Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His t…
Located in the center and filling most of the image area is an Inuit dancer. He stands with his back toward the viewer. His tunic is a yellow colour and he holds a drum stick in his right hand. He has medium length straight hair depicted in graphite and a colourful belt tied around his waist. His tunic has fringes at the sides and bottom and he has a decorative strip around the top of his mukluk.
General colour: brown on white. A horse saddled and carrying a rifle, saddle bags, and another case. Stands facing left. His ears are perked. Around the edges are notes by the artist regarding colouration.
General colour: brown on white. A horse saddled and carrying a rifle, saddle bags, and another case. Stands facing left. His ears are perked. Around the edges are notes by the artist regarding colouration.
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Drawn lightly are two bison running toward each other ready to bang heads. Under foot you can see the suggestion of ground represented by a few lines. One bison is running from the upper left corner and the other is running from the center right.
Christmas card drawing. A group of animals are painting canvases that are resting on easels. They are facing the viewer suggesting they could be painting you. Below the drawing it says “CATHARINE AND PETER SEASON’S GREETINGS” and in the TRC “164”
Christmas card drawing. A group of animals are painting canvases that are resting on easels. They are facing the viewer suggesting they could be painting you. Below the drawing it says “CATHARINE AND PETER SEASON’S GREETINGS” and in the TRC “164”
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms rais…
Colour: black on white. The horse plunges to the left. The rider leans to viewer’s right, the coup stick in his hand coming down to touch the head of another man who is bent over. In the background are silhouettes, to the left is a figure holding onto a horse and rider; both figures have arms raised and between the rider and figure to the right is a silhouette of another horse and rider.Au verso in pencil “COUP” the word “SOLD” in a rectangle, to the right of that “Archives of the Cdn” and above that the number “60” encircled and then an “X” to cross it out
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear backgro…
Two figures, a man and a woman, are seated on grass, both are facing to the left, the woman is covered by a cloak with only her head showing, the man is behind her also facing to the left, lying down resting on his elbows, the grass is bottomn quarter of picture and finely detailed, a clear background behind the figures.
Watercolour and pencil drawing of an older woman wearing green pants, red coat and blue scarf and mittens occupies the foreground. She has just skied down a hill, leaving six fallen skiers in her wake. There are two people on the top right horizon watching. Bottom left: GRANDMA TAKES TO SKIING.
Watercolour and pencil drawing of an older woman wearing green pants, red coat and blue scarf and mittens occupies the foreground. She has just skied down a hill, leaving six fallen skiers in her wake. There are two people on the top right horizon watching. Bottom left: GRANDMA TAKES TO SKIING.
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
Colour: black on white, the head of a woman, facing slightly to viewer’s right. The left side of the face is visible the right side is in total darkness. Her neck hides in the shadows also though her shoulders are white. Only the outline indicates their shape.Au verso: HALF FACE IN THE DARK
A man and a woman with their backs to the viewer are dressed in fancy outfits. There is a flask in the man’s back pocket. Signed Peter Whyte in cursive in brc.Top centre title: If You Cant Get the New Year Spirit Why Not Take Your Own--MOANA HOTEL HONOLULU [brc]; JANUARY 1ST [blc]
If You Cant Get the New Year Spirit Why Not Take Your Own--
Date
1934
Medium
graphite; watercolour on paper
Dimensions
30.8 x 23.8 cm
Description
A man and a woman with their backs to the viewer are dressed in fancy outfits. There is a flask in the man’s back pocket. Signed Peter Whyte in cursive in brc.Top centre title: If You Cant Get the New Year Spirit Why Not Take Your Own--MOANA HOTEL HONOLULU [brc]; JANUARY 1ST [blc]
A realistic rendering of a head and shoulder portrait of Jim Brewster; a three-quarter view; he has on a light brown hat, blue jacket, white shirt, red tie; streaks of colour in background.
A realistic rendering of a head and shoulder portrait of Jim Brewster; a three-quarter view; he has on a light brown hat, blue jacket, white shirt, red tie; streaks of colour in background.
Head and shoulders portrait of John Brewster as an elderly man. The head is drawn in good detail, full faced, shirt and tie evident, shoulders sketched in lightly. The face is round, hair over ears, otherwise bald, brown eyes, mustache, and amicable look.
Head and shoulders portrait of John Brewster as an elderly man. The head is drawn in good detail, full faced, shirt and tie evident, shoulders sketched in lightly. The face is round, hair over ears, otherwise bald, brown eyes, mustache, and amicable look.
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holdi…
Colour: black on white. Central to the picture are six men entangled in an attempt to retrieve a ball from one of them. Two men have head bands only five lacrosse sticks are evident. In the background to the left are five more players - to the right are three players and in the centre one is holding his lacrosse net over his head.Au verso “LACROSSE GAME” trhc K.64 below encircled “112” brhc encircled “40” topped by encircled “3” vestiges of earlier drawing.
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle -…
General colour: red, yellow, blue, black on white - equal portions. A single figure showing a force looking right, above that a fish looking left and above that a bird, wings spread, and legs coming down, looking right. Symbolic meanings - mother and child on her back, fish with eggs and an eagle - all powerful symbols.
Peter is taking a nap on three logs that have three squirrels on the top, three birds rest on his body. At his feet there is a stump with an axe in it, with three more birds watching Peter and beside the stump there is a bear. Peter has comic “z’s” coming up from his body where in a conversation bu…
Peter is taking a nap on three logs that have three squirrels on the top, three birds rest on his body. At his feet there is a stump with an axe in it, with three more birds watching Peter and beside the stump there is a bear. Peter has comic “z’s” coming up from his body where in a conversation bubble he describes his dream of sitting at a table with Catharine around a meal. Written along the top edge “TO MOTHER ROBB FROM PETER” and along the bottom edge “A MERRY CHRISTMAS AND A HAPPY NEW YEAR”
A mink is sitting by a waters edge. The water is not drawn but suggested by the grass and the ground that has been drawn in around the mink. The mink is the darkest image within the drawing.
A mink is sitting by a waters edge. The water is not drawn but suggested by the grass and the ground that has been drawn in around the mink. The mink is the darkest image within the drawing.