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57-502. Joe Saddleback (Maskwacis)
https://archives.whyte.org/en/permalink/descriptions18275
- Part Of
- Nicholas Morant fonds
- Scope & Content
- Banff Indian Days, Banff AB
- Date Range
- [between 1930 and 1980]
- Reference Code
- V500 / A3 / 57-502
- Description Level
- 5 / File
- GMD
- Negative
1 image
- Part Of
- Nicholas Morant fonds
- Description Level
- 5 / File
- Fonds Number
- V500
- Series
- I.A. Photography : negatives and transparencies / 1.b. Darkroom files : black/white II
- Sous-Fonds
- V500
- Accession Number
- 7438
- Reference Code
- V500 / A3 / 57-502
- GMD
- Negative
- Parallel Title
- 57-502. Joe Saddleback (Hobbema Indian)
- Other Title Info
- Parallel title is original title
- Date Range
- [between 1930 and 1980]
- Physical Description
- 1 photograph : negative, film, b/w
- Scope & Content
- Banff Indian Days, Banff AB
- Notes
- NM note: 57-502 Joe Saddlebag, 57-150
- Name Access
- Saddleback, Joe
- Subject Access
- Banff Indian Days
- Banff Indian Grounds
- Indigenous Peoples
- Portrait
- Teepees
- Geographic Access
- Alberta
- Title Source
- Title based on contents of file
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
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Aboriginal TM : the cultural and economic politics of recognition
https://archives.whyte.org/en/permalink/catalogue25713
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 A3a
- Author
- Adese, Jennifer
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2022
- Physical Description
- x, 260 pages : illustrations ; 24 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous People
- Indigenous Traditions
- Tourism
- Language
- Politics
- Abstract
- In Aboriginal™, Jennifer Adese explores the origins, meaning, and usage of the term "Aboriginal" and its displacement by the word "Indigenous." In the Constitution Act, 1982, the term's express purpose was to speak to the "aboriginal rights" acknowledged in Section 35(1). Yet in the wake of the Constitution's passage, Aboriginal, in its capitalized form, became far more closely aligned with Section 35(2)'s interpretation of which specific groups held those rights, and was increasingly used to describe and categorize people. More than simple legal and political vernacular, the term Aboriginal (capitalized or not) has had real-world consequences for the people it defined. Aboriginal™ argues the term was a tool used to advance Canada's cultural and economic assimilatory agenda throughout the 1980s until the mid-2010s. Moreover, Adese illuminates how the word engenders a kind of "Aboriginalized multicultural" brand easily reduced to and exported as a nation brand, economic brand, and place brand--at odds with the diversity and complexity of Indigenous peoples and communities. In her multi-disciplinary research, Adese examines the discursive spaces and concrete sites where Aboriginality features prominently: the Constitution Act, 1982; the 2010 Vancouver Olympics; the "Aboriginal tourism industry"; and the Vancouver International Airport. Reflecting on the term's abrupt exit from public discourse and the recent turn toward Indigenous, Indigeneity, and Indigenization, Aboriginal™ offers insight into Indigenous-Canada relations, reconciliation efforts, and current discussions of Indigenous identity, authenticity, and agency. -- Provided by publisher.
- Contents
- Introduction -- 1. Aboriginal, aboriginality, aboriginalism, aboriginalization: what's in a word? -- Aboriginalized multiculturalism tm: Canada's olympic national brand -- Selling Aboriginal experiences and authenticity: Canadian and Aboriginal tourism -- Marketing aboriginality and the branding of place: the case of Vancouver international airport -- Conclusion: thoughts on the end of aboriginalization and the turn to indigenization.
- Notes
- Title appears with the trademark symbol after the word "Aboriginal".
- ISBN
- 9781772840056
- Accession Number
- P2023.09
- Call Number
- 07.2 A3a
- Collection
- Archives Library
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Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
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Agnes Kaquitts and Nancy Daniel, Stoney Nakoda
https://archives.whyte.org/en/permalink/descriptions57131
- Part Of
- George McLean fonds
- Scope & Content
- Item consists of a print photograph of Agnes Kaquitts and Nancy Daniel.
- Date Range
- 1924-1966
- Reference Code
- V422 / PA - 90
- Description Level
- 6 / Item
- GMD
- Photograph print
- Photograph
1 image
- Part Of
- George McLean fonds
- Description Level
- 6 / Item
- Fonds Number
- M42
- V422
- Series
- II. Photographs
- Sous-Fonds
- V422
- Reference Code
- V422 / PA - 90
- Date Range
- 1924-1966
- Physical Description
- 1 photograph: print
- Scope & Content
- Item consists of a print photograph of Agnes Kaquitts and Nancy Daniel.
- Name Access
- Kaquitts, Agnes
- Daniel, Nancy
- Subject Access
- Indigenous Peoples
- First Nations
- Stoney Nakoda
- Geographic Access
- Alberta
- Related Material
- Recognizing Relations number: RR 501
- Title Source
- Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections.
