Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter. I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original fil…
ca.260 motion pictures (ca.490 reels) : some with audio reels. -- 2 audio reels. -- 18 cm of textual records. --3 sound recordings. -- 21 photographs : prints, transparencies
History / Biographical
Edward (Eddie) Clement Edgar Hunter, b.1926, is a skier, cinematographer, broadcaster, photographer and writer based at Banff, Alberta, Canada. Hunter began skiing in his native Edmonton, Alberta and became an expert ski racer in the mountains. He came to live in Banff with his parents in 1934 and was introduced to the Sunshine Ski area in 1936 by his uncle, Lloyd Hunter, who drove "Sunshine Suzie" for Brewster Transport. Hunter skied extensively in the Canadian Rockies, in Squaw Valley, California (1950) and competitively in Europe starting in 1954.
Hunter worked as a free-lance cameraman during the 1950s and later in early live television in Calgary at CHCT, later CFAC. After working as an official photographer for the 1960 Winter Olympic Games in Squaw Valley, he joined CFCN television. Hunter hosted a children's show, "Head Hunter," and a talk show, "Late Knight," while running a weekend ski program until 1965. Hunter held the photography concession on Sulphur Mountain, producing Polaroid shots for tourists and giving natural history talks.
Hunter worked mainly as a free-lance motion picture cameraman for the next twenty-nine years. His major accomplishments, while working for other companies, involved a cold-war era agriculture documentary in Russia (1959), a documentary about the Superman movies in Calgary and camera work for the official 1988 Winter Olympic Games film. Most of the film footage in this fonds was produced by Hunter during quiet times when he was not hired out to other production companies. Head Hunter Films produced a number of short promotional films for Air Canada, Canadian Mountain Holidays, Sulphur Mountain Gondola, Norquay Ski Area and others. "How the West was Skied" was mainly a compilation of footage Hunter filmed over the years, supplemented with early footage collected from other sources.
Scope & Content
Fonds consists of motion pictures, sound recordings, textual records and photographs produced by Eddie Hunter.
I. Eddie Hunter motion picture footage in four sub-series: A. Red series, predominant 1955-1988, ca.190 motion pictures or segments. Consists of camera originals and finished original films. Mainly unedited footage of skiing, ski racing, celebrities, developments, heli-skiing, disabled skiing, freestyle skiing and humorous skiing in the Canadian Rockies, Bugaboos, Cariboos, Monashees and Coast Range, also the United States and Europe. Features many prominent local and international skiers; Banff, Lake Louise and Jasper and areas; promotional and documentary film footage. B. Blue series, predominant 1960-1985, ca.60 motion pictures and segments, 4 video recordings. Consists of work prints and projection copies. C. Other motion pictures, before 1995, 12 motion pictures, 1 video recording. Consists of motion pictures collected by Hunter. D. Audio reels, between 1970 and 1995, 2 items.
II. Textual records, ca.1945-1991, ca.30 cm. Series consists of film lists, scripts, call sheets, programmes, and other material; files re short films; and historical skiing materials.
III. Sound recordings, ca.1965, 2005, 3 items. Series consists of Eddie Hunter nature talk for use on Sulphur Mountain, ca.1965; Edward VIII abdication speech for Canadian Wax Gallery, Banff, undated; two-part interview with Howard Srigley, March 8 & 14, 2005.
IV. Photographs, 1968, 21 items : prints, transparencies. Series pertains to opening day ceremonies at the Banff Public Library / Archives of the Canadian Rockies.
Notes
This material is presented as originally created, it contains outdated cultural descriptions and potentially offensive content. Materials in historical collections reflect the attitudes, ideas, and norms of the era and culture in which they were created or collected. Offensive or harmful terms are retained for historical accuracy or to document the issues and social context of a specific time and the attitudes and opinions of the people who created the material.
