating of varnish or another slide of glass and then sealed along the edges with binding tape. Because silver is an element of the sticky base varnish that holds the dyed grains, if moisture was allowed to access the image the layers of varnish could ripple or tear away from the glass, or the dye could bleed or fade. The silver base is highly sensative to oxygen and if improperly sealed images could begin to "mirror," a process in which the exposed parts of the slide become uniform and shiny, obscuring the image. Because of the random distribution of dyed colour grains throughout the image and the lines created by laminating those grains into the base varnish, Autochrome transparencies are often mistaken for hand-painted coloured slides. Autochrome can be identified by looking closely for small dots of colour in all parts of the image, rather than the solid blots of colour found on hand-painted slides.
Scope & Content
File consists of 8 colour lantern slides, some captioned. File subjects include an unidentified mountain scene, Mount Assiniboine, horse in unientified mountain scene, man posed in campsite in unidentified location, Lake Louise and Victoria Glacier, Hector Lake and Bow Peak, unidentified man in camp.
Name Access
Carr, Stan J.
Subject Access
Exploration
Discovery and travel
Lantern slide
Geographic Access
Mount Assiniboine
Lake Louise
Bow Summit
Banff National Park
Alberta
Canada
Access Restrictions
No restrictions on access
Language
English
Conservation
Re-seal all slides appropriately; keep stored in cool, dry, dark area; refrain from exposing to further damage.
Creator
Carr, Stan J.
Category
Exploration, discovery and travel
Biographical Source Notes
http://www.graphicsatlas.org/identification/?process_id=286#overview
https://psap.library.illinois.edu/collection-id-guide/slide#autochrome
Title Source
Title based on contents of file
Processing Status
Processed
Images
thumbnail
thumbnail
thumbnail
thumbnail
thumbnail
thumbnail
thumbnail
thumbnail
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Nicholas Morant fonds

https://archives.whyte.org/en/permalink/descriptions597
Part Of
Nicholas Morant fonds
Scope & Content
The Nicholas Morant fonds consists of Morant's freelance work from his early days with the Winnipeg Free Press to his retirement from the Canadian Pacific Railway in 1981. It is national in scope and also includes some international material. The fonds is comprised of three series: I. Photograp…
Date Range
1892-1995, predominant 1920-1981
Reference Code
M300 / S20 / V500
Description Level
1 / Fonds
GMD
Album
Drawing
Film
Government record
Map
Blueprint
Negative
Photograph
Photograph print
Postcard
Poster
Private record
Recording disc
Scrapbook
Sound recording
Textual record
Transparency
Part Of
Nicholas Morant fonds
Description Level
1 / Fonds
Fonds Number
M300 / S20 / V500
Sous-Fonds
M300 / S20 / V500
Accession Number
122, 182, 1273, 1460, 1612, 1685, 2175, 2265, 2631, 2703, 5117, 7438, 7784, 7672, 7914, 2023.01
Reference Code
M300 / S20 / V500
GMD
Album
Drawing
Film
Government record
Map
Blueprint
Negative
Photograph
Photograph print
Postcard
Poster
Private record
Recording disc
Scrapbook
Sound recording
Textual record
Transparency
Responsibility
Nicholas Morant, Canadian Pacific, various
Date Range
1892-1995, predominant 1920-1981
Physical Description
ca.50,775 photographs: ca.23,795 negatives, ca.18,456 transparencies, ca.8524 prints. -- 11 photograph albums. -- 125 sound recordings
History / Biographical
Nicholas Everard Morant, 1910-1999, was a professional photographer based at Banff, Alberta, Canada. He was a Canadian commercial photographer of international repute and Canada's premier railway photographer of the 20th century.
Morant was born at Kamloops, British Columbia, the son of Francis and Mollie Morant. After attending the University School at Victoria, Morant served as Special Photographer to the CPR from 1929 to 1935 and again from 1944 to 1981. From 1935 to 1939, he was a cameraman for the Winnipeg Free Press, and from 1940 to 1944 worked with the Wartime Information Branch of the federal government (later to be known as the National Film Board Stills Division).
Morant had a prolific career as a freelance commercial, portrait, magazine, landscape and documentary photographer. His work appeared in numerous books and magazines, including Time, Life, Liberty, Saturday Evening Post, (Toronto) Star Weekly, Northern Sportsman, Reader's Digest, Country Guide, The Standard, National Home Monthly, Canadian Photography, Outdoor Canada, National Geographic, the Globe & Mail, Winnipeg Tribune, New York Daily News, and the two Canadian Pacific Railway magazines, The Spanner and Rail News.
Two wartime images were featured on postage stamps, while three landscape views appeared on Canadian $10, $50 and $100 bills. His images were also used for corporate annual reports, postcards, brochures, calendars and advertisements. From the 1950s to 1980s Morant gave public slide shows of his work, two of the most popular being "A Talk Without Words" and "The World At Your Feet".
Morant married Ivy May "Willie" Young in 1936 when he was a photographer with the Winnipeg Free Press. Beginning in 1929, and until the end of her life, Morant's travelling and working companion was his wife, "Willie," 1910-1986.
Scope & Content
The Nicholas Morant fonds consists of Morant's freelance work from his early days with the Winnipeg Free Press to his retirement from the Canadian Pacific Railway in 1981. It is national in scope and also includes some international material. The fonds is comprised of three series: I. Photography; II. Professional records; III. Personal and family records.
