An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s …
An oil sketch of a lake landscape. The primary colours used are green, grey, blue and brown. The sky is dominated with thick grey strokes of colour. Surrounding the water at the top and bottom are thick strokes of green. The blue of the water is a streak across the middle of the work. The artist’s signature is in the brhc in green paint.
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black…
An oil sketch of a mountain landscape. The primary colours used are blue, orange, red and brown. The image is composed of a mountain range in the background, with a body of water and a segment of land in the foreground. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the trhc, “45/W”.
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artis…
An oil sketch of a landscape. The primary colours used are green, grey, purple and beige. The upper third of the piece is in green, red and beige, with the shadows of the trees depicted as red lines. The majority of the canvas centre is grey, with a variety of colours on the right centre. The artist’s signature is in the blhc in purple paint. Au verso, written in black ink in the tlhc, “47/R”.
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circle…
Across the Southern States to the Blue Pacific and Vancouver
Date
1925 – 1966
Medium
graphite on paper
Dimensions
14.5 x 21.0 cm
Description
Side 1: Pencil drawing of car driving on a highway to the viewer’s right and into the distance. Other more roughly sketched vehicles are in oncoming lanes. A sign to the right of the road reads: ACROSS THE SOUTHERN STATES/ TO THE PACIFIC AND/ VANCOUVERIn the top left corner, the number 13 is circled.Side 2: Pencil drawing of a car driving through a landscape of rolling hills. Mountains are barely visible in the background. This illustration is in a rectangular box. Below this box is a rectangle that is divided into four.
Colour: green, purple. Across the bottom and angling up left is grass with trees, three at left and two at right, along the river's edge. The green river comes in from the right side, goes left and then up right side to disappear into the far shore of dark trees. The right shore juts in from that s…
Colour: green, purple. Across the bottom and angling up left is grass with trees, three at left and two at right, along the river's edge. The green river comes in from the right side, goes left and then up right side to disappear into the far shore of dark trees. The right shore juts in from that side, halfway up. In the background across the top are purple mountains. Five peaks meet a green grey sky.
Colour: blue, white, grey. At the right side is a dock. Two boats are tied up at the end of it. Across the picture on the other side of the lake are low buildings and to the left a buildng with a tower on the corner of it. Dark green slopes rise up to the right from behind. Mountains can be seen ju…
Colour: blue, white, grey. At the right side is a dock. Two boats are tied up at the end of it. Across the picture on the other side of the lake are low buildings and to the left a buildng with a tower on the corner of it. Dark green slopes rise up to the right from behind. Mountains can be seen just behind them. The sky is layers of grey and fills the upper half.
Colour: blue. A snow scene. Two trees stand center and left reaching to the top of the picture. Another two trees grow on the right side. Between these is a snow covered log cabin. Trees can be seen vaguely in the distance. The sky behind is warm blue and fills the upper third.
Colour: blue. A snow scene. Two trees stand center and left reaching to the top of the picture. Another two trees grow on the right side. Between these is a snow covered log cabin. Trees can be seen vaguely in the distance. The sky behind is warm blue and fills the upper third.
Colour: grey, blue, brown. In the lower area to the left side is a brown slope. In the middle area there are three buildings; one left of center, two right of center. To the right side is a grey snow slope. Behind the houses across the picture is an abrupt rock face. Snow and rock slopes rise up to…
Colour: grey, blue, brown. In the lower area to the left side is a brown slope. In the middle area there are three buildings; one left of center, two right of center. To the right side is a grey snow slope. Behind the houses across the picture is an abrupt rock face. Snow and rock slopes rise up to the left and right of it. Sky is in the upper right area.
A lake is in foreground, some green foliage in immediate foreground. Houses jut out into the lake at left centre. A green mountain rises abruptly at centre left to top left with blue and white mountains to the right. A cloudy sky is top third .
A lake is in foreground, some green foliage in immediate foreground. Houses jut out into the lake at left centre. A green mountain rises abruptly at centre left to top left with blue and white mountains to the right. A cloudy sky is top third .
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of cloud…
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of blue, above which there are a series of vertical forms in green, blue and grey which could represent trees. The artist’s signature is in the brhc in orange paint. Au verso, written in black ink in the tlhc, “49/W”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mo…
An oil sketch of a mountain landscape. The primary colours used are grey, purple and beige. The sky is composed of swirls of grey , and the mountain on the left rises high into the sky and runs low across the centre of the work towards the right. The lower third of thework is blue, with lines of mottled green and beige. The artist’s signature is in the brhc in purple paint. Au verso, written in black ink in the tlhc, “49/X”.
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that sugg…
An oil sketch of a mountain landscape. The primary colours used are grey, purple, green and beige. From the left side of the image raises a grey mountain in light and dark grey sections. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of grey-blue, above which there is a line of green. The artist’s signature is in the brhc in grey paint. Au verso, written in black ink in the tlhc, “49/Y”.
Colour: greys, green, yellow. The foreground is green ground with a yellow larch at the right side and two dead tree stumps at the left side. The background is grey mountain sides and grey sky.
Colour: greys, green, yellow. The foreground is green ground with a yellow larch at the right side and two dead tree stumps at the left side. The background is grey mountain sides and grey sky.
Colour: yellow, green. Across the bottom is grass, then a bank of yellow aspens across the main part of the picture. Above them, a hill can be seen and snowy peaks rise up behind into grey clouded sky.
Colour: yellow, green. Across the bottom is grass, then a bank of yellow aspens across the main part of the picture. Above them, a hill can be seen and snowy peaks rise up behind into grey clouded sky.