Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the m…
Predominant colours are pink, blue, purple, green and brown. The painting is dominated by the pyramidal-shaped Mt. Assiniboine and the icefield below it. It appears to be an aerial view of sunrise on the mountain. The foreground is comprised of rocks showing through a snow-covered approach to the mountain peak. The rocks are various shades of very dark blue, lighter blue and brown. To the viewer’s left the snow is tinged in various shades of pink as the morning light strikes it and the view to the right is still in the blue shades of shadow. The artist’s signature in white is in this area. The middle of the painting is the pink glow of the sun on snow with some shaded snow and rocks still showing to the viewer’s right. The top-half is a snow-covered Mt. Assiniboine with brown rock bands; viewer’s right in the sun’s light and viewer’s left in the shade. Beyond the mountain are hills and valleys of pink, blue and green. The sky is a very deep shade of purple and blue.
Colour: black on white. Nine caribou wander across a rocky ridge in the foreground. One male caribou stands prominently left of center facing right. Mountain ranges diminish in the distance behind.
Colour: black on white. Nine caribou wander across a rocky ridge in the foreground. One male caribou stands prominently left of center facing right. Mountain ranges diminish in the distance behind.
A herd of caribou (9 distinct) are moving to the right through centre of picture; the nearest is a bull; the foreground is rocky; mountain ranges in background. Written in pencil (by the artist) Above Timberline.
A herd of caribou (9 distinct) are moving to the right through centre of picture; the nearest is a bull; the foreground is rocky; mountain ranges in background. Written in pencil (by the artist) Above Timberline.
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
A herd of caribou stand on a rocky knoll, dominant animal is centre left, others to the right and farther away, mountains in background in the distance, top is cloudy sky
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
A collection of odd guitar accessories. (a) finger pick set (3.4 x 2.0 diam) four metal frames that fit over the finger tip,Y-shaped with the arms of the Y forming an adjustable band that fits around finger, and the stem of the Y passing up over the tip of the finger and down the back halfway to t…
A collection of odd guitar accessories. (a) finger pick set (3.4 x 2.0 diam) four metal frames that fit over the finger tip,Y-shaped with the arms of the Y forming an adjustable band that fits around finger, and the stem of the Y passing up over the tip of the finger and down the back halfway to the band, tip is crimped in stiff fold, 3 have solder at the tip to form a longer point. (MFG: Fitrite).(b) finger pick set (2.5 x 1.8 x 2.0) six metal rings that fit over the finger tips, adjustable band has circles cut out along it, flame shaped fingernail rises from band, curling inward slightly, and with cut out circle at middle. (mfg: National) (c) finger pick (2.5 x 1.9 x 2.0) as (b) but without cut out circles (mfg: Artisto) (d) finger picks (3.0 x 1.7 x 1.9) two metal bands that wrap around finger tip, widening near the end, then narrowing to a point that extends off to one side of the finger. (e) finger picks (3.5 x 1.5 x 1.9) two flat ivory bands which curl once around finger tip and extend out to one side in a point. (f) pick (3.2 x 2.3 x .1) small, flat, egg shaped, marbleized, grey plastic, stiff. (mfg: Durro). (g) pick (3.0 x 2.2 x .1) as (f) but brown tortoise shell coloured plastic (mfg: Eureka). (h) pick (2.7 x 1.9 x .1) as (f) but transparent yellowed plastic ?, slightly curled. (i) capo (5.3 x 1.9 x .9) flat metal bar with small hooks at either end to hold tightly coiled spring across the under side, lined underneath bar with cork. (mfg: Elton). j) bridge ? (4.7 x .8 x 1.1) a long, half round, hollow metal bar with six incised rings spaced evenly along the length. (mfg: Kamiki). (k) slides (7.2 x 1.7 diam) two heavy, solid, brass rods (used to slide over strings when playing the guitar Hawaiian style) (1) peg (5.0 x .9 x 2.3) white, cast plastic peg with long shaft and flattened key with finger depression each side, ferrules around top of shaft. (m) bridge (4.7 x 1.4 x 1.9) low, unfinished wood bridge with small dark support perpendicularly across under middle, short legs thicken slightly at base, series of small notches across top, some deliberately cut into wood, some worn in odd places from strings (mfg: Grover).
