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48 records – page 1 of 5.

Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage

https://archives.whyte.org/en/permalink/catalogue25525
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2021
Publisher
Vancouver, British Columbia : University of British Columbia Press
Call Number
07.2 L62a
Responsibility
Edited by Sigrid Lien and Hilde Wallem Nielssen
Publisher
Vancouver, British Columbia : University of British Columbia Press
Published Date
2021
Physical Description
vi, 312 pages : illustrations (black & white) ; 24 cm
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Indigenous Photography
Politics
Heritage
Colonialism
Abstract
Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
Contents
Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
ISBN
9780774866613
Accession Number
P2022.04
Call Number
07.2 L62a
Collection
Archives Library
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American art, education and culture

https://archives.whyte.org/en/permalink/descriptions54771
Part Of
Luxton family fonds
Scope & Content
File consists of information pamphlets and a bound reference handbook. Content pertains to an exhibition at Heinz Ocean Pier in New Jersey featuring the painting "Custer's Last Rally" by artist John Mulvaney; the Kihn-Ten Eyck Art School in Stamford, Connecticut; the art collections of the Henry E.…
Date Range
[1900-1905]
1929
1930
1937
1955
Reference Code
LUX / II / F1 / 49
Description Level
5 / File
GMD
Textual record
Published record
Part Of
Luxton family fonds
Description Level
5 / File
Fonds Number
LUX
Series
LUX / II / F : Collected material
Sous-Fonds
LUX / II : Eleanor Luxton sous-fonds
Sub-Series
LUX / II / F1 : Textual
Accession Number
LUX
Reference Code
LUX / II / F1 / 49
GMD
Textual record
Published record
Date Range
[1900-1905]
1929
1930
1937
1955
Physical Description
1 cm of textual records (5 items ; 15 x 30.5 cm and smaller)
Scope & Content
File consists of information pamphlets and a bound reference handbook. Content pertains to an exhibition at Heinz Ocean Pier in New Jersey featuring the painting "Custer's Last Rally" by artist John Mulvaney; the Kihn-Ten Eyck Art School in Stamford, Connecticut; the art collections of the Henry E. Huntington Library and Art Gallery in California; "This is the Place Monument" in Salt Lake City; and various community events and a state fair in Minot, North Dakota.
Notes
Handbook is signed "N.K. Luxton" inside front cover
Name Access
Mulvaney, John
Luxton, Norman
Subject Access
Activities
Advertising
Community events
Art
Artist
Painting
Tourism
History
Education
Airplane
Geographic Access
United States of America
New Jersey
Connecticut
Stamford
California
Salt Lake City
Utah
Reproduction Restrictions
Restrictions may apply
Language
English
Conservation
Two items placed in mylar due to staining, creasing and fragile material
Category
Arts
Education
Sports, recreation and leisure
Title Source
Title based on contents of file
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

An artist's reminiscences

https://archives.whyte.org/en/permalink/catalogue14689
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
1918
Author
Bell-Smith, F.M
Call Number
06 B33a Pam
Author
Bell-Smith, F.M
Responsibility
by F.M. Bell-Smith
Published Date
1918
Physical Description
Pages 90-97 : illustrations
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Art
Artists
Lake Louise
Lake O'Hara
Selkirk Mountains
Notes
Reprinted from Canadian Alpine Journal, vol. IX, 1918
Article is a photocopy from the reprint
Call Number
06 B33a Pam
Collection
Archives Library
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Artist
Peter Whyte (1905 – 1966, Canadian)
Date
1910 – 1920
Medium
on paper; card;
Catalogue Number
WyP.03.964
Description
A handmade portfolio with “ART” written in black ink across the cover underneath a rectangular watercolour painting of a sailboat with pink and green rocks on the right-hand edge, black hills in the background, and “Lila” signed in the bottom left corner. The painting is bordered in black ink. The …
  1 image  
Artist
Peter Whyte (1905 – 1966, Canadian)
Title
Art
Date
1910 – 1920
Medium
on paper; card;
Dimensions
33.5 x 25.8 cm
Description
A handmade portfolio with “ART” written in black ink across the cover underneath a rectangular watercolour painting of a sailboat with pink and green rocks on the right-hand edge, black hills in the background, and “Lila” signed in the bottom left corner. The painting is bordered in black ink. The pieces of the portfolio are made of green-grey paper wrapped around a piece of cardstock, sealed on the inside with a decorative page consisting of hand-drawn black and yellow hexagons with simple floral designs inside them. The covers are held together with a length of red cord wound through three holes punched along one edge. There is an additional hole punched in the middle of the open edge.
Subject
art supplies
paintings
drawings
Peter Whyte
Lila White;
Credit
Gift of Catharine Robb Whyte, O. C., Banff, 1979
Catalogue Number
WyP.03.964
Images
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate

