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Aboriginal cultures in Alberta : five-hundred generations
https://archives.whyte.org/en/permalink/catalogue13555
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2004
- Publisher
- Edmonton : Provincial Museum of Alberta
- Call Number
- 07.2 Al1b c.1 07.2 Allb c.2
- Responsibility
- Susan Berry and Jack Brink
- Publisher
- Edmonton : Provincial Museum of Alberta
- Published Date
- 2004
- Physical Description
- vii, 81 p. : col. ill., col. ports
- Subjects
- Archaeology
- Art
- Buffalo
- Canada. Indian Affairs Branch
- Education
- Government
- Medicine
- Missionaries
- Politics
- Religion
- Treaties
- Notes
- Supported by Syncrude
- ISBN
- 0778528529
- Accession Number
- 40500 08-01-04 2017.8669
- Call Number
- 07.2 Al1b c.1 07.2 Allb c.2
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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Adjusting the lens : Indigenous activism, colonial legacies, and photographic heritage
https://archives.whyte.org/en/permalink/catalogue25525
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2021
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Call Number
- 07.2 L62a
- Responsibility
- Edited by Sigrid Lien and Hilde Wallem Nielssen
- Publisher
- Vancouver, British Columbia : University of British Columbia Press
- Published Date
- 2021
- Physical Description
- vi, 312 pages : illustrations (black & white) ; 24 cm
- Abstract
- Adjusting the Lens explores the role of photography in contemporary renegotiations of the past and in Indigenous art activism. In moving and powerful case studies, contributors analyze photographic practices and heritage related to Indigenous communities in Canada, Australia, Greenland, Norway, Sweden, Finland, and the United States. In the process, they call attention to how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record. Adjusting the Lens presents original research in this emerging field in Indigenous photography studies, juxtaposing the historical and the contemporary across a range of geographically and culturally distinctive contexts. The transnational perspective of this exciting collection challenges old ways of thinking and meaningfully advances the crucially important project of reclamation. -- Provided by publisher
- Contents
- Reading a Regional Colonial Photographic Archive: Residential Schools in Southern Alberta, 1880-1974 / Carol Williams ; Camera Encounters: Bourgeois Settler Women's Adentures in Sami Areas of Norway / Sigrid Lien and Hilde Wallem Nielssen ; Negotiating Meaning: John Moller's Photographs in Early Twentieth-Century Scandinavian Literature / Ingeborg Hovik ; Reclaiming Pasts, Reclaiming Futures: Indigenous Re-workings of Historical Photography in North America / Laura Peers ; Distruption and Testimony: Archival Photographs, Project Naming, and Inuit Memory in Nunavut / Carol Payne, with contributions by Beth Greehorn, Piita Irniq, Manitok Thompson, Deborah Kigjugalik Webster, Sally Kate Webster, and Christina Williamson ; "Our Histories" in the Photographs of Others: Sami Approaches to Archival Visual Materials / Veli-Pekka Lehtola ; The Best Day for Me, Looking at These Old Photos: Returning Photographs to Australian Aboriginal and Torres Straight Islander People by Jane Lydon and Donna Oxenham ; On Being with (a Photograph of) Sugar Bush Womxn: Towards Anishinaabe Feminist Archival Research Methods / waaseyaa'sin Chrisitne Sy ; Indigenous Culture Jamming: Suohpanterror and the Art of Articulating a Sami Political Community by Laura Junka-Aikio ; Negotiating Postcolonial Identity: Photography as Archive, Collaborative Aesthetics, and Storytelling in Contemporary Greenland / Mette Sandbye ; Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery of Sapmi - Becoming a Nation at the Arctic University Museum of Norway / Hanne Hammer Stein ; Photographic Studies and Indigenous Photographies: Some Thoughts on Categories, Assumptions, and Theories / Elizabeth Edwards