- Processing Status
- Processed
Images
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Albert Bearspaw (Wâgi)? (right)
https://archives.whyte.org/en/permalink/descriptions57117
- Part Of
- George McLean fonds
- Scope & Content
- Item consists of a print photograph of a group gathered around a fire pit, possibly Albert Bearspaw (Wâgi) on the right.
- Date Range
- 1924-1966
- Reference Code
- V422 / PA - 84
- Description Level
- 6 / Item
- GMD
- Photograph print
- Photograph
1 image
- Part Of
- George McLean fonds
- Description Level
- 6 / Item
- Fonds Number
- M42
- V422
- Series
- II. Photographs
- Sous-Fonds
- V422
- Reference Code
- V422 / PA - 84
- Date Range
- 1924-1966
- Physical Description
- 1 photograph: print
- Scope & Content
- Item consists of a print photograph of a group gathered around a fire pit, possibly Albert Bearspaw (Wâgi) on the right.
- Subject Access
- Indigenous Peoples
- First Nations
- Stoney Nakoda
- Geographic Access
- Alberta
- Related Material
- Recognizing Relations number: RR 495
- Title Source
- Information provided by Stoney Nakoda Elders during the Recognizing Relations project, an archives initiative undertaken in 2014 to identify Indigenous people in photographs held in the Whyte Museum Archives and Special Collections. Identification made through misc. Elder meeting notes, source not confirmed.
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Alberta historical photographs
https://archives.whyte.org/en/permalink/descriptions55340
- Part Of
- Luxton family fonds
- Scope & Content
- Album consists of 14 photographs and accompanying notes pertaining to various historical events in Alberta. Photographs in album pertain to the Ranchmen's Club in Calgary; an unidentified Stoney Nakoda chief receiving royalty payments for oil extraction in 1929; a group of police officers gathered …
- Date Range
- [1955-1960]
- Reference Code
- LUX / II / E / PD - 6
- Description Level
- 5 / File
- GMD
- Album
- Photograph
- Photograph print
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / II / E : Travel and home records
- Sous-Fonds
- LUX / II : Eleanor Luxton sous-fonds
- Accession Number
- LUX
- Reference Code
- LUX / II / E / PD - 6
- Date Range
- [1955-1960]
- Physical Description
- 1 album (14 photographs : b&w ; 20 x 25 cm)
- Scope & Content
- Album consists of 14 photographs and accompanying notes pertaining to various historical events in Alberta. Photographs in album pertain to the Ranchmen's Club in Calgary; an unidentified Stoney Nakoda chief receiving royalty payments for oil extraction in 1929; a group of police officers gathered outside of a building [possibly the North-West Mounted Police Barracks in Canmore]; a cattle ranch, possibly located on a Blackfoot reserve; and other related subjects.
- Notes
- Photographs are copies of older images which were reproduced by Eleanor Luxton, ca.1955-1960. Dates and ownership details of original images is unknown.
- Subject Access
- Research
- History
- Animals
- Club
- Community life
- Environment
- Indigenous Peoples
- First Nations
- Land, settlement and immigration
- Natural resources
- Oil
- Organizations
- Ranchers and ranching
- Ranches
- Stoney Nakoda First Nations
- Geographic Access
- Canada
- Alberta
- Calgary
- Morley
- Canmore
- Reproduction Restrictions
- Copyright status unknown
- Language
- English
- Category
- Environment
- First nations
- Indigenous Peoples
- Land, settlement and immigration
- Natural resources
- Title Source
- Title based on contents of file
- Processing Status
- Processed
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- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Catalogue Number
- 103.09.0085
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside…
1 image
- Title
- Amulet Charm
- Date
- 1968 – 1971
- Material
- skin; fibre; glass
- Dimensions
- 13.0 x 30.0 cm
- Description
- Circular pouch with two straps with buckskin ties. Green white triangular beading on straps, pouch white "Queen's Crown" beaded on green ground is on front face of cotton lined pouch. Backside of pouch beaded with silver at edge, star in middle and surrounding V shapes, all on red ground. Backside of pouch beaded on canvas and front side beaded on buckskin. Fringe tassels of silver beads on lower two thirds of pouch edge.
- Subject
- Indigenous
- lore
- religious
- Eliza Hunter
- ceremonial
- Credit
- Gift of Catharine Robb Whyte, O. C., Banff, 1979
- Catalogue Number
- 103.09.0085
Images
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Ancestors : indigenous peoples of Western Canada in historic photographs
https://archives.whyte.org/en/permalink/catalogue25527
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Responsibility
- Edited by Sarah Carter and Inez Lightning
- Publisher
- Edmonton, Alberta : University of Alberta Library
- Published Date
- 2021
- Physical Description
- x, 188 pages : illustrations (some color) ; 23 x 24 cm
- Abstract
- This exhibition catalogue introduces historic photographs of Indigenous peoples of Western Canada from a collection housed at the University of Alberta's Bruce Peel Special Collections. The publication focuses on the ancestors represented in the collection and how their images continue to generate stories and meanings in the present. The selected photographs contribute to a richer, deeper understanding of the past. There is strength, character, persistence, determination, artwork, humour, dance, celebration, and so much more in the photographs. Some serve as records of cherished landscapes that may have been altered. Others provide links to ancestors: revered leaders, soldiers, healers, thinkers, and orators. The curators hope that the process of identifying the people in these photographs, only begun here, will continue. (Provided by Publisher)
- Contents
- Foreword / Chief Willie Littlechild ; The nature of the collection and its challenges ; Western Canada in the late Nineteenth and early Twentieth Centuries ; The aims of the curators ; The Exhibition
- ISBN
- 9781551954547
- Accession Number
- P2022.05
- Call Number
- 07.2 C24a
- 07.2 C24a copy 2
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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- Part Of
- Luxton family fonds
- Scope & Content
- File consists of copy negatives of print photographs depicting Indigenous artificats.