https://archives.whyte.org/en/permalink/catalogue25155
Medium
Library - Periodical
Published Date
2020
Author
Reid, Mark Collin
Call Number
P
  1 website  
Author
Reid, Mark Collin
Responsibility
Mark Collin Read
Published Date
2020
Physical Description
p.28 - 35
Medium
Library - Periodical
Subjects
Art
Art Canadian 20th century-Exhibitions
Art galleries
Artists
Group of Seven
Abstract
Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
Notes
In Canada's History, Vol. 100, No.3 (June-July)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.
Date
1910 – 1930
Material
glass; cork; paper
Catalogue Number
110.01.0014
Description
A square stamped glass bottle with a cork stopper containing “Limpid Extract of Gall” with a light green paper label on the front with black lettering.
  1 image  
Title
Bottle
Date
1910 – 1930
Material
glass; cork; paper
Dimensions
6.0 x 2.3 x 2.3 cm
Description
A square stamped glass bottle with a cork stopper containing “Limpid Extract of Gall” with a light green paper label on the front with black lettering.
Subject
households
art
Edmee Moore
Credit
Gift of Pearl Evelyn Moore, Banff, 1979
Catalogue Number
110.01.0014
Images
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Braided learning : illuminating indigenous presence through art and story

https://archives.whyte.org/en/permalink/catalogue25539
Medium
Library - Book (including soft-cover and pamphlets)
Published Date
2022
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Call Number
07.2 D62b
Author
Dion, Susan D.
Publisher
Vancouver, B.C. : Purich Books
Published Date
2022
Physical Description
275 pages
Medium
Library - Book (including soft-cover and pamphlets)
Subjects
Indigenous
Indigenous Art
Reconciliation
Storytelling
Studying
Teaching
Education
Abstract
The Truth and Reconciliation Commission and Indigenous activism have made many Canadians uncomfortably aware of how little they know about First Nations, Métis, and Inuit peoples. In Braided Learning, Lenape-Potawatomi scholar and educator Susan Dion shares her approach to learning and teaching about Indigenous histories and perspectives. Métis leader Louis Riel illuminated the connection between creativity and identity in his declaration, “My people will sleep for a hundred years, but when they awake, it will be the artists who give them their spirits back.” Using the power of stories and artwork, Dion offers respectful ways to address challenging topics including treaties, the Indian Act, the Sixties Scoop, land claims, resurgence, the drive for self-determination, and government policies that undermine language, culture, and traditional knowledge systems. Braided Learning draws on Indigenous knowledge and world views to explain perspectives that are often missing from the national narrative. This generous work is an invaluable resource for Canadians trying to make sense of a difficult past, decode unjust conditions in the present, and work toward a more equitable future. -- Provided by publisher
Contents
Introduction: Indigenous Presence ; Requisites for Reconciliation ; Seeing Yourself in Relationship with Settler Colonialism ; The Historical Timeline: Refusing Absence, Knowing Presence, and Being Indigenous ; Learning from Contemporary Indigenous Artists ; The Braiding Histories Stories ; Conclusion: Wuleelham - Make Good Tracks ; Glossary and Additional Resources: Making Connections, Extending Learning
ISBN
9780774880794
Accession Number
P2022.04
Call Number
07.2 D62b
Collection
Archives Library
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This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture

