A watermill is in top right of picture, a stone basement, wooden building with a large waterwheel, a waterfall comes tumbling down from wheel; a grassy slope is in the foreground, lake in foreground; a waterfall tumbles down from left top of picture; the paper is gold trimmed; the foldover paper pr…
A watermill is in top right of picture, a stone basement, wooden building with a large waterwheel, a waterfall comes tumbling down from wheel; a grassy slope is in the foreground, lake in foreground; a waterfall tumbles down from left top of picture; the paper is gold trimmed; the foldover paper presentation cover has Japanese writing: Square Paper for Drawing/painting (translation by Maskao Tani, 8/86). A business card was enclosed in the case: printed: Tsunejiro Miyaoka; handwritten: To Mr. Jack White with kind remembrances, Banff.July 24th 1935.
This triptych features 7 women in a room with a brightly coloured floral rug (red,white and green) a large window spreads through all three panels, through which can be seen land with buildings and water. It is snowing out side. Most of the women have musical instruments. Next to each woman is a…
This triptych features 7 women in a room with a brightly coloured floral rug (red,white and green) a large window spreads through all three panels, through which can be seen land with buildings and water. It is snowing out side. Most of the women have musical instruments. Next to each woman is a descriptor of their role in Japanese. In the first panel are two women standing facing to their own right. The centre panel features three women sitting; two facing left, one right. 2 of these women have musical instruments. The third panel features two women sitting facing left. A green panel is behind them with a scroll on the far wall.
on a rather square piece of thin rice paper is a small shape approx. 5cm x 5cm. It sits to the centre right of the page and centre bottom. The shape in unidentifiable, and is made of of 2 types of brush strokes. The ‘body’ of the shape has thick brush strokes that move inward. the top of the sh…
on a rather square piece of thin rice paper is a small shape approx. 5cm x 5cm. It sits to the centre right of the page and centre bottom. The shape in unidentifiable, and is made of of 2 types of brush strokes. The ‘body’ of the shape has thick brush strokes that move inward. the top of the shape is a thin solid line that sits on top of the shape. On top of this line is a small triangle. On the bottom left of the shape a small strait line juts out, and curves a little at the bottom
Story label on back of bark. Text on back of painting indicates horizontal; but probably intends vertical. Purchased in Australia. by Catharine Robb Whyte ca.1975. Barking and support done by Kensington Art Gallery, Calgary.
Story label on back of bark. Text on back of painting indicates horizontal; but probably intends vertical. Purchased in Australia. by Catharine Robb Whyte ca.1975. Barking and support done by Kensington Art Gallery, Calgary.
Stone carving of a seal hunter on ice. The figure is bending over and looking at the ground. The figure is holding a spear made of ivory that has a leather cord. There is a carved pipe through a hole in one of the figure’s hands. The figure is affixed to a base with posts in the feet that insert in…
Stone carving of a seal hunter on ice. The figure is bending over and looking at the ground. The figure is holding a spear made of ivory that has a leather cord. There is a carved pipe through a hole in one of the figure’s hands. The figure is affixed to a base with posts in the feet that insert into holes.
Sculpted man with loon. Standing man, facing left, holding loon bill with right mitten and supporting rest of bird with left mitten on bird's back; 71583 scratched on bottom; figure highly polished and standing on scored base; details in bird, clothing, face.
Sculpted man with loon. Standing man, facing left, holding loon bill with right mitten and supporting rest of bird with left mitten on bird's back; 71583 scratched on bottom; figure highly polished and standing on scored base; details in bird, clothing, face.
Group of seals carved from light green stone. (a) Irregular shaped base 1.2 high, has carved edges. On this base is a seal 3.0 x 6.0 x 3.5. (b) 2.6x7.2x2.5, lying on left side (c) 2.5 x6.0 x 3.5 lying on belly (d) 2.5 x 6.5 x 3.3 lying on belly. All have carved fins and tails, facial features…
Group of seals carved from light green stone. (a) Irregular shaped base 1.2 high, has carved edges. On this base is a seal 3.0 x 6.0 x 3.5. (b) 2.6x7.2x2.5, lying on left side (c) 2.5 x6.0 x 3.5 lying on belly (d) 2.5 x 6.5 x 3.3 lying on belly. All have carved fins and tails, facial features inscribed.
The typical Inuit Ulu has a light brown bone handel with a piece of metal stuck in the center to support the cutting piece. The cutting blade is triangular in shape with a rounded bottom edge. (b) 15.0 x 9.5 cm A light golden brown piece of bone cut and shaped into a scraper tool. This scraper is n…
The typical Inuit Ulu has a light brown bone handel with a piece of metal stuck in the center to support the cutting piece. The cutting blade is triangular in shape with a rounded bottom edge. (b) 15.0 x 9.5 cm A light golden brown piece of bone cut and shaped into a scraper tool. This scraper is narrow at one end for your hand and wider and thin at the other for the scraping action. At the narrow end there is a thin piece of skin threaded threw a hole and knotted used for hanging. (c) 89.0 x 4.5 cm A piece of skin with a wide spot in the center and a long strips stitched on either side used for a slingshot. The skin is light in color and also a light weight. At the end of one skin strip there is a hole and at the other there is a section that has been doubled up and stitched. The center piece has two holes in the center.