- Date Range
- n.d.
- Reference Code
- LUX / I / E6 / NA - 113 to NA - 118
- Description Level
- 5 / File
- GMD
- Photograph
- Negative
6 images
- Part Of
- Luxton family fonds
- Description Level
- 5 / File
- Fonds Number
- LUX
- Series
- LUX / I / E : Collected Material: Photographs
- Sous-Fonds
- LUX / I : Norman Luxton sous-fonds
- Sub-Series
- LUX / I / E / 6 : Stoney
- Reference Code
- LUX / I / E6 / NA - 113 to NA - 118
- GMD
- Photograph
- Negative
- Date Range
- n.d.
- Physical Description
- 6 photographs: b&w negatives ; 17.5 x 12.5 cm or smaller
- Scope & Content
- File consists of copy negatives of print photographs depicting Indigenous artificats.
- Subject Access
- Art
- Indigenous Peoples
- Geographic Access
- Alberta
- Title Source
- Title based on contents of file.
- Processing Status
- Processed
Images
This material is presented as originally created; it may contain outdated cultural descriptions and
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The arts of Indigenous health and well-being
https://archives.whyte.org/en/permalink/catalogue25714
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Call Number
- 07.2 S9t
- Responsibility
- Edited by Nancy Van Styvendale, J. D. McDougall, Robert Henry, and Robert Alexander Innes
- Publisher
- Winnipeg, Manitoba, Canada : University of Manitoba Press
- Published Date
- 2021
- Physical Description
- 272 pages : illustrations ; 23 cm
- Subjects
- Indigenous
- Indigenous Culture
- Indigenous Traditions
- Indigenous Peoples
- Health
- Oral History
- Medicine
- Abstract
- Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, The Arts of Indigenous Health and Well-Being addresses the effects of artistic endeavour on the "good life", or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being. In this interdisciplinary collection, Indigenous knowledges inform an approach to health as a wider set of relations that are central to well-being, wherein artistic expression furthers cultural continuity and resilience, community connection, and kinship to push back against forces of fracture and disruption imposed by colonialism. The need for healing--not only individuals but health systems and practices--is clear, especially as the trauma of colonialism is continually revealed and perpetuated within health systems. The field of Indigenous health has recently begun to recognize the fundamental connection between creative expression and well-being. This book brings together scholarship by humanities scholars, social scientists, artists, and those holding experiential knowledge from across Turtle Island to add urgently needed perspectives to this conversation. Contributors embrace a diverse range of research methods, including community-engaged scholarship with Indigenous youth, artists, Elders, and language keepers. The Arts of Indigenous Health and Well-Being demonstrates the healing possibilities of Indigenous works of art, literature, film, and music from a diversity of Indigenous peoples and arts traditions. This book will resonate with health practitioners, community members, and any who recognize the power of art as a window, an entryway to access a healthy and good life. -- Provided by publisher.
- Contents
- "Art for life's sake": approaches to indigenous arts, health, and well-being / Nancy Van Styvendale, J.D. McDougall, Robert Henry, and Robert Alexander Innes -- What this pouch holds / Gail MacKay -- Baskets, birchbark scrolls, and maps of land: indigenous making practices as oral historiography / Andrea Riley-Mukavetz -- For Kaydence and her cousins: health and happiness in cultural legacies and contemporary contexts / Adesola Akinleye -- Stories and staying power: artmaking as (re)source of cultural resilience and well-being for Panniqtumiut / Alena Rosen -- Healthy connections: facilitator's perceptions of programming linking arts and wellness with indigenous youth / Mamata Pandey, Nuno F. Ribeiro, Warren Linds, Linda M. Goulet, Jo-Ann Episkenew, and Karen Schmidt -- The doubleness of sound in Canada's Indian residential schools / Beverley Diamond -- Kissed by lightning: mediating Haudenosaunee traditional teachings through film / Nicholle Dragone -- Minobimaadiziwinke (creating a good life): native bodies healing / Petra Kuppers and Margaret Noodin -- Body counts: war, pesticides, and queer spirituality in Cherri´e Moraga's Heroes and saints / Desiree Hellegers -- The language of soul and ceremony / Louise Halfe -- Sa^kihiwa^win: land's overflow into the space-tial "otherwise" / Karyn Recollet.
- ISBN
- 9780887559396
- Accession Number
- P2023.09
- Call Number
- 07.2 S9t
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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