- ISBN
- 9780774866613
- Accession Number
- P2022.04
- Call Number
- 07.2 L62a
- Collection
- Archives Library
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Alice Saltiel-Marshall fonds
https://archives.whyte.org/en/permalink/descriptions338
- Part Of
- Alice Saltiel-Marshall fonds
- Scope & Content
- Fonds pertains to the opening of the Cave and Basin, June 15, 1985; the opening of the Whyte Museum of the Canadian Rockies, June 16, 1985; and the Canada Day Parade at Banff, July 1, 1985. Materials donated in 2022 pertain to Alice Saltiel-Marshall and her career as an artist, ca.1970-2010, includ…
- Date Range
- [1970-2010]
- 1985
- Reference Code
- M591 / V672
- Description Level
- 1 / Fonds
- GMD
- Photograph
- Photograph print
- Part Of
- Alice Saltiel-Marshall fonds
- Description Level
- 1 / Fonds
- Fonds Number
- V672
- M591
- Sous-Fonds
- M591
- V672
- Accession Number
- 6420
- 2022.18
- Reference Code
- M591 / V672
- Date Range
- [1970-2010]
- 1985
- Physical Description
- 31 photographs : prints; col. -- 8 journals -- 3 sketchbooks -- 1 certificae -- 1 CD with digital image files -- ca.25 cm textual records
- History / Biographical
- (Mary) Alice Saltiel-Marshall (1948-2019) was an artist based in Canmore, Alberta, Canada. Alice operated the company Art by Saltiel and had her work displayed and sold at various locations in the Bow Valley, including the Whyte Museum, the Banff Centre, and Avens Gallery.
- Scope & Content
- Fonds pertains to the opening of the Cave and Basin, June 15, 1985; the opening of the Whyte Museum of the Canadian Rockies, June 16, 1985; and the Canada Day Parade at Banff, July 1, 1985. Materials donated in 2022 pertain to Alice Saltiel-Marshall and her career as an artist, ca.1970-2010, including personal journals, sketchbooks, and a certificate naming Alice as a member of the Canmore Art Guild.
- Name Access
- Saltiel-Marshall, Alice
- Access Restrictions
- No restrictions on access
- Copyright, privacy, commercial use and other restrictions may apply
- Language
- Language is English
- Creator
- Saltiel-Marshall, Alice
- Category
- Sports, recreation and leisure
- Biographical Source Notes
- https://artbysaltiel.blogspot.com/
- Title Source
- Title based on accession record
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Apex Mountain Ski Resort
https://archives.whyte.org/en/permalink/descriptions54875
- Part Of
- Murray Hay fonds
- Scope & Content
- File consists of 1 map (1 base, 4 overlays) : col., annotations, on mylar ; 83 x 61.5 cm, and 1 print : b&w ; 25.5 x 20.5 cm. File pertains to ski maps Murray Hay created for Apex Mountain Ski Resort in Penticton, British Columbia. File includes one oversize map with four overlays (held together wi…
- Date Range
- ca.1976-ca.2000
- Reference Code
- V795 / II / A / iv / 3-4
- Description Level
- 5 / File
- GMD
- Map
- Private record
- Part Of
- Murray Hay fonds
- Description Level
- 5 / File
- Fonds Number
- M570 / V795
- Series
- V795 / II : Unpublished Material
- Sous-Fonds
- V795
- Sub-Series
- V795 / II / A : British Columbia / iv : Okanagan Area
- Accession Number
- 2019.41
- Reference Code
- V795 / II / A / iv / 3-4
- GMD
- Map
- Private record
- Date Range
- ca.1976-ca.2000
- Physical Description
- 1 map (1 base, 4 overlays) : col., annotations, on mylar ; 83 x 61.5 cm
- 1 print : b&w ; 25.5 x 20.5 cm
- Scope & Content
- File consists of 1 map (1 base, 4 overlays) : col., annotations, on mylar ; 83 x 61.5 cm, and 1 print : b&w ; 25.5 x 20.5 cm. File pertains to ski maps Murray Hay created for Apex Mountain Ski Resort in Penticton, British Columbia. File includes one oversize map with four overlays (held together with masking tape), and one print of the general ski area.
- Notes
- V795 / II / A / iv / 4 : has "16488" and "Hold" written in pencil on the masking tape.