A collection of odd, stringed instrument accessories. (a) bridge (5.0 x 1.3 x .5) long, squared, wood, with low legs thicker at base, four shallow notches evenly spaced across top, for ukulele?( b) bridge (4.4 x 1.7 x .6) as (a) but taller and not as long. (c) bridge (2.7 x 2.1 x .3) a small, …
A collection of odd, stringed instrument accessories. (a) bridge (5.0 x 1.3 x .5) long, squared, wood, with low legs thicker at base, four shallow notches evenly spaced across top, for ukulele?( b) bridge (4.4 x 1.7 x .6) as (a) but taller and not as long. (c) bridge (2.7 x 2.1 x .3) a small, high, yellowed, glass like bridge with arced top, and arch under between legs, curved in at sides, and four shallow notches across top. (d) pegs (15.9 x .9 x 1.9) three plain, wooden tuning pegs with straight, tapering shafts, and simple round flat keys at top with depressions for fingers to grasp, small slit cut across bottom, impressed marks from strings around bottom. (e)pick guard (7.8 x 5.2) small, lyre shaped form cut from a thin sheet of tortoiseshell patterned plastic, two pinholes at stem where broken off from something else (a bracket?).
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-col…
In the centre of the square painting a walking black bear looks down at the ground. Behind the bear is a slope of green trees with a blue mountain beyond, viewer’s right. The sky above is grey and the whole scene is bordered in brown. In the top corner, viewer’s right, is a paw print on a taupe-coloured background, surrounded by a black square. Printed on the top back of the painting “BLACK BEAR - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw pri…
In the centre of the square painting a walking brown and black grizzly bear looks toward viewer’s right. Behind him are blue/grey rocks, grey sky and a blue and grey blue mountain beyond, viewer’s right. The scene is bordered in dark brown and in the top corner, viewer’s left, is a grizzly paw print on a taupe-coloured background, bordered with black. Printed on the top back of the painting “GRIZZLY - STUDY/SKETCH (2009)” underneath in script “Lynne Huras”, and underneath this “ACRYLIC, ACRYLIC MEDIUM, DRY PASTEL ON PAPER”.
A circular pin in the shape of a spoked ship's wheel with an enamelled map of the world at the centre. There is a red band around the map with the words “Everett Travel Service” spaced evenly around the circle. The pin has a large stud clasp back.
A circular pin in the shape of a spoked ship's wheel with an enamelled map of the world at the centre. There is a red band around the map with the words “Everett Travel Service” spaced evenly around the circle. The pin has a large stud clasp back.
To the right of centre, the lower trunk of a large larch tree is visible. The trunk is outlined in black, and coloured brown and blue-grey (with touches of ochre and red-brown). In the upper half of the sketch, a few small branches, with brushstrokes indicating groups of yellow needles, are growing…
To the right of centre, the lower trunk of a large larch tree is visible. The trunk is outlined in black, and coloured brown and blue-grey (with touches of ochre and red-brown). In the upper half of the sketch, a few small branches, with brushstrokes indicating groups of yellow needles, are growing from the tree's trunk. In the middleground are groups of younger (smaller) yellow trees, with tall dark green evergreens behind them. Beyond the trees is a flat area coloured tan-green.
General colour: light green, brown. The lake sits in the lower third of the picture between two points of grassy treed land. One comes from the left side across the bottom, the other from the right side, part way up to right of center. A brown mountain range rises up from the lake and to the right …
General colour: light green, brown. The lake sits in the lower third of the picture between two points of grassy treed land. One comes from the left side across the bottom, the other from the right side, part way up to right of center. A brown mountain range rises up from the lake and to the right side. Sky beyond with two birds flying center and left.
Alarm clock with metal case and rounded wooden frame that sits on halved, flattened dowels. The face of the clock is covered with convex glass. The face of the clock has a small dial used to set the alarm time underneath the “12”. The center of the clock has metal hands and “Mayfair.” The back …
Alarm clock with metal case and rounded wooden frame that sits on halved, flattened dowels. The face of the clock is covered with convex glass. The face of the clock has a small dial used to set the alarm time underneath the “12”. The center of the clock has metal hands and “Mayfair.” The back of the clock has keys to wind the clock, set the time and a knob to turn on and off the alarm.