I. Photography series consists of: A. Negatives and transparencies, B. Transparencies, C. Prints, D. Other photographs. II. Professional records series consists of: A. Working records, B. Career records, C. Topical files. III. Personal and family records series consists of: A. Nick and Willie Morant, B. Nick Morant funeral and memorial, C. Francis and Mollie Morant, D. Collected material
Notes
Full summary of sub-sub-series levels: I / A : 1) Darkroom Files [ a) Negative Albums b) Black/White Series I and II c) Colour Series I and II d) Leica Negs ] 2) GD Files I / B : 1) Presentations [ a) Topical Files b) Thematic Files ] 2) General Files 3) Other I / C : 1) Print Files I / D : 1) Exhibition and Display Prints 2) Photographs used by John Garden 3) Other Photographs II / A : 1) Log Books 2) Notebooks II / B : 1) Career Binders [ a) Postcards b) Brochures and Advertising c) clippings and articles d) Calendar Photographs ] 2) Scrapbooks [ a) Content 1933 - 1946 b) Content 1940 - 1980 ] II / C : 1) Numbered / Titled Files [ a) Group A b) Group B c) Group C d) Group D e) Group H f) Group P g) Group R ] 2) Other Topical Files [ a) Railway; i) Timetables ii) Publications iii) Other b) Photography; i) Textual Records ii) Print Material c) Travel d) Exhibitions and Galleries e)Personal f) Other ] 3) Postcards, Greeting Cards and Ephemera Collection 4) Published Images and Text 5) Professional Photography 6) Promotional Items, Awards and Correspondence 7) Presentation and Interview Materials III / A : 1) Correspondence 2) Personal Papers [ a) Personal Records b) Notes and Notebooks c) Lists and Card Files d) Awards and Retirement ] 3) Personal Photographs 4) House Records [ a) Construction b) Household Records ] 5) Business, Financial and Legal Papers 6) Interviews, Reminiscences Personal Recordings 7) Other Records (Signs, Cartoons, Drawings, etc.) 8) Personal Correspondence and Notes 9) Travel Documents and Maps III / B : 1) Nick Morant Funeral, Memorial and Estate III / C : 1) Mollie Morant Papers 2) Other Family Papers III / D : 1) Sound Recordings 2) Biographical Material 3) Other Papers and Photographs [ a) Burton Wheatley Family b) Other ] 4) Personal and Family Photography 5) Personal Interest and Gifts
Name Access
Morant, Nicholas
Subject Access
Environment
Exploration, discovery and travel
Transportation
Geographic Access
Alberta
Banff
British Columbia
Peru
Canadian Rocky Mountains
Canada
Manitoba
New Brunswick
Newfoundland and Labrador
Nova Scotia
Ontario
Quebec
Saskatchewan
Access Restrictions
Some restriction/s on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: arrangement outline
series and file description
electronic and online finding aids
Creator
Morant, Nicholas
Category
Environment
Exploration, discovery and travel
Transportation
Biographical Source Notes
Brock Silversides; We Live in a Postcard: Banff Family Histories (Banff: Banff History Book Committee, 2005)
Title Source
Title based on contents of fonds
Processing Status
Processed / Unprocessed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Stan J. Carr fonds

https://archives.whyte.org/en/permalink/descriptions129
Part Of
Stan J. Carr fonds
Scope & Content
Fonds consists of guiding papers, 1913-1938, pertaining mainly to the Half Diamond M Ranch at Tete Jaune Cache; poems, n.d., 1910, 1940; lengthy manuscript by S. Knapp, ca.1920, titled "Camping with Windy: Tales of the Canadian Rockies"; and photographs pertaining to Carr, associates, clients and p…
Date Range
1910-1976
Reference Code
M179 / V127
Description Level
1 / Fonds
GMD
Photograph
Album
Photograph print
Transparency
Textual record
Private record
Part Of
Stan J. Carr fonds
Description Level
1 / Fonds
Fonds Number
M 179
V 127
Sous-Fonds
M 179
V 127
Accession Number
1072, 2108, 2370, 2589
Reference Code
M179 / V127
GMD
Photograph
Album
Photograph print
Transparency
Textual record
Private record
Date Range
1910-1976
Physical Description
2 cm of textual records. -- 1 photograph album (134 prints). -- 70 photographs : prints, transparencies
History / Biographical
Stan J. "Windy" Carr, 1890-1983, was a guide and outfitter and dude ranch owner at Lake Louise, Alberta and Tete Jaune Cache, British Columbia, Canada. Carr, an English immigrant, began working for Brewster Transport Co. at Lake Louise in 1910. He worked as a pony-boy around Lake Louise and began leading pack train trips. Rev. Dr. S. Knapp, Worcester, Massachusetts was a client for thirty years. Carr later operated the Half Diamond M ranch near Tete Jaune Cache, B.C.
Scope & Content
Fonds consists of guiding papers, 1913-1938, pertaining mainly to the Half Diamond M Ranch at Tete Jaune Cache; poems, n.d., 1910, 1940; lengthy manuscript by S. Knapp, ca.1920, titled "Camping with Windy: Tales of the Canadian Rockies"; and photographs pertaining to Carr, associates, clients and pack trips, 1910-1914. Knapp manuscript discusses camping trips in the vicinities of Bow Lake, Lake O'Hara, Mount Assiniboine, Lake Louise, Pipestone Valley and Kananaskis Lakes and includes notes by Carr, 1976.
Photograph album pertains to horse ranching and horses at Springbank and Calgary, and Brewster horse staff and kitchen staff? at Lake Louise Chalet, ca.1910.
Name Access
Carr, Stan J.
Subject Access
Exploration, discovery and travel
Access Restrictions
No restrictions on access
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools: basic description for prints and album pages
Creator
Carr, Stan J.
Category
Exploration, discovery and travel
Title Source
Title based on contents of fonds
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Back to Top