- Name Access
- Hay, Murray
- Subject Access
- Advertising
- Art
- Artist
- Ski Maps
- Map
- Cartography
- Sports and recreation
- Tourism
- Tourist information
- Winter
- Winter sports
- Ski area
- Apex Mountain Ski Resort
- Geographic Access
- British Columbia
- Canada
- Penticton
- Language
- English
- Conservation
- The masking tape should be removed and alternative preservation methods should be considered at a reasonable time to do so.
- Creator
- Hay, Murray
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Beyond the box : diverging curatorial practices
https://archives.whyte.org/en/permalink/catalogue14432
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2003
- Author
- Townsend, Melanie
- Publisher
- Banff, AB : Banff Centre Press
- Call Number
- 00.8 T6b
- Author
- Townsend, Melanie
- Responsibility
- edited by Melanie Townsend
- Publisher
- Banff, AB : Banff Centre Press
- Published Date
- 2003
- Physical Description
- xx, 187 pages : illustrations ; 23 cm
- Series
- Walter Phillips Gallery editions
- Subjects
- Art
- Banff Centre
- Museums
- Notes
- Includes bibliographical references
- ISBN
- 0920159990
- Accession Number
- P2015-03-31
- Call Number
- 00.8 T6b
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
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Big White Ski Resort
https://archives.whyte.org/en/permalink/descriptions54877
- Part Of
- Murray Hay fonds
- Scope & Content
- File consists of 2 prints : col ; 35 x 28 cm. File pertains to Murray Hay's rendering of the ski area at Big White Ski Resort in Kelowna, British Columbia. File includes two unlabelled, draft print reproductions of original paintings.
- Date Range
- ca.1976-ca.2000
- Reference Code
- V795 / II / A / iv / 5
- Description Level
- 5 / File
- GMD
- Map
- Private record
- Part Of
- Murray Hay fonds
- Description Level
- 5 / File
- Fonds Number
- M570 / V795
- Series
- V795 / II : Unpublished Material
- Sous-Fonds
- V795
- Sub-Series
- V795 / II / A : British Columbia / iv : Okanagan Area
- Accession Number
- 2019.41
- Reference Code
- V795 / II / A / iv / 5
- GMD
- Map
- Private record
- Date Range
- ca.1976-ca.2000
- Physical Description
- 2 prints : col. ; 35 x 28 cm
- Scope & Content
- File consists of 2 prints : col ; 35 x 28 cm. File pertains to Murray Hay's rendering of the ski area at Big White Ski Resort in Kelowna, British Columbia. File includes two unlabelled, draft print reproductions of original paintings.
- Name Access
- Hay, Murray
- Subject Access
- Ski Maps
- Map
- Cartography
- Ski area
- Tourism
- Tourist information
- Winter
- Winter sports
- Sports and recreation
- Big White Ski Area
- Art
- Artist
- Geographic Access
- Kelowna
- British Columbia
- Canada
- Language
- English
- Related Material
- M570 / III / A / v / 1
- Creator
- Hay, Murray
- Category
- Sports, recreation and leisure
- Title Source
- Title based on contents of file
- Processing Status
- Processed
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Bold strokes - a century after its debut exhibition, the Group of Seven remains the topic of immense fascination - and debate
https://archives.whyte.org/en/permalink/catalogue25155
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Reid, Mark Collin
- Call Number
- P
1 website
- Author
- Reid, Mark Collin
- Responsibility
- Mark Collin Read
- Published Date
- 2020
- Physical Description
- p.28 - 35
- Medium
- Library - Periodical
- Abstract
- Pertains to the 100th anniversary of the Group of Seven's debut exhibition - interview with Ian A.C. Dejardin - executive director of the McMichael Canadian Art Collection
- Notes
- In Canada's History, Vol. 100, No.3 (June-July)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
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Braided learning : illuminating indigenous presence through art and story
https://archives.whyte.org/en/permalink/catalogue25539
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2022
- Author
- Dion, Susan D.
- Publisher
- Vancouver, B.C. : Purich Books
- Call Number
- 07.2 D62b
- Author
- Dion, Susan D.