https://archives.whyte.org/en/permalink/catalogue25227
Medium
Library - Periodical
Published Date
2020
Author
Campbell, Brooke
Call Number
P
  1 website  
Author
Campbell, Brooke
Responsibility
Brooke Campbell
Published Date
2020
Physical Description
p. 12 - 13
Medium
Library - Periodical
Subjects
Art
Art galleries
Artists
Women
First Nations
Climate
Climate change
Photography
Abstract
Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
Notes
In Canada's History, Vol. 101, No.2 (April-May)
Call Number
P
Collection
Archives Library
URL Notes
Available online
Websites
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Calendars for 1912 and 1933

https://archives.whyte.org/en/permalink/descriptions54790
Part Of
Luxton family fonds
Scope & Content
File consists of two monthly wall calendars. Includes a 1912 "Bow River Boat House" calendar with black and white copy of a painting titled "Fond Memories" depicting a woman canoeing on the Bow River, with tear-away monthly calendar pages at the bottom; and a 1933 calendar depicting a different ima…
Date Range
1912
1933
Reference Code
LUX / II / F1 / 53 & 54 (O.S.)
Description Level
5 / File
GMD
Textual record
Published record
Calendar
Part Of
Luxton family fonds
Description Level
5 / File
Fonds Number
LUX
Series
LUX / II / F : Collected material
Sous-Fonds
LUX / II : Eleanor Luxton sous-fonds
Sub-Series
LUX / II / F1 : Textual
Accession Number
LUX
Reference Code
LUX / II / F1 / 53 & 54 (O.S.)
GMD
Textual record
Published record
Calendar
Responsibility
Painting "Fond Memories" produced by James Arthur
Date Range
1912
1933
Physical Description
0.5 cm of textual records (2 calendars ; 37.5 x 50 cm and 23 x 48 cm)
Scope & Content
File consists of two monthly wall calendars. Includes a 1912 "Bow River Boat House" calendar with black and white copy of a painting titled "Fond Memories" depicting a woman canoeing on the Bow River, with tear-away monthly calendar pages at the bottom; and a 1933 calendar depicting a different image for each month pertaining to rural life, families, children, dogs and related subjects. 1933 calendar has an advertisement for "Dave White and Sons Ltd." company attached to the bottom.
Name Access
White, David Mackintosh (Dave)
Arthur, James
Subject Access
Art
Artist
Businesses
Farmland
Agriculture
Animals
Dave White and Sons Ltd.
Dogs
Family and personal life
Children
Sports
Recreation
Canoes and canoeing
Painting
Geographic Access
Canada
Alberta
Banff
Bow River
Language
English
Conservation
1933 calendar has metal part attaching pages, keep away from other materials
Category
Arts
Commerce and industry
Sports, recreation and leisure
Family and personal life
Title Source
Title based on contents in file
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

Cartoon illustration lantern slides

https://archives.whyte.org/en/permalink/descriptions55235
Part Of
Malcolm Geddes fonds
Scope & Content
File consists of 34 glass lantern slides depicting cartoon illustrations of human and animal characters in various scenes.
Date Range
[1900 - 1920]
Reference Code
V756 / III / C / PS - 1 to 34
Description Level
5 / File
GMD
Photograph
Lantern slide
Part Of
Malcolm Geddes fonds
Description Level
5 / File
Fonds Number
M39
V756
Series
V756 / III : Personal and family records
Sous-Fonds
V756
Sub-Series
V756 / III / C : Other personal and family records
Accession Number
2014.8306
Reference Code
V756 / III / C / PS - 1 to 34
GMD
Photograph
Lantern slide
Date Range
[1900 - 1920]
Physical Description
34 glass lantern slides: col.; 15 x 3.5 cm
Scope & Content
File consists of 34 glass lantern slides depicting cartoon illustrations of human and animal characters in various scenes.
Notes
File contains some duplicate slides
Date range provided is estimate by Processing Archivist
Material Details
Colourized glass slides, appear to have been mass-produced
Subject Access
Art
Entertainment
Access Restrictions
Slides are in fragile condition - handle with caution
Language
English
Conservation
Items stored in acid-free envelopes
Category
Arts
Title Source
Title based on contents of file
Processing Status
Processed
Less detail
This material is presented as originally created; it may contain outdated cultural descriptions and potentially offensive content. Read more.

48 records – page 1 of 5.

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