Copyright, privacy, commercial use and other restrictions may apply
Language
Language is English
Finding Aid
Finding aids and reference tools series and file description
film-maker's notes (in case file: descriptions sometimes inaccurate due to editing of the films subsequent to ca.1990 preparation of notes)
Related Material
Accompanied by publications, motion picture camera and equipment, sound recording/playback equipment, skis, ski apparel, etc. transferred to library and heritage collections, Whyte Museum
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt…
Glen Boles (1934-2022), was born in St. Stephen, New Brunswick and moved to Calgary, Alberta in 1953. In 1957 he was persuaded to climb with co-worker and mountain guide Heinz Kahl, a native Bavarian. Heinz Kahl and English climber Brian Greenwood introduced Boles to more difficult climbing. Boles has climbed extensively in the Rockies, summiting over 400 peaks including many new routes and first ascents. He has also climbed in the Interior Ranges of British Columbia as well as the St. Elias Range of Alaska and the Alps. Boles is also an avid skier and spent 13 years on the Canadian Ski Patrol System and is a member of the Ski Friends program in Lake Louise.
Boles retired from the City of Calgary Waterworks Engineering Division in 1991 after thirty-five years employment. Boles and his wife (married in 1965) reside in Cochrane, Alberta. From his mountain experiences, Glen has developed an interest in photography, drawing and writing and has co-authored "The Climbing Guide to the Canadian Rockies-South" and "Place Names of the Canadian Alps" with Bill Putnam and Roger Laurilla.
Scope & Content
Fonds consists of 27 limited edition prints of pen and pencil drawings by Glen Boles, 1994-2002. Content of prints include Mt. Assiniboine, Mt. Fay, Mt. Louis, Mt. Alberta, Abbot Pass & Victoria Glacier, Snowpatch Spire, Howser Spires, Mt. Finger, Three Sisters, Tower of Babel, Eisenhower Tower, Mt. Stephen, Bugaboos, Bighorn Sheep, Cougar, Timber Wolf, Grizzly Bear, Mt. Robson, Berg Lake, and Yamnuska. Fonds also includes approximately 40 diaries, ca. 1967-2021 and 16.5 cm. of correspondence 1987-2010
Notes
27 drawing prints moved to Oversize infofile storage under title "Artists - Glen Boles"
In August, 1881 Lieutenant Adolphus W. Greely and a team of 25 determined men set out as part of the First International Polar Year to build a research station on Ellesmere Island, 450 miles from the North Pole. The Lady Franklin Bay Expedition began as the most ambitious arctic expedition in United States history, but was destined to descend into a three year journey through a frozen hell - a voyage of forced retreaat, starvation, brewing mutiny and cannibalism. Against all odds, six men survived and returned to Portsmouth, New Hampshire as American heros. (from back of book)
Contents
Introduction
Adolphus W. Greely and the Lady Franklin Bay Expedition
The Beginning
Research and Exploration
The Retreat
The Rescue
Greely's Later Years
The Making of the Flim - Abandoned in the Arctic
List of Illustrations
Bibliography
Notes
DVD of associated film included with publication
Robson Gmoser was a member of the 2004 expedition team which also included Bob Saunders, Scott Simper, Julia Szucs, Tom Stere, Jeff Clark, Steve Smith, James Shedd, Gino Ded Guercio
Canada is usually considered to be a country with abundant freshwater, but in its western prairie provinces (WPP), an area 1/5 the size of Europe, freshwater is scarce. European settlement of the WPP did not begin until the late 19th and early 20th centuries. Fortuitously, the period since European settlement appears to have been the wettest century of the past two millennia. The frequent, long periods of drought that characterized earlier centuries of the past two millennia were largely absent in the 20th century. Here, we show that climate warming and human modifications to catchments have already significantly reduced the flows of major rivers of the WPP during the summer months, when human demand and in-stream flow needs are greatest. We predict that in the near future climate warming, via its effects on glaciers, snowpacks, and evaporation, will combine with cyclic drought and rapidly increasing human activity in the WPP to cause a crisis in water quantity and quality with far-reaching implications.
Pertains to wildlife art and wildlife artists at the National Museum of Wildlife Art in Jackson, Wyoming
Contents
Patrons without peer: selections from the McCoy Collection
He speaks for the trees: Dr. Suess and the Lorax
On the natural world
Collection spotlight: Dan Ostermiller's "The Emperor"
Walter Hood to design sculpture trail for museum
Wildlife in American art
Community focus committee: engaging the community
Notes
Features article on page 18 entitled "Looking at Wildlfe - the maturing Carl Rungius" - the National Museum of Wildlife Art holds the largest collection of Carl Rungius pieces in the United States
Pertains to the 2005 first ascent into the Castleguard Cave near the Saskatchewan Glacier in Banff National Park by Marek Vokac, Christian Rushfeldt, Bjorn Myrvold and Jorn Halvorsen