- Publisher
- Vancouver, B.C. : Purich Books
- Published Date
- 2022
- Physical Description
- 275 pages
- Abstract
- The Truth and Reconciliation Commission and Indigenous activism have made many Canadians uncomfortably aware of how little they know about First Nations, Métis, and Inuit peoples. In Braided Learning, Lenape-Potawatomi scholar and educator Susan Dion shares her approach to learning and teaching about Indigenous histories and perspectives. Métis leader Louis Riel illuminated the connection between creativity and identity in his declaration, “My people will sleep for a hundred years, but when they awake, it will be the artists who give them their spirits back.” Using the power of stories and artwork, Dion offers respectful ways to address challenging topics including treaties, the Indian Act, the Sixties Scoop, land claims, resurgence, the drive for self-determination, and government policies that undermine language, culture, and traditional knowledge systems. Braided Learning draws on Indigenous knowledge and world views to explain perspectives that are often missing from the national narrative. This generous work is an invaluable resource for Canadians trying to make sense of a difficult past, decode unjust conditions in the present, and work toward a more equitable future. -- Provided by publisher
- Contents
- Introduction: Indigenous Presence ; Requisites for Reconciliation ; Seeing Yourself in Relationship with Settler Colonialism ; The Historical Timeline: Refusing Absence, Knowing Presence, and Being Indigenous ; Learning from Contemporary Indigenous Artists ; The Braiding Histories Stories ; Conclusion: Wuleelham - Make Good Tracks ; Glossary and Additional Resources: Making Connections, Extending Learning
- ISBN
- 9780774880794
- Accession Number
- P2022.04
- Call Number
- 07.2 D62b
- Collection
- Archives Library
This material is presented as originally created; it may contain outdated cultural descriptions and
potentially offensive content.
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Brushes with climate change - Rockies Repeat project explores the intersection between conservation, art, history, and culture
https://archives.whyte.org/en/permalink/catalogue25227
- Medium
- Library - Periodical
- Published Date
- 2020
- Author
- Campbell, Brooke
- Call Number
- P
1 website
- Author
- Campbell, Brooke
- Responsibility
- Brooke Campbell
- Published Date
- 2020
- Physical Description
- p. 12 - 13
- Medium
- Library - Periodical
- Abstract
- Pertains to the Rockies Repeat Project which involves a group of women travelling to specific locations and re-creating the paintings of Peter Whyte and Catharine Robb Whyte with the end result of creating a documentary, exhibition and digital storytelling capsule
- Notes
- In Canada's History, Vol. 101, No.2 (April-May)
- Call Number
- P
- Collection
- Archives Library
- URL Notes
- Available online
Websites
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Call of the wild - National Museum of Wildlife Art Volume 5, Number 1, 2009
https://archives.whyte.org/en/permalink/catalogue25122
- Medium
- Library - Book (including soft-cover and pamphlets)
- Published Date
- 2009
- Author
- National Museum of Wildlife Art
- Publisher
- National Museum of Wildlife Art
- Call Number
- 06.1 N19c 2009 PAM
1 website
- Publisher
- National Museum of Wildlife Art
- Published Date
- 2009
- Physical Description
- 46 pages ; illus.
- Series
- Volume 5, Number 1
- Subjects
- Wildlife
- Wildlife artists
- Art
- Art galleries
- Artists
- Abstract
- Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
- Contents
- Patrons without peer: selections from the McCoy Collection
- He speaks for the trees: Dr. Suess and the Lorax
- On the natural world
- Collection spotlight: Dan Ostermiller's "The Emperor"
- Walter Hood to design sculpture trail for museum
- Wildlife in American art
- Community focus committee: engaging the community
- Notes
- Features article on page 18 entitled "Looking at Wildlfe - the maturing Carl Rungius" - the National Museum of Wildlife Art holds the largest collection of Carl Rungius pieces in the United States
- Accession Number
- TBD
- Call Number
- 06.1 N19c 2009 PAM
- Collection
- Archives Library
- URL Notes
- National Museum of Wildlife Art website
Websites
This material is presented as originally created; it may contain outdated cultural descriptions and
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