Oil on canvas with a central, forward facing, figure in green and pink and wearing a blue surgical mask on face Ear length brown hair. White background bleeds into figure.
Oil on canvas with a central, forward facing, figure in green and pink and wearing a blue surgical mask on face Ear length brown hair. White background bleeds into figure.
(a) portrait of Dorothy Carleton facing the viewer, her face in the top 1/3 and shoulders fade into the prominent wood grain, the bottom 2/3 is lightly painted white dress on wood grain. There is ar rainbow in top left corner to represent Dorothy’s statement of “living at the end of the rainbow”, t…
(a) portrait of Dorothy Carleton facing the viewer, her face in the top 1/3 and shoulders fade into the prominent wood grain, the bottom 2/3 is lightly painted white dress on wood grain. There is ar rainbow in top left corner to represent Dorothy’s statement of “living at the end of the rainbow”, the street she lived on in Banff with her family according to painter Tosh.(b) 142 x 30 cm white silk panel with black typed inscription
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso s…
A landscape oil painting, on board, of forest on fire. The painting is dominated by one central tree. Fallen tree on fire diagonally across painting in foreground. Background is thick forest on fire and some blue sky with orange smoke. Primarily red, green, blue and yellow color palette. Au verso several stickers. At top white with black printing “THIS PAINTING HAS BEEN DONATED TO THE PERMANENT COLLECTION OF THE WHYTE MUSEUM OF THE CANADIAN ROCKIES AT BANFF. IT IS A GIFT FROM THE ARTIST, ROBERT GUEST OF GRANDE CACHE. 2012.” Sticker middle right is yellow with black print, “ CAUTION! HELP AVOID FADING: Display original artwork out of direct sunlight or other strong light, and away from heat or moist conditions!” Bottom left label, white with black printing, “#4. Wildfires./2011” NEW OILPAINT SERIES - 8X10 “ PANELS AT GRANDE CACHE, BY R. GUEST.” Bottom left sticker, blue with black print, see artist bio.
An oil painting on board, unframed. The top-half of the painting comprises the brown and beige shoreline, the red and white boathouse, green coniferous trees, the mountains with snow-covered peaks and the blue sky with horizontal mauve and purple clouds. The bottom half of the painting comprises th…
An oil painting on board, unframed. The top-half of the painting comprises the brown and beige shoreline, the red and white boathouse, green coniferous trees, the mountains with snow-covered peaks and the blue sky with horizontal mauve and purple clouds. The bottom half of the painting comprises the lake and on the viewer’s left, the rocky shoreline and the top-half reflected in the water: the boathouse, the mountains behind, the trees and the sky. The artist signature is in the rhc: DONALD CURRAN 2007. Au verso top printed in pen “LAKE NEAR JASPER CANADIAN ROCKIES” signed in script underneath “Donald Curran 2007”.
An oil painting, unframed, on canvas and mounted on a wooden frame, of Mount Robson in B.C. The dominant colours are blue, white, and black. The bottom half of the painting is the rock, snow and ice of the glacier; the middle portion is the towering snowcapped peak of Mount Robson with other snowca…
An oil painting, unframed, on canvas and mounted on a wooden frame, of Mount Robson in B.C. The dominant colours are blue, white, and black. The bottom half of the painting is the rock, snow and ice of the glacier; the middle portion is the towering snowcapped peak of Mount Robson with other snowcapped peaks behind. The top-third is the sky clear light blue and white above the mountains turning to blue clouds above. The painting is signed (printed) in black ink brhc: “JBrown 07” and a “c” in a circle in blue ink to the left of the signature. Au verso, middle of the top of frame, written in magenta ink “20” ”, to the right of that “Mt Robson Canadian Rockies”, on the side viewer’s left “16” ”, and on the bottom in magenta ink, viewer’s left “Title: Mount Robson, Canada”, to the right, in magenta ink, “Artist: Joan A. Brown 03 07”, and underneath that “10 #mtrobsn 07”
Mountain scene with grassy slope in foreground, dotted with red flowers. Behind are large rocky slopes with a glacier above. The blue sky is visible in the upper left corner.
Mountain scene with grassy slope in foreground, dotted with red flowers. Behind are large rocky slopes with a glacier above. The blue sky is visible in the upper left corner.
An oil sketch of a mountain landscape. The primary colours used are green, blue and grey. The top section of the work is painted white and highlighted with grey clouds. To the right a green and beige mountain extends over to the left, and the bottom section of the piece is blue. The artist’s signat…
An oil sketch of a mountain landscape. The primary colours used are green, blue and grey. The top section of the work is painted white and highlighted with grey clouds. To the right a green and beige mountain extends over to the left, and the bottom section of the piece is blue. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink at the tlhc, “50/Y-2”.
