Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.
Front: a rather dark image of trees on the left and buildings on the left. Water runs between the two. brc: Brimsley [Brinsley?] RoughBack: a small dark drawing of a forest with a water or a path running through it.There is some indecipherable writing.
A figure on a horse moves from the left side of the image. A town sits in the centre background. The foreground is a grassy field and the upper half of the image is a cloudy sky.
A figure on a horse moves from the left side of the image. A town sits in the centre background. The foreground is a grassy field and the upper half of the image is a cloudy sky.
Scene of a boat blue/rusting in colour with waves exploding up around its sides reaching twice the height of the boat in the air - the sky is a pale grey colour.“Collings used cold colours in this starkly observed drama. The air is filled with pale puffs of explosives while white jets of water burs…
Scene of a boat blue/rusting in colour with waves exploding up around its sides reaching twice the height of the boat in the air - the sky is a pale grey colour.“Collings used cold colours in this starkly observed drama. The air is filled with pale puffs of explosives while white jets of water burst from what appears to be a fire boat.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath
At the top are two rough sketches of a man’s head with a hat. Two figures stand in the middle, one is facing away from the viewer, and the other a semi-side view. At the bottom is a man’s profile.
At the top are two rough sketches of a man’s head with a hat. Two figures stand in the middle, one is facing away from the viewer, and the other a semi-side view. At the bottom is a man’s profile.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
A series of ten drawings, two of which join together to form one large. All drawings relate together in that they are all on the same place and action of men at work. Originally they were in a folded piece of cardboard entitled Cider Pound.
Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
Front: a smattering of houses are along the curving cliff that runs from the brc out to middle of work. The cliff and sea is to the left.Back: a simple scene of four boats out in the water. Top third of image is sky.Some colours in writing dictating a colour scheme
Two figures walk closely together on a path which leads to the ocean in the upper right side of the image. On both sides the couple is centred by grass and hill landscape.
Two figures walk closely together on a path which leads to the ocean in the upper right side of the image. On both sides the couple is centred by grass and hill landscape.
A crowd stands in front of a few buildings. A steeple or tower can be seen to the left.At left is a stamp that reads “The Bungalow, Sandhills, Deal” [Kent]
A crowd stands in front of a few buildings. A steeple or tower can be seen to the left.At left is a stamp that reads “The Bungalow, Sandhills, Deal” [Kent]
Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.
Field, gate and shed (Rough sketch of buildings on back)
Date
c. 1900
Medium
graphite on paper
Dimensions
15.0 x 25.0 cm
Description
Front: a dilapidated building stand on the right, and a fence runs off into the distance. Most of the left of the image is field. There are buildings and trees on the horizon. Some writing details a colour scheme.Back: a very rough sketch of some cottages and buildings.
Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collin…
Landscape, colourful rolling foothills in the forground. - in the immediate forground at the bl. is a spot of green brown grasses. - past that is a varying green plateau. - then a spot of trees onward to the purple/blue mountains in the distance. - the sky fades into a yellow to green shade.“Collings typically restricted his darkest tones in this late watercolour to minimal accents -- a streak of rich sienna merging with deep blue which works as a ‘base line’ and his the key to colour relationships in the rest of his picture. The overall pastel tones and broad, open river valley view combine to produce an effect of silent and awesome beauty.” -- “Charles John Collings, 1848-1931” Catalogue Raisonne by Linda Heath