A well defined duck is squatting on a rock. Its head is slightly turned to the right, breast and back feathers are indicated with long thin lines, the wings lay back with minimal definition.
A well defined duck is squatting on a rock. Its head is slightly turned to the right, breast and back feathers are indicated with long thin lines, the wings lay back with minimal definition.
Flat based duck with long neck and collar under neck; rough textured soapstone on right side; note shaping of bill; scratched syllabics on base and 155530 and detached tag in reference file indicates Devidee Show artiste, Origine Inoucdjouac (Port Harrison) and identification 155530 duck canard.
Flat based duck with long neck and collar under neck; rough textured soapstone on right side; note shaping of bill; scratched syllabics on base and 155530 and detached tag in reference file indicates Devidee Show artiste, Origine Inoucdjouac (Port Harrison) and identification 155530 duck canard.
A carved and painted wooden gull parched on a small piece of driftwood. The gull has its wings up and mouth open. On the bottom is a silver label that reads “MADE BY WILFRED R. DALZELL ST. JOHN, N.B.”
A carved and painted wooden gull parched on a small piece of driftwood. The gull has its wings up and mouth open. On the bottom is a silver label that reads “MADE BY WILFRED R. DALZELL ST. JOHN, N.B.”
A full grown hawk is sitting with a fledgling under its breast. The wings of the hawk are well carved on the back, the right wing overlaps the left wing. Its head is turned slightly to the left. The fledgling has its mouth open, Also looking to the left. The fledgling is gray in appearance from the…
A full grown hawk is sitting with a fledgling under its breast. The wings of the hawk are well carved on the back, the right wing overlaps the left wing. Its head is turned slightly to the left. The fledgling has its mouth open, Also looking to the left. The fledgling is gray in appearance from the fine inscribing of the sculptor. The nest is well defined. Numerous cracks over all the soapstone.
Grey-green stone sculpture of a figure wearing a hooded coat sitting in a closed kayak. The figure is holding a ivory/bone paddle and there is a coil of leather rope holding a ivory/bone spear and a stone animal on the back of the kayak. The figure has carved features. On the bottom of the kayak “T…
Grey-green stone sculpture of a figure wearing a hooded coat sitting in a closed kayak. The figure is holding a ivory/bone paddle and there is a coil of leather rope holding a ivory/bone spear and a stone animal on the back of the kayak. The figure has carved features. On the bottom of the kayak “TATIGATE E5 - 553” is engraved roughly.
Dark stone sculpture of a man holding something. Catharine Whyte wrote on slip of paper “Eskimo with design on parka - NOYWO from Povungnituk - where sculpture comes from in Herald.”
Dark stone sculpture of a man holding something. Catharine Whyte wrote on slip of paper “Eskimo with design on parka - NOYWO from Povungnituk - where sculpture comes from in Herald.”
A fully rigged western horse with his head down eating grass; on his right shoulder a brand: JM; the horse is standing on all 4 feet and with his nose to the ground these all make contact with the base - solid bronze. The horse Red Wing was Mrs. Gourlay's own pet and favourite mount for many years.…
A fully rigged western horse with his head down eating grass; on his right shoulder a brand: JM; the horse is standing on all 4 feet and with his nose to the ground these all make contact with the base - solid bronze. The horse Red Wing was Mrs. Gourlay's own pet and favourite mount for many years. See Beil file for more information.
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, …
Detailed sketch for final version of the 1951 Christmas card. Several animals can be seen surrounding Catharine and Peter’s vehicle, there is a tree in the foreground, and two mountains in the background. “SEASONS GREETINS CATHARINE AND PETER” are written on the TL and BL hand side of the drawing, with Peter’s signature and date in the BRC of the drawing. Some coloured pencil markings in the BRC starting 4.5cm to the left with a circled no. 3 written in pen and 8cm up more coloured pencil. verso: written in coloured pencil “not over 4”x6””, “3 colors Cragg & Canyon Banff”, and “mountain”
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
The 1955 Christmas card design. Peter is standing beside Catharine who is sitting on a tree stump. They are watching a group of animals paint the mountain scene in the background. Below the drawing it says “SEASON’S GREETINGS 1955 CATHARINE AND PETER”verso: ink marks along the left edge
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, …
A Christmas card design of a group of vehicles in a convoy travelling down a road to the mountains. The last car is filled with a group of animals, and beside this vehicle there is a post with a bunch of signs pointing to directions to different cities. These signs say “HOMER, FAIRBANKS, EDMONTON, DAWSON CITY, BANFF, ANCHORAGE, VALDEZ, WHITEHORSE, FORT ST. JOHN, AND SEWARD”. The licence plate on the last vehicle says “B.N.P. 1956 CANADA”. While below the drawing it says “SEASONS GREETINGS CATHARINE AND PETER”. Around the edges of the drawing it says “6 inches” and “3 3/4”
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
The 1954 Christmas card. Peter and Catharine sit on stools at their easels painting the mountain landscape in front of them. There is a group of animals standing around watching them. Written below the drawing it says “SEASON’S GREETINGS 1954 PETER AND CATHARINE”.
The bronze modelled by Peter Whyte and cast by Charlie Beil. The bronze ski jumper is in an outstretched position, the skis resting on a sphere 20.0 diameter which stands on a flat circular base, this is all on top of a black wooden base; inscribed into the bronze base is North American Ski Champio…
The bronze modelled by Peter Whyte and cast by Charlie Beil. The bronze ski jumper is in an outstretched position, the skis resting on a sphere 20.0 diameter which stands on a flat circular base, this is all on top of a black wooden base; inscribed into the bronze base is North American Ski Championships. Brass plates nailed on to wooden base indicating Peter Whyte Memorial Trophy and winners.
A free standing block on which are carved two faces each side (front and back) the whalebone is a mottled colour and irregular in texture, one side the larger face is on top, other side the larger face is on the bottom, each expression is different, the features are stylized but distinct.
A free standing block on which are carved two faces each side (front and back) the whalebone is a mottled colour and irregular in texture, one side the larger face is on top, other side the larger face is on the bottom, each expression is different, the features are stylized but distinct.
on a rather square piece of thin rice paper is a small shape approx. 5cm x 5cm. It sits to the centre right of the page and centre bottom. The shape in unidentifiable, and is made of of 2 types of brush strokes. The ‘body’ of the shape has thick brush strokes that move inward. the top of the sh…
on a rather square piece of thin rice paper is a small shape approx. 5cm x 5cm. It sits to the centre right of the page and centre bottom. The shape in unidentifiable, and is made of of 2 types of brush strokes. The ‘body’ of the shape has thick brush strokes that move inward. the top of the shape is a thin solid line that sits on top of the shape. On top of this line is a small triangle. On the bottom left of the shape a small strait line juts out, and curves a little at the bottom