An oil sketch of a mountain landscape. The primary colours used are blue, green, purple and beige. The sky is a solid wash of blue, and the remainder of the work is a mixture of shades, prominently green on the left, beige closer to the sky, and purple mixed with green on the right. One of the moun…
An oil sketch of a mountain landscape. The primary colours used are blue, green, purple and beige. The sky is a solid wash of blue, and the remainder of the work is a mixture of shades, prominently green on the left, beige closer to the sky, and purple mixed with green on the right. One of the mountains on the left is highlighted with a stroke of orange. The glacier is in the centre right of the image. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/A-3”.
An oil sketch of a mountain landscape. The primary colours used are red, blue, white and green. The trhc is white, and the tlhc and centre are blue. The mountains are rendered in shades of red, yellow, green, and blue. In the left centre section of the piece there is a series of blue and orange cur…
An oil sketch of a mountain landscape. The primary colours used are red, blue, white and green. The trhc is white, and the tlhc and centre are blue. The mountains are rendered in shades of red, yellow, green, and blue. In the left centre section of the piece there is a series of blue and orange curves. The bottom left corner is composed of blue strokes in several different directions and highlights in purple and orange. The artist’s signature is written in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/G-3”.
An oil sketch of a mountain landscape. The primary colours used are orange, red, yellow and brown. The sky at the top of the work is orange, with green clouds. The mountains are primarily red and yellow, with purple undertones. There are four vertical lines at the blhc which resemble trees, and the…
An oil sketch of a mountain landscape. The primary colours used are orange, red, yellow and brown. The sky at the top of the work is orange, with green clouds. The mountains are primarily red and yellow, with purple undertones. There are four vertical lines at the blhc which resemble trees, and the brhc is brown. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/H-3”.
An oil sketch of a mountain landscape. The primary colours are orange, yellow, purple and pink. The foreground is orange, with a large mass on the right side that extends up into the centre right. The mountains are rendered in purple and pink, with the sky yellow. The artist’s signature is in the b…
An oil sketch of a mountain landscape. The primary colours are orange, yellow, purple and pink. The foreground is orange, with a large mass on the right side that extends up into the centre right. The mountains are rendered in purple and pink, with the sky yellow. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/I-3”.
An oil sketch of a mountain landscape. The primary colours are green, blue, orange and black. The lower third of the piece is rendered in a mix of orange, green, blue and yellow. The centre of the work is in black paint, that extends on either side to a brown colour. The mountain is green, and is h…
An oil sketch of a mountain landscape. The primary colours are green, blue, orange and black. The lower third of the piece is rendered in a mix of orange, green, blue and yellow. The centre of the work is in black paint, that extends on either side to a brown colour. The mountain is green, and is highlighted in orange. The artist’s signature is in the brhc in blue paint. Au verso, written in black ink in the tlhc, “50/J-3”.
An oil sketch of a mountain landscape. The painting is an impressionistic landscape with thick, visible brush strokes. A mountain in the background dominates the image. In the foreground is a green hillside and forest. The painting consists of primarily green, purple, grey and brown. The artist’s s…
An oil sketch of a mountain landscape. The painting is an impressionistic landscape with thick, visible brush strokes. A mountain in the background dominates the image. In the foreground is a green hillside and forest. The painting consists of primarily green, purple, grey and brown. The artist’s signature is in orange paint in the brhc. Au verso, in the top lhc in black ink, “49/V”. Centre on the top wood frame in blue ink, “68415” and along the bottom, “F145 RAW 68145 78”.
An oil sketch of a mountain landscape and a lake. The primary colours used are blue, green, brown and pink. The top third of the work is blue, with two horizontal sections of cloud that evenly divide the image. The mountains rise from the left and right, and meet low in the centre. The foreground i…
An oil sketch of a mountain landscape and a lake. The primary colours used are blue, green, brown and pink. The top third of the work is blue, with two horizontal sections of cloud that evenly divide the image. The mountains rise from the left and right, and meet low in the centre. The foreground is composed of green sandbars that intersect with the blue of the lake. The artist’s signature is in the brhc in green paint. Au verso, written in black ink in the tlhc, “49-N”.
An oil sketch of a mountain landscape. The primary colours used are green, brown, purple and grey. The sky and the mountain blend together, with the sky primarily grey and the mountain a mixture of shades of purple. The foreground is green, and reaches almost the top on the right and is lower on th…
An oil sketch of a mountain landscape. The primary colours used are green, brown, purple and grey. The sky and the mountain blend together, with the sky primarily grey and the mountain a mixture of shades of purple. The foreground is green, and reaches almost the top on the right and is lower on the left. The paint is applied thickly, particularly along the bottom of the work, where there are two prominent sections of paint that are raised from the piece. The artist’s signature is in the brhc in orange paint. Au verso, written in black ink in the tlhc, “49/U”.
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of cloud…
An oil sketch of a mountain landscape. The primary colours are grey, brown, and blue. From the left side of the image raises a dark grey mountain lined in blue. The lower part of this mountain extends to the right side of the canvas. The sky is grey with modeling that suggests the presence of clouds, or a storm. The bottom of the piece has a small strip of blue, above which there are a series of vertical forms in green, blue and grey which could represent trees. The artist’s signature is in the brhc in orange paint. Au verso, written in black ink in the tlhc